Iceland Through the Eyes of William Morris: An Aesthetic Antithesis to England’s Industrial Revolution
The project for which I received an ORCA grant in the 2014-2015 academic year stemmed from my senior thesis project, a requirement for graduating with a bachelor’s degree in art history and curatorial studies, which I did in August 2015. The senior thesis project includes writing a 15- page resear...
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| Format: | Text |
| Language: | unknown |
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BYU ScholarsArchive
2016
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| Online Access: | https://scholarsarchive.byu.edu/jur/vol2016/iss1/103 https://scholarsarchive.byu.edu/context/jur/article/1886/viewcontent/auto_convert.pdf |
| Summary: | The project for which I received an ORCA grant in the 2014-2015 academic year stemmed from my senior thesis project, a requirement for graduating with a bachelor’s degree in art history and curatorial studies, which I did in August 2015. The senior thesis project includes writing a 15- page research paper and giving a ten-minute formal. My topic of choice was the connection between William Morris’s textile designs c. 1875-1885 and his travels to Iceland in 1871 and 1873. |
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