| Summary: | It is ironic that anyone studying the domestic architecture of Copper Age Sardinia must turn to underground tombs as a source of information, whilst the monumental ‘houses’ of the Bronze Age are among the most conspicuous structures anywhere in Europe. The contrast between these two periods introduces a new theme. The first part of this chapter will study stone towers and related structures in the West Mediterranean. In every case they were associated with settlement sites and some may have been domestic buildings in their own right. Over time, they came to favour a circular plan. This section considers monuments in Sardinia, Corsica, and the Balearics and compares them with sites in Spain. It also asks whether they represent a single phenomenon. The second part considers three groups of timber buildings in Britain and Ireland and the enclosures with which they are associated. In this case they date from different periods. Although they resemble one another on the ground, there were few direct connections between them and, in at least two instances, they are thought to have been ceremonial centres. These sites in the Mediterranean and the North Atlantic are considered together in the light of a recent analysis of monumental architecture in the eastern USA. Both sections are designed to complement one another. The first considers the development of Great Houses in a series of well-populated landscapes. The second works at a larger geographical scale and studies the ways in which such buildings, and the earthworks associated with them, were related to a still more extensive area, until the most elaborate of all could be considered as microcosms of the wider world. Chapter Four discussed the domus de janas of Sardinia, the surprisingly realistic copies of domestic interiors provided for the dead during the Ozieri Culture. They were lavishly decorated and have produced radiocarbon dates which suggest that they were contemporary with the later phases of megalithic art in Western Europe. At the same time, most of the ...
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