| Summary: | Abstract The present article seeks to weave an interartistic reflection on plasticity in the work “Seu Sami”, by the capixaba artist Hilal Sami Hilal, exhibited at the Vale Museum in 2007. For this purpose, the comparative image becomes evident as a basis of research, highlighting various points of view with relation to gestural, rhythmic and calligraphic aspects present in the artist's work. Entering the discussion of the abandonment of traditional support and the use and appropriation of other support as a basis for creation and maturation in the creative process, approaching the concepts of Time, Matter and Memory from the philosophers of Henri Bergson and Didi-Huberman.
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