American Indian International Tribunal benefit poster, 1982
Poster, designed by Richard V. Correll, advertising a benefit for the American Indian International Tribunal honoring Native American women, held on July 9, 1982 at the Women's Building at 3543 18th St in San Francisco, California. Text at the bottom left of the poster notes that the design in...
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ftuwashingtonlib:oai:cdm16786.contentdm.oclc.org:social/10696 2023-05-15T16:06:46+02:00 American Indian International Tribunal benefit poster, 1982 Scanned from a print at 600 dpi in uncompressed TIFF format and resized to JPEG 2000 at compression rate 10. 2017 http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/social/id/10696 unknown Society and Culture Collection To view the guide for this collection see: http://archiveswest.orbiscascade.org/ark:/80444/xv58673/ http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/social/id/10696 Copyright retained by donor. Permission for use must be obtained by emailing correllstudios@earthlink.net and obtaining a signed permission letter or an email affirming permission to Special Collections before publication. Use for classroom or personal reference purposes do not require permission. University of Washington Libraries, Special Collections Richard V. Correll Prints and Papers Accession No. 5855-001, Box 4/4 Image Print Text poster ftuwashingtonlib 2017-12-31T15:47:39Z Poster, designed by Richard V. Correll, advertising a benefit for the American Indian International Tribunal honoring Native American women, held on July 9, 1982 at the Women's Building at 3543 18th St in San Francisco, California. Text at the bottom left of the poster notes that the design in the center of the poster was adapted from Dorothy Jean Ray's "Eskimo Masks." Artist Richard V. Correll (1904-1990) was a master printmaker who worked with linoleum and woodblock prints, etchings, and lithographs. Correll is best known for his black and white woodblock prints featuring political and social concerns of his time. His works also include landscapes, agricultural life, and portraits. Correll was born in 1904, spending most of his youth in Oregon and California. A Seattle, Washington resident from 1934-1941, Correll was selected to participate in the Federal Art Project of the Works Progress Administration (WPA), part of the New Deal. He was also a founding member of the Washington Artists' Union. From 1941 to 1952, Correll lived in New York City with his family where he worked as a commercial artist. It was in 1952 that he relocated to San Francisco where he would remain for the rest of his life. A member of the Graphic Artists' Workshop and Printmaker's Gallery of San Francisco, Correll worked alongside other established and respected Bay Area artists, developing his ideals of peace and artistic style. Text eskimo* University of Washington, Seattle: Digital Collections Indian |
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University of Washington, Seattle: Digital Collections |
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ftuwashingtonlib |
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unknown |
description |
Poster, designed by Richard V. Correll, advertising a benefit for the American Indian International Tribunal honoring Native American women, held on July 9, 1982 at the Women's Building at 3543 18th St in San Francisco, California. Text at the bottom left of the poster notes that the design in the center of the poster was adapted from Dorothy Jean Ray's "Eskimo Masks." Artist Richard V. Correll (1904-1990) was a master printmaker who worked with linoleum and woodblock prints, etchings, and lithographs. Correll is best known for his black and white woodblock prints featuring political and social concerns of his time. His works also include landscapes, agricultural life, and portraits. Correll was born in 1904, spending most of his youth in Oregon and California. A Seattle, Washington resident from 1934-1941, Correll was selected to participate in the Federal Art Project of the Works Progress Administration (WPA), part of the New Deal. He was also a founding member of the Washington Artists' Union. From 1941 to 1952, Correll lived in New York City with his family where he worked as a commercial artist. It was in 1952 that he relocated to San Francisco where he would remain for the rest of his life. A member of the Graphic Artists' Workshop and Printmaker's Gallery of San Francisco, Correll worked alongside other established and respected Bay Area artists, developing his ideals of peace and artistic style. |
format |
Text |
title |
American Indian International Tribunal benefit poster, 1982 |
spellingShingle |
American Indian International Tribunal benefit poster, 1982 |
title_short |
American Indian International Tribunal benefit poster, 1982 |
title_full |
American Indian International Tribunal benefit poster, 1982 |
title_fullStr |
American Indian International Tribunal benefit poster, 1982 |
title_full_unstemmed |
American Indian International Tribunal benefit poster, 1982 |
title_sort |
american indian international tribunal benefit poster, 1982 |
url |
http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/social/id/10696 |
geographic |
Indian |
geographic_facet |
Indian |
genre |
eskimo* |
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eskimo* |
op_source |
University of Washington Libraries, Special Collections Richard V. Correll Prints and Papers Accession No. 5855-001, Box 4/4 |
op_relation |
Society and Culture Collection To view the guide for this collection see: http://archiveswest.orbiscascade.org/ark:/80444/xv58673/ http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/social/id/10696 |
op_rights |
Copyright retained by donor. Permission for use must be obtained by emailing correllstudios@earthlink.net and obtaining a signed permission letter or an email affirming permission to Special Collections before publication. Use for classroom or personal reference purposes do not require permission. |
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1766402791880785920 |