Ken Gonzales-Day

Ken Gonzales-Day (born 1964) is a Los Angeles-based conceptual artist best known for interdisciplinary projects that examine the historical construction of race, identity, and systems of representation including lynching photographs, museum display and street art. His widely exhibited "Erased Lynching" photographic series and book, ''Lynching in the West: 1850-1935'' (2006), document the absence in historical accounts of the lynching of Latinos, Native Americans and Asians in California's early history. The series has toured in traveling exhibitions staged by the Los Angeles County Museum of Art (LACMA), Smithsonian Institution and Minnesota Museum of American Art, and appeared at the Tamayo Museum (Mexico City), Generali Foundation (Vienna) and Palais de Tokyo in Paris, among other venues.

''Los Angeles Times'' critic Holly Myers writes that Gonzales-Day's work conveys "a palpable quality of tenderness" through a "delicate form of visual ethics" that explores racial tendencies, perceptions and presumptions "without pinning the dialogue to actual individuals"; curator Gonzalo Casals describes his method as "simple artistic gesture[s] that allow for the reinterpretation of history, opening up new perspectives and allowing for the voices of the 'other' to rise above the official history." Gonzales-Day was awarded a Guggenheim Fellowship in photography in 2017, and is the Fletcher Jones Chair in Art at Scripps College in Claremont, California. Provided by Wikipedia