FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH

The article explores the problem of gender representation in the novel Tracks by Louise Erdrich. The topic is revealed through the gendering of the Anishinaabe people. The research focuses on the correlation of inner and outer gender roles in the text of the novel. The idea of some gender boundary i...

Full description

Bibliographic Details
Main Author: Shostak Oksana
Format: Conference Object
Language:English
Published: Zenodo 2023
Subjects:
Online Access:https://doi.org/10.5281/zenodo.7818395
id ftzenodo:oai:zenodo.org:7818395
record_format openpolar
spelling ftzenodo:oai:zenodo.org:7818395 2024-09-15T17:39:49+00:00 FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH Shostak Oksana 2023-04-07 https://doi.org/10.5281/zenodo.7818395 eng eng Zenodo https://doi.org/10.5281/zenodo.7818394 https://doi.org/10.5281/zenodo.7818395 oai:zenodo.org:7818395 info:eu-repo/semantics/openAccess Creative Commons Attribution 4.0 International https://creativecommons.org/licenses/by/4.0/legalcode Третя Міжнародна наукова конференція «Аргументи сучасної філології: свобода та безпека», Україна, Харків, Харківський національний педагогічний університет імені Г.С. Сковороди, 6-7 квітня 2023 року Native Americans gender representation Indians Indian literature sacredness info:eu-repo/semantics/conferencePaper 2023 ftzenodo https://doi.org/10.5281/zenodo.781839510.5281/zenodo.7818394 2024-07-27T05:06:52Z The article explores the problem of gender representation in the novel Tracks by Louise Erdrich. The topic is revealed through the gendering of the Anishinaabe people. The research focuses on the correlation of inner and outer gender roles in the text of the novel. The idea of some gender boundary id marked by various relations in the everyday activities of a man and a woman. The wrter marks those gender roles even at the level of the language as some erotic boundary between body and language. In the history of the two characters, Nanapush and Pauline, one can observe overcoming gender boundaries at both material and spiritual levels. Mother’s space that is metaphorically called upon by Nanapush, is simultaneously absent and present, that is a healing space, a revival of Lulu, for whom the novel Tracks was written. The words spoken by him and the sounds he articulated preserve some hidden gender aspect. Nanapush generalizes the Anishinaabe gender but not recreates it as a model. That interpretation envisages presupposed knowledge and mastering expressing it. Nanapush’s narrative includes a process of revising gender self-representation that at the same time opposes mainstream representation while Pauline presents the ‘white’ point of view on gender roles of the Native Americans. In the text by Erdrich, the ability to overcome gender boundaries exists alongside with the acception of the fact that in order to preserve the Anishinaabe culture certain gender roles may be needed. The bicultural experience that the Tracks characters have to accumulate is used by the writer as the concept of the gender boundary between the two worlds. In the text by Erdrich, gender oppositions dissolve and differences are more clearly revealed through using metaphors. Conference Object anishina* Zenodo
institution Open Polar
collection Zenodo
op_collection_id ftzenodo
language English
topic Native Americans
gender representation
Indians
Indian literature
sacredness
spellingShingle Native Americans
gender representation
Indians
Indian literature
sacredness
Shostak Oksana
FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH
topic_facet Native Americans
gender representation
Indians
Indian literature
sacredness
description The article explores the problem of gender representation in the novel Tracks by Louise Erdrich. The topic is revealed through the gendering of the Anishinaabe people. The research focuses on the correlation of inner and outer gender roles in the text of the novel. The idea of some gender boundary id marked by various relations in the everyday activities of a man and a woman. The wrter marks those gender roles even at the level of the language as some erotic boundary between body and language. In the history of the two characters, Nanapush and Pauline, one can observe overcoming gender boundaries at both material and spiritual levels. Mother’s space that is metaphorically called upon by Nanapush, is simultaneously absent and present, that is a healing space, a revival of Lulu, for whom the novel Tracks was written. The words spoken by him and the sounds he articulated preserve some hidden gender aspect. Nanapush generalizes the Anishinaabe gender but not recreates it as a model. That interpretation envisages presupposed knowledge and mastering expressing it. Nanapush’s narrative includes a process of revising gender self-representation that at the same time opposes mainstream representation while Pauline presents the ‘white’ point of view on gender roles of the Native Americans. In the text by Erdrich, the ability to overcome gender boundaries exists alongside with the acception of the fact that in order to preserve the Anishinaabe culture certain gender roles may be needed. The bicultural experience that the Tracks characters have to accumulate is used by the writer as the concept of the gender boundary between the two worlds. In the text by Erdrich, gender oppositions dissolve and differences are more clearly revealed through using metaphors.
format Conference Object
author Shostak Oksana
author_facet Shostak Oksana
author_sort Shostak Oksana
title FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH
title_short FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH
title_full FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH
title_fullStr FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH
title_full_unstemmed FREEDOM IN GENDER CATEGORIES IN TRACKS BY LOUISE ERDRICH
title_sort freedom in gender categories in tracks by louise erdrich
publisher Zenodo
publishDate 2023
url https://doi.org/10.5281/zenodo.7818395
genre anishina*
genre_facet anishina*
op_source Третя Міжнародна наукова конференція «Аргументи сучасної філології: свобода та безпека», Україна, Харків, Харківський національний педагогічний університет імені Г.С. Сковороди, 6-7 квітня 2023 року
op_relation https://doi.org/10.5281/zenodo.7818394
https://doi.org/10.5281/zenodo.7818395
oai:zenodo.org:7818395
op_rights info:eu-repo/semantics/openAccess
Creative Commons Attribution 4.0 International
https://creativecommons.org/licenses/by/4.0/legalcode
op_doi https://doi.org/10.5281/zenodo.781839510.5281/zenodo.7818394
_version_ 1810482709846294528