Individualism and its Discontents: Man Alone in Contemporary New Zealand

The figure of Melville’s monomaniacal captain, who would subdue all the forces of the world to the exigencies of his tormented mind, and who at any rate drives the living community on board the Pequod into oblivion in his obsessive hunt for “his” white whale, would not appear to be the obvious chara...

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Main Author: Harris, Stephen
Format: Article in Journal/Newspaper
Language:English
Published: Victoria University of Wellington 2000
Subjects:
Online Access:https://ojs.victoria.ac.nz/kotare/article/view/690
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spelling ftvictoriauwelli:oai:ojs.victoria.ac.nz:article/690 2023-12-31T10:23:58+01:00 Individualism and its Discontents: Man Alone in Contemporary New Zealand Harris, Stephen 2000-10-07 application/pdf https://ojs.victoria.ac.nz/kotare/article/view/690 eng eng Victoria University of Wellington https://ojs.victoria.ac.nz/kotare/article/view/690/501 https://ojs.victoria.ac.nz/kotare/article/view/690 Copyright (c) 2000 Stephen Harris Kōtare : New Zealand Notes & Queries; Vol. 3 No. 2 (2000): Kōtare : New Zealand Notes & Queries 1174-6955 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2000 ftvictoriauwelli 2023-12-05T18:25:50Z The figure of Melville’s monomaniacal captain, who would subdue all the forces of the world to the exigencies of his tormented mind, and who at any rate drives the living community on board the Pequod into oblivion in his obsessive hunt for “his” white whale, would not appear to be the obvious character to introduce a work of political analysis. But in Bruce Jesson’s Only Their Purpose is Mad (1999) – the title is a loose adaptation of a line spoken by Ahab – this classic character makes a striking appearance. In seeing the nineteenth-century Ahab as representative of certain problems in our times, Jesson is as much interested in the role and influence of ideas as he is in examining the political causes of what he sees as New Zealand’s on-going social ills. And in using this potently emblematic character from Melville’s novel to illustrate his concerns, Jesson refreshes the seemingly outdated notion that literature – and the range of ideas generated therein – allows us revealing glimpses into the complex experience of our lives through altering the perceptual light through which we view our social-historical atmospheres. That Jesson’s trenchant analysis is political in content and intent breathes vigour into his methods and prompts us be alert to the changes occurring around us. Looking at contemporary New Zealand in the presence, as it were, of the towering figure Captain Ahab, I found myself thinking more and more of John Mulgan’s novel Man Alone and how this too, although aesthetically and stylistically opposite to Melville’s massive tome, offers an interesting perspective on the present situation. Article in Journal/Newspaper White whale Open Journal Systems at the Victoria University of Wellington Library
institution Open Polar
collection Open Journal Systems at the Victoria University of Wellington Library
op_collection_id ftvictoriauwelli
language English
description The figure of Melville’s monomaniacal captain, who would subdue all the forces of the world to the exigencies of his tormented mind, and who at any rate drives the living community on board the Pequod into oblivion in his obsessive hunt for “his” white whale, would not appear to be the obvious character to introduce a work of political analysis. But in Bruce Jesson’s Only Their Purpose is Mad (1999) – the title is a loose adaptation of a line spoken by Ahab – this classic character makes a striking appearance. In seeing the nineteenth-century Ahab as representative of certain problems in our times, Jesson is as much interested in the role and influence of ideas as he is in examining the political causes of what he sees as New Zealand’s on-going social ills. And in using this potently emblematic character from Melville’s novel to illustrate his concerns, Jesson refreshes the seemingly outdated notion that literature – and the range of ideas generated therein – allows us revealing glimpses into the complex experience of our lives through altering the perceptual light through which we view our social-historical atmospheres. That Jesson’s trenchant analysis is political in content and intent breathes vigour into his methods and prompts us be alert to the changes occurring around us. Looking at contemporary New Zealand in the presence, as it were, of the towering figure Captain Ahab, I found myself thinking more and more of John Mulgan’s novel Man Alone and how this too, although aesthetically and stylistically opposite to Melville’s massive tome, offers an interesting perspective on the present situation.
format Article in Journal/Newspaper
author Harris, Stephen
spellingShingle Harris, Stephen
Individualism and its Discontents: Man Alone in Contemporary New Zealand
author_facet Harris, Stephen
author_sort Harris, Stephen
title Individualism and its Discontents: Man Alone in Contemporary New Zealand
title_short Individualism and its Discontents: Man Alone in Contemporary New Zealand
title_full Individualism and its Discontents: Man Alone in Contemporary New Zealand
title_fullStr Individualism and its Discontents: Man Alone in Contemporary New Zealand
title_full_unstemmed Individualism and its Discontents: Man Alone in Contemporary New Zealand
title_sort individualism and its discontents: man alone in contemporary new zealand
publisher Victoria University of Wellington
publishDate 2000
url https://ojs.victoria.ac.nz/kotare/article/view/690
genre White whale
genre_facet White whale
op_source Kōtare : New Zealand Notes & Queries; Vol. 3 No. 2 (2000): Kōtare : New Zealand Notes & Queries
1174-6955
op_relation https://ojs.victoria.ac.nz/kotare/article/view/690/501
https://ojs.victoria.ac.nz/kotare/article/view/690
op_rights Copyright (c) 2000 Stephen Harris
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