"I Think I Wrote a Folksong": Popularity and Regional Vernacular Anthems
Abstract The popularity of vernacular song cannot be measured by market research alone. As this article illustrates, such data must be augmented through a knowledge of the emotional investments that regional groups make in appropriating particular songs and performances as their own. In the mid-seve...
| Published in: | Journal of American Folklore |
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| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | English |
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University of Illinois Press
2002
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| Online Access: | http://dx.doi.org/10.2307/4129223 https://scholarlypublishingcollective.org/uip/jaf/article-pdf/115/456/269/1889941/4129223.pdf |
| Summary: | Abstract The popularity of vernacular song cannot be measured by market research alone. As this article illustrates, such data must be augmented through a knowledge of the emotional investments that regional groups make in appropriating particular songs and performances as their own. In the mid-seventies, Newfoundland songwriter Ron Hynes composed and began publicly performing "Sonny’s Dream." Since then, the song has attained a degree of international popularity, as well as a regional "anthemic" dimension in Atlantic Canada. Anthems are sacrosanct signifiers that express regional social consciousness; they identify common experience through powerful performance and lyrical codes that prompt collective awe. In turn, participants reap rewards of mutual support, assertiveness, and empowerment. A close examination of the lyrics of "Sonny’s Dream" reveals some of the ways that the song’s verbal sentiments have accurately reflected the social concerns and aspirations of Atlantic Canadians. |
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