Europe After the Rain. Dada and Surrealism - ACE066.3

Film of German crowds celebrating the end of the war. Dada reaches Berlin; film of military parades intercut with pages from Dada publications; VO quotes Richard Huelsenbeck saying that "we wanted to incite our opponents, and if necessary to create new opponents for ourselves… a soul can only r...

Full description

Bibliographic Details
Format: Other/Unknown Material
Language:unknown
Subjects:
Online Access:https://westminsterresearch.westminster.ac.uk/item/v5963/europe-after-the-rain-dada-and-surrealism-ace066-3
id ftwestminres:oai:westminsterresearch.westminster.ac.uk:v5963
record_format openpolar
spelling ftwestminres:oai:westminsterresearch.westminster.ac.uk:v5963 2023-05-15T16:52:27+02:00 Europe After the Rain. Dada and Surrealism - ACE066.3 https://westminsterresearch.westminster.ac.uk/item/v5963/europe-after-the-rain-dada-and-surrealism-ace066-3 unknown 1978. Europe After the Rain. Dada and Surrealism - ACE066.3. film-segment ftwestminres 2023-03-26T20:29:19Z Film of German crowds celebrating the end of the war. Dada reaches Berlin; film of military parades intercut with pages from Dada publications; VO quotes Richard Huelsenbeck saying that "we wanted to incite our opponents, and if necessary to create new opponents for ourselves… a soul can only reveal itself through direct action". Geroge Grosz’s The Burial (1917-1918); the demands of the Dadaist Central Revolutionary Council read over. More work by Grosz. Photographs of "members of Club Dada", John Heartfield and George Grosz, Hannah Höch and Raoul Hausmann. VO says that "the field of photomontage … reveals a conceptually new image of the chaos of an age of war and revolution": Hannah Höch’s Cut with the Dada Kitchen Knife Through the Last Weimar Beerbelly Cultural Epoch in Germany (1919-20) and Hausmann’s The Art Critic / Der Kunstreporter (1919-1920) and ABCD (Portrait de l'artist) (1923-1924). VO quoting Hausmann on his "Phonetic Poems"; recording of him reading them (blank screen). Photograph of participants at the First International Dada Fair, Berlin,1920. Description of Kurt Schwitters’s introduction to his work; photograph of Schwitters, his work Das Arbeiterbild / The Worker Picture (1919); more phonetic poems heard over. Schwitters was rejected by the Dadaists and started calling his own work "Merz". Das Sternenbild (Merzbild 25A) (1920); description of the general principles quoted over. Another Merzbild with sound poem heard over. Photographs of Max Ernst and Johannes Baargeld, founders of Cologne’s Dada Conspiracy of the Rhineland. Quotation from Ernst on collage. Various works including C’est le chapeau qui fait l'homme / The Hat Makes the Man (1920). Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss. (1920). Hier ist noch alles in der Schwebe. / Here Everything is Still Floating. (1920). Photograph of Tzara and others. Original film of cross-country cycle racing, cross-country running, horse races, etc., with Tzara’s VO reciting his Chanson Dada / Dada Song (subtitled in English). ... Other/Unknown Material Iceland University of Westminster: WestminsterResearch Hannah ENVELOPE(-60.613,-60.613,-62.654,-62.654) Merz ENVELOPE(-61.061,-61.061,-72.311,-72.311)
institution Open Polar
collection University of Westminster: WestminsterResearch
op_collection_id ftwestminres
language unknown
description Film of German crowds celebrating the end of the war. Dada reaches Berlin; film of military parades intercut with pages from Dada publications; VO quotes Richard Huelsenbeck saying that "we wanted to incite our opponents, and if necessary to create new opponents for ourselves… a soul can only reveal itself through direct action". Geroge Grosz’s The Burial (1917-1918); the demands of the Dadaist Central Revolutionary Council read over. More work by Grosz. Photographs of "members of Club Dada", John Heartfield and George Grosz, Hannah Höch and Raoul Hausmann. VO says that "the field of photomontage … reveals a conceptually new image of the chaos of an age of war and revolution": Hannah Höch’s Cut with the Dada Kitchen Knife Through the Last Weimar Beerbelly Cultural Epoch in Germany (1919-20) and Hausmann’s The Art Critic / Der Kunstreporter (1919-1920) and ABCD (Portrait de l'artist) (1923-1924). VO quoting Hausmann on his "Phonetic Poems"; recording of him reading them (blank screen). Photograph of participants at the First International Dada Fair, Berlin,1920. Description of Kurt Schwitters’s introduction to his work; photograph of Schwitters, his work Das Arbeiterbild / The Worker Picture (1919); more phonetic poems heard over. Schwitters was rejected by the Dadaists and started calling his own work "Merz". Das Sternenbild (Merzbild 25A) (1920); description of the general principles quoted over. Another Merzbild with sound poem heard over. Photographs of Max Ernst and Johannes Baargeld, founders of Cologne’s Dada Conspiracy of the Rhineland. Quotation from Ernst on collage. Various works including C’est le chapeau qui fait l'homme / The Hat Makes the Man (1920). Stratified Rocks, Nature's Gift of Gneiss Lava Iceland Moss. (1920). Hier ist noch alles in der Schwebe. / Here Everything is Still Floating. (1920). Photograph of Tzara and others. Original film of cross-country cycle racing, cross-country running, horse races, etc., with Tzara’s VO reciting his Chanson Dada / Dada Song (subtitled in English). ...
format Other/Unknown Material
title Europe After the Rain. Dada and Surrealism - ACE066.3
spellingShingle Europe After the Rain. Dada and Surrealism - ACE066.3
title_short Europe After the Rain. Dada and Surrealism - ACE066.3
title_full Europe After the Rain. Dada and Surrealism - ACE066.3
title_fullStr Europe After the Rain. Dada and Surrealism - ACE066.3
title_full_unstemmed Europe After the Rain. Dada and Surrealism - ACE066.3
title_sort europe after the rain. dada and surrealism - ace066.3
url https://westminsterresearch.westminster.ac.uk/item/v5963/europe-after-the-rain-dada-and-surrealism-ace066-3
long_lat ENVELOPE(-60.613,-60.613,-62.654,-62.654)
ENVELOPE(-61.061,-61.061,-72.311,-72.311)
geographic Hannah
Merz
geographic_facet Hannah
Merz
genre Iceland
genre_facet Iceland
op_relation 1978. Europe After the Rain. Dada and Surrealism - ACE066.3.
_version_ 1766042753033043968