Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos"
J.D. Salinger’s ‘A Girl I Knew,’ ‘Just Before the War with the Eskimos,’ and ‘Blue Melody,’ contain key thematic and narratological elements that contribute to the development of character through repeated reference to tactile imagery and through each character’s reaction to the sensations associate...
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ftvirginiacuniv:oai:scholarscompass.vcu.edu:etd-3640 2023-06-11T04:11:29+02:00 Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" Bega-Hart, Angelica 2011-08-19T07:00:00Z application/pdf https://scholarscompass.vcu.edu/etd/2641 https://doi.org/10.25772/TTXS-KF89 https://scholarscompass.vcu.edu/context/etd/article/3640/viewcontent/Bega_Hart_Angelica_MA.pdf unknown VCU Scholars Compass https://scholarscompass.vcu.edu/etd/2641 doi:10.25772/TTXS-KF89 https://scholarscompass.vcu.edu/context/etd/article/3640/viewcontent/Bega_Hart_Angelica_MA.pdf © The Author Theses and Dissertations J. D. Salinger Salinger Just Before the War with the Eskimos Blue Melody A Girl I Knew World War II tactile imagery tactility narrative immediacy John Berger Susan Stewart narrative touch short stories proxemic relationships in literature Arts and Humanities English Language and Literature text 2011 ftvirginiacuniv https://doi.org/10.25772/TTXS-KF89 2023-05-04T17:56:18Z J.D. Salinger’s ‘A Girl I Knew,’ ‘Just Before the War with the Eskimos,’ and ‘Blue Melody,’ contain key thematic and narratological elements that contribute to the development of character through repeated reference to tactile imagery and through each character’s reaction to the sensations associated with tactile images. Salinger’s descriptions of tactile interaction allow readers to see his characters connected in ways that were increasingly difficult in the 1950’s, where widespread cultural changes contributed to increasing physical and emotional distancing. Critics have argued that “vision” is at the heart of many of Salinger’s characters’ struggles, since they “seek” a level of human connectedness not found in other narratives. However, Salinger's stories do not provide a mere record of observed physical characteristics as some claim; instead, they present concrete physical details that take both the character and the reader beyond sight to touch, in an effort to create the intimate space necessary for redemption. Using theoretical work by critics who focus on tactile imagery pinpoints how Salinger’s characters situate themselves in relation to the world around them and how setting and other narrative mechanics influence character. Salinger’s attention to tactile imagery influences character in a profound way creating a “narrative of immediacy” where closeness is further reinforced through tactile physical descriptions, attention to gesture, and use of conversational popular vernacular. Text eskimo* Virginia Commonwealth University: VCU Scholars Compass |
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Open Polar |
collection |
Virginia Commonwealth University: VCU Scholars Compass |
op_collection_id |
ftvirginiacuniv |
language |
unknown |
topic |
J. D. Salinger Salinger Just Before the War with the Eskimos Blue Melody A Girl I Knew World War II tactile imagery tactility narrative immediacy John Berger Susan Stewart narrative touch short stories proxemic relationships in literature Arts and Humanities English Language and Literature |
spellingShingle |
J. D. Salinger Salinger Just Before the War with the Eskimos Blue Melody A Girl I Knew World War II tactile imagery tactility narrative immediacy John Berger Susan Stewart narrative touch short stories proxemic relationships in literature Arts and Humanities English Language and Literature Bega-Hart, Angelica Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" |
topic_facet |
J. D. Salinger Salinger Just Before the War with the Eskimos Blue Melody A Girl I Knew World War II tactile imagery tactility narrative immediacy John Berger Susan Stewart narrative touch short stories proxemic relationships in literature Arts and Humanities English Language and Literature |
description |
J.D. Salinger’s ‘A Girl I Knew,’ ‘Just Before the War with the Eskimos,’ and ‘Blue Melody,’ contain key thematic and narratological elements that contribute to the development of character through repeated reference to tactile imagery and through each character’s reaction to the sensations associated with tactile images. Salinger’s descriptions of tactile interaction allow readers to see his characters connected in ways that were increasingly difficult in the 1950’s, where widespread cultural changes contributed to increasing physical and emotional distancing. Critics have argued that “vision” is at the heart of many of Salinger’s characters’ struggles, since they “seek” a level of human connectedness not found in other narratives. However, Salinger's stories do not provide a mere record of observed physical characteristics as some claim; instead, they present concrete physical details that take both the character and the reader beyond sight to touch, in an effort to create the intimate space necessary for redemption. Using theoretical work by critics who focus on tactile imagery pinpoints how Salinger’s characters situate themselves in relation to the world around them and how setting and other narrative mechanics influence character. Salinger’s attention to tactile imagery influences character in a profound way creating a “narrative of immediacy” where closeness is further reinforced through tactile physical descriptions, attention to gesture, and use of conversational popular vernacular. |
format |
Text |
author |
Bega-Hart, Angelica |
author_facet |
Bega-Hart, Angelica |
author_sort |
Bega-Hart, Angelica |
title |
Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" |
title_short |
Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" |
title_full |
Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" |
title_fullStr |
Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" |
title_full_unstemmed |
Shaken and Stirred: Tactile Imagery and Narrative Immediacy in J. D. Salinger's "Blue Melody," "A Girl I Knew," and "Just Before the War with the Eskimos" |
title_sort |
shaken and stirred: tactile imagery and narrative immediacy in j. d. salinger's "blue melody," "a girl i knew," and "just before the war with the eskimos" |
publisher |
VCU Scholars Compass |
publishDate |
2011 |
url |
https://scholarscompass.vcu.edu/etd/2641 https://doi.org/10.25772/TTXS-KF89 https://scholarscompass.vcu.edu/context/etd/article/3640/viewcontent/Bega_Hart_Angelica_MA.pdf |
genre |
eskimo* |
genre_facet |
eskimo* |
op_source |
Theses and Dissertations |
op_relation |
https://scholarscompass.vcu.edu/etd/2641 doi:10.25772/TTXS-KF89 https://scholarscompass.vcu.edu/context/etd/article/3640/viewcontent/Bega_Hart_Angelica_MA.pdf |
op_rights |
© The Author |
op_doi |
https://doi.org/10.25772/TTXS-KF89 |
_version_ |
1768386592238469120 |