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The
Aesthetic
Mapping of Nature in the Second Franklin Expedition
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Language Has a Spirit: Sakha (Yakut) Language Ideologies and
Aesthetics
of Sustenance
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Indigenous Culture Jamming: Suohpanterror and the articulation of Sami political...
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Feminist strategies for changing the story: re-imagining Arctic exploration narr...
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Elements of Photography
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“An Adamless Eden” in Ingonish: What Cape Breton’s Archives Reveal
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Mad/Utopian/Prehistoric: Black Powers of Speculation
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The art of hinting and allusions in Sámi literature: a reading of Jovnna-Ánde Ve...
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Nunavut
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Reimagining cultural memory of the arctic in the graphic narratives of Oqaluttua...
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The Politics of Putting Art on Film: Derek May and the National Film Board of Ca...
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The Design Unraveling
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Penetrating Types: Conflating Modernist and Postmodernist Tourism on the Great N...
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Penetrating Types: Conflating Modernist and Postmodernist Tourism on the Great N...
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Imaginative and Historical Truth in Wiebe’s The Mad Trapper
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Landscapes of Sport, Landscapes of Exclusion: The “Sportsman’s Paradise” in Late...
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Concrete Monsters of the Welfare State: Discussions of Brutalist Architecture on...
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Micro-independent record labels in the UK
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Fife, Wayne
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