Recording of Marco Borogni’s Vocalise Etudes for Trumpet
The experience of preparing, completing, and evaluating the progress of my ORCA project over the past twelve months has helped me grow exponentially as an aspiring orchestral musician. Specifically, preparing the Bordogni etudes has helped me achieve a heightened musical sense of phrasing, analysis,...
| Main Authors: | , |
|---|---|
| Format: | Text |
| Language: | unknown |
| Published: |
BYU ScholarsArchive
2019
|
| Subjects: | |
| Online Access: | https://scholarsarchive.byu.edu/jur/vol2019/iss2019/181 https://scholarsarchive.byu.edu/context/jur/article/1181/viewcontent/auto_convert.pdf |
| Summary: | The experience of preparing, completing, and evaluating the progress of my ORCA project over the past twelve months has helped me grow exponentially as an aspiring orchestral musician. Specifically, preparing the Bordogni etudes has helped me achieve a heightened musical sense of phrasing, analysis, and musicality. Our musical and academic objectives of the project were to provide a reference for future trumpet performance students on vocalise studies (such as these,) and the concept of overall sound production, phrasing, and virtuosity. We were able to record a CD that will be documented and preserved in the trumpet studio for students to reference as a resource for these techniques in the coming years. Overall, we were able to meet and ultimately exceed our expectations of the academic outcome of this project as it benefited not only myself, but others as well. |
|---|