Art and Intervention in the Stewardship of the Planetary Commons: Towards a Curatorial Model of Co-inquiry

• Main Author: Triscott, N.
• Format: Doctoral or Postdoctoral Thesis
• Language: unknown
• Published: 2017
• Subjects: Arctic
• Online Access: https://westminsterresearch.westminster.ac.uk/item/q3677/art-and-intervention-in-the-stewardship-of-the-planetary-commons-towards-a-curatorial-model-of-co-inquiry; https://westminsterresearch.westminster.ac.uk/download/e987be50137cb09003ed3c4c525f7a6861a50d7373417d8fcb3c4633ef08e4eb/7743765/Triscott_Nicola_thesis.pdf

This Ph.D. by Published Work examines five projects that took place over ten years, between 2007 and 2016, that were curated as part of the artistic programme of Arts Catalyst,an independent interdisciplinary arts commissioning organisation of which the author is the founding director. This programme of work sought to understand what form of curatorial model and interpretative framework could generate new artworks and co-produce interdisciplinary knowledge across areas of specialist research and geopolitical urgency. The projects take the form of exhibitions, texts and edited books, which are presented as the portfolio of work. The selected projects are: Malamp UK, Brandon Ballengée (2007-2010); Arctic Perspective Initiative (2009-2011); ITACCUS – IAF Technical Activities Committee on the Cultural Utilisation of Space – and associated activities (2007-2014); Holoturian, Ariel Guzik (2013-2015); and Wrecked on the Intertidal Zone, YoHa, Critical Art Ensemble, et al. (2013-2016). Through analysis of and reflection on the projects, this commentary proposes a curatorial model of interdisciplinary co-inquiry, which can foster an ecology of practices, enabling curators, artists, scientists, specialist experts and people with situated expertise to coproduce knowledge around matters of concern, particularly relating to human environment interaction and common and extraterritorial spaces. It examines the roles of the curator in this model and how these might differ from those commonly understood as established curatorial practice. The commentary further presents an interpretative and tactical framework of the planetary commons for curating art-led projects in the realm of ecopolitical concerns, that can engage audiences and publics with the art and ideas emerging from this coinquiry approach. The combination of curatorial model and interpretative and tactical framework contribute to discourses on both inter/trans-disciplinarity and the role of art in relation to the politics of ecology. The Ph.D. contributes to the field ...