Art from Guantánamo: Circumventing Censorship
The "detainees" at Guantánamo Bay have made more than a thousand artworks that were able to pass the military censorship. This article examines those artworks by Sami Alhaj, Abu Zubaydah or Ahmed Rabbani that did not get through the military censorship but were released through other means...
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European Center for Constitutional and Human Rights e.V.
2022
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ftzenodo:oai:zenodo.org:7848905 2024-09-15T18:33:19+00:00 Art from Guantánamo: Circumventing Censorship Köthe, Sebastian West, Allison Erhan, Alev 2022-01-01 https://doi.org/10.5281/zenodo.7848905 eng eng European Center for Constitutional and Human Rights e.V. https://www.ecchr.eu/en/publication/rupture-and-reckoning-guantanamo-turns-20/ https://www.ecchr.eu/flipbook/gtmo20/#2 https://zenodo.org/communities/zhdk https://doi.org/10.5281/zenodo.7848904 https://doi.org/10.5281/zenodo.7848905 oai:zenodo.org:7848905 info:eu-repo/semantics/openAccess Creative Commons Attribution 4.0 International https://creativecommons.org/licenses/by/4.0/legalcode 133 - 136, (2022-01-01) Kunst Ästhetik Widerstand Zeugenschaft Guantanamo Bay Folter info:eu-repo/semantics/bookPart 2022 ftzenodo https://doi.org/10.5281/zenodo.784890510.5281/zenodo.7848904 2024-07-25T20:38:22Z The "detainees" at Guantánamo Bay have made more than a thousand artworks that were able to pass the military censorship. This article examines those artworks by Sami Alhaj, Abu Zubaydah or Ahmed Rabbani that did not get through the military censorship but were released through other means. How did the "detainees" circumvent censorship? How do these tactics change not only the artworks themselves, but also our notion of "artwork"? + ID: 590618 Book Part sami Zenodo |
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English |
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Kunst Ästhetik Widerstand Zeugenschaft Guantanamo Bay Folter |
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Kunst Ästhetik Widerstand Zeugenschaft Guantanamo Bay Folter Köthe, Sebastian Art from Guantánamo: Circumventing Censorship |
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Kunst Ästhetik Widerstand Zeugenschaft Guantanamo Bay Folter |
description |
The "detainees" at Guantánamo Bay have made more than a thousand artworks that were able to pass the military censorship. This article examines those artworks by Sami Alhaj, Abu Zubaydah or Ahmed Rabbani that did not get through the military censorship but were released through other means. How did the "detainees" circumvent censorship? How do these tactics change not only the artworks themselves, but also our notion of "artwork"? + ID: 590618 |
author2 |
West, Allison Erhan, Alev |
format |
Book Part |
author |
Köthe, Sebastian |
author_facet |
Köthe, Sebastian |
author_sort |
Köthe, Sebastian |
title |
Art from Guantánamo: Circumventing Censorship |
title_short |
Art from Guantánamo: Circumventing Censorship |
title_full |
Art from Guantánamo: Circumventing Censorship |
title_fullStr |
Art from Guantánamo: Circumventing Censorship |
title_full_unstemmed |
Art from Guantánamo: Circumventing Censorship |
title_sort |
art from guantánamo: circumventing censorship |
publisher |
European Center for Constitutional and Human Rights e.V. |
publishDate |
2022 |
url |
https://doi.org/10.5281/zenodo.7848905 |
genre |
sami |
genre_facet |
sami |
op_source |
133 - 136, (2022-01-01) |
op_relation |
https://www.ecchr.eu/en/publication/rupture-and-reckoning-guantanamo-turns-20/ https://www.ecchr.eu/flipbook/gtmo20/#2 https://zenodo.org/communities/zhdk https://doi.org/10.5281/zenodo.7848904 https://doi.org/10.5281/zenodo.7848905 oai:zenodo.org:7848905 |
op_rights |
info:eu-repo/semantics/openAccess Creative Commons Attribution 4.0 International https://creativecommons.org/licenses/by/4.0/legalcode |
op_doi |
https://doi.org/10.5281/zenodo.784890510.5281/zenodo.7848904 |
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1810475023209594880 |