‘Shine on us, Grandmother Moon’: Coding in Canadian First Nations Drama
Current productions written, directed, and/or performed by First Nations Canadians are often characterized by a complex layering of myth and iconography operating simultaneously in more than one cultural system. The effect is richly visual and auditory theatre, but, more important, such performances...
| Published in: | Theatre Research International |
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| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | English |
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Cambridge University Press (CUP)
1996
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| Online Access: | http://dx.doi.org/10.1017/s0307883300012670 https://www.cambridge.org/core/services/aop-cambridge-core/content/view/S0307883300012670 |
| Summary: | Current productions written, directed, and/or performed by First Nations Canadians are often characterized by a complex layering of myth and iconography operating simultaneously in more than one cultural system. The effect is richly visual and auditory theatre, but, more important, such performances highlight the essentially indexical and iconographic nature of theatre itself by writing text at the intersection of discourses with quite different political and historical markers and, in the process, bringing those discourses together to form a new typology of signs. What is problematic is the effect of such signs. |
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