The data imaginaries of climate art: the manifest data project

The authors discuss a series of artworks produced since 2009, including The Southern Ocean Studies (2012), The Northern Polar Studies (2014) and Carbon Topographies (2020). Through this work they explore how climate models can be employed to develop data-driven imaginaries of climate change, its imp...

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Bibliographic Details
Published in:Leonardo
Main Authors: Corby, T., Baily, G., Mackenzie, J., Lane, G., Dickson, E., Sime, L., Roussos, George
Format: Article in Journal/Newspaper
Language:unknown
Published: MIT Press 2022
Subjects:
Computer Science and Information Systems
Southern Ocean
Online Access:https://eprints.bbk.ac.uk/id/eprint/47082/
https://doi.org/10.1162/leon_a_02136
Description
Summary:The authors discuss a series of artworks produced since 2009, including The Southern Ocean Studies (2012), The Northern Polar Studies (2014) and Carbon Topographies (2020). Through this work they explore how climate models can be employed to develop data-driven imaginaries of climate change, its impacts and causes. They argue for the experiential potential of this information for producing differently situated ways of knowing climate, framing this through a methodological approach described as “data manifestation.”

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