Art from Guantánamo: Circumventing Censorship

The "detainees" at Guantánamo Bay have made more than a thousand artworks that were able to pass the military censorship. This article examines those artworks by Sami Alhaj, Abu Zubaydah or Ahmed Rabbani that did not get through the military censorship but were released through other means...

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Main Author: Köthe, Sebastian
Other Authors: West, Allison, Erhan, Alev
Format: Book Part
Language:English
Published: European Center for Constitutional and Human Rights e.V. 2022
Subjects:
Online Access:https://doi.org/10.5281/zenodo.7848905
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spelling ftzenodo:oai:zenodo.org:7848905 2024-09-15T18:33:19+00:00 Art from Guantánamo: Circumventing Censorship Köthe, Sebastian West, Allison Erhan, Alev 2022-01-01 https://doi.org/10.5281/zenodo.7848905 eng eng European Center for Constitutional and Human Rights e.V. https://www.ecchr.eu/en/publication/rupture-and-reckoning-guantanamo-turns-20/ https://www.ecchr.eu/flipbook/gtmo20/#2 https://zenodo.org/communities/zhdk https://doi.org/10.5281/zenodo.7848904 https://doi.org/10.5281/zenodo.7848905 oai:zenodo.org:7848905 info:eu-repo/semantics/openAccess Creative Commons Attribution 4.0 International https://creativecommons.org/licenses/by/4.0/legalcode 133 - 136, (2022-01-01) Kunst Ästhetik Widerstand Zeugenschaft Guantanamo Bay Folter info:eu-repo/semantics/bookPart 2022 ftzenodo https://doi.org/10.5281/zenodo.784890510.5281/zenodo.7848904 2024-07-25T20:38:22Z The "detainees" at Guantánamo Bay have made more than a thousand artworks that were able to pass the military censorship. This article examines those artworks by Sami Alhaj, Abu Zubaydah or Ahmed Rabbani that did not get through the military censorship but were released through other means. How did the "detainees" circumvent censorship? How do these tactics change not only the artworks themselves, but also our notion of "artwork"? + ID: 590618 Book Part sami Zenodo
institution Open Polar
collection Zenodo
op_collection_id ftzenodo
language English
topic Kunst
Ästhetik
Widerstand
Zeugenschaft
Guantanamo Bay
Folter
spellingShingle Kunst
Ästhetik
Widerstand
Zeugenschaft
Guantanamo Bay
Folter
Köthe, Sebastian
Art from Guantánamo: Circumventing Censorship
topic_facet Kunst
Ästhetik
Widerstand
Zeugenschaft
Guantanamo Bay
Folter
description The "detainees" at Guantánamo Bay have made more than a thousand artworks that were able to pass the military censorship. This article examines those artworks by Sami Alhaj, Abu Zubaydah or Ahmed Rabbani that did not get through the military censorship but were released through other means. How did the "detainees" circumvent censorship? How do these tactics change not only the artworks themselves, but also our notion of "artwork"? + ID: 590618
author2 West, Allison
Erhan, Alev
format Book Part
author Köthe, Sebastian
author_facet Köthe, Sebastian
author_sort Köthe, Sebastian
title Art from Guantánamo: Circumventing Censorship
title_short Art from Guantánamo: Circumventing Censorship
title_full Art from Guantánamo: Circumventing Censorship
title_fullStr Art from Guantánamo: Circumventing Censorship
title_full_unstemmed Art from Guantánamo: Circumventing Censorship
title_sort art from guantánamo: circumventing censorship
publisher European Center for Constitutional and Human Rights e.V.
publishDate 2022
url https://doi.org/10.5281/zenodo.7848905
genre sami
genre_facet sami
op_source 133 - 136, (2022-01-01)
op_relation https://www.ecchr.eu/en/publication/rupture-and-reckoning-guantanamo-turns-20/
https://www.ecchr.eu/flipbook/gtmo20/#2
https://zenodo.org/communities/zhdk
https://doi.org/10.5281/zenodo.7848904
https://doi.org/10.5281/zenodo.7848905
oai:zenodo.org:7848905
op_rights info:eu-repo/semantics/openAccess
Creative Commons Attribution 4.0 International
https://creativecommons.org/licenses/by/4.0/legalcode
op_doi https://doi.org/10.5281/zenodo.784890510.5281/zenodo.7848904
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