Loon

Number 75 of 160. From the Artist: "The loon is an ancestor of the Village Island people. An ancestor named Gi'gagawe' transformed from a loon into a man to start up a clan. The people who descended from him had the right to wear the loon as a crest. Many noble families married to rec...

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Bibliographic Details
Main Author: Wasden Jr., William
Other Authors: Given to the University of Washington Libraries by Norman Jenisch Rose and Louise R. Rose
Language:unknown
Subjects:
Online Access:http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/p16786coll14/id/63
id ftuwashingtonlib:oai:cdm16786.contentdm.oclc.org:p16786coll14/63
record_format openpolar
spelling ftuwashingtonlib:oai:cdm16786.contentdm.oclc.org:p16786coll14/63 2023-05-15T18:33:23+02:00 Loon Wasden Jr., William Given to the University of Washington Libraries by Norman Jenisch Rose and Louise R. Rose limited signed print framed, 31 1/4 by 31 inches http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/p16786coll14/id/63 unknown http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/p16786coll14/id/63 UW Bothell/Cascadia Library, Third Floor ftuwashingtonlib 2017-12-31T15:50:36Z Number 75 of 160. From the Artist: "The loon is an ancestor of the Village Island people. An ancestor named Gi'gagawe' transformed from a loon into a man to start up a clan. The people who descended from him had the right to wear the loon as a crest. Many noble families married to receive this prestigious prerogative. William is the keeper of the loon helmet. This dance privilege was passed to his maternal, great-grandfather as a dowry from his maternal great-grandmother, whose people descend from this story. The loon is the messenger and represents the wealth under the ocean. This print is very strict Kwakwaka' wakw formline, and I feel that this ancient style of designing is not displayed as much today. I honour all the contemporary work of today, but I just wanted to reflect the 'old school' of traditional formline." About the Artist: "William Wasden Jr. (Wak'analagalis) is a member of the 'Namgis of the Kwakwaka'wakw people, and is a descendant of the Alfred, Hunt and Cook families. He can also trace his ancestry to the Tlingit of Alaska and the Mowachat of the West Coast. He has been initiated into the hamat'sa society, the highest ranking of the complex dance societies of the Kwakwaka'wakw. His artisitic abilities have been refined through working with Chief Doug Cranmer, Don Yeomans, Bruce and Wayne Alfred and with Beau, Francis and Simon Dick. Wasden's traditional influences include Bob Harris, Herbert Johnson, Mungo Martin, Willie Seaweed, Henry Speck and George Walkus. Wasden works full-time at his art in a variety of media, and has a great interest in singing and in preserving the songs of his people." Information supplied by the Ancestral Spirits Gallery, Port Townsend, WA. Ancestral Spirits Gallery, 701 Water Street, Port Townsend, WA 98368. 368-385-0078. Omnibus@olympus.net http://www.ancestralspirits.com Loon is one of five pieces by William Wasden Jr. donated by Norman and Louise Rose. The others are titled "Butterfly & Moth" and "Dragonfly & Bee." Other/Unknown Material tlingit Alaska University of Washington, Seattle: Digital Collections
institution Open Polar
collection University of Washington, Seattle: Digital Collections
op_collection_id ftuwashingtonlib
language unknown
description Number 75 of 160. From the Artist: "The loon is an ancestor of the Village Island people. An ancestor named Gi'gagawe' transformed from a loon into a man to start up a clan. The people who descended from him had the right to wear the loon as a crest. Many noble families married to receive this prestigious prerogative. William is the keeper of the loon helmet. This dance privilege was passed to his maternal, great-grandfather as a dowry from his maternal great-grandmother, whose people descend from this story. The loon is the messenger and represents the wealth under the ocean. This print is very strict Kwakwaka' wakw formline, and I feel that this ancient style of designing is not displayed as much today. I honour all the contemporary work of today, but I just wanted to reflect the 'old school' of traditional formline." About the Artist: "William Wasden Jr. (Wak'analagalis) is a member of the 'Namgis of the Kwakwaka'wakw people, and is a descendant of the Alfred, Hunt and Cook families. He can also trace his ancestry to the Tlingit of Alaska and the Mowachat of the West Coast. He has been initiated into the hamat'sa society, the highest ranking of the complex dance societies of the Kwakwaka'wakw. His artisitic abilities have been refined through working with Chief Doug Cranmer, Don Yeomans, Bruce and Wayne Alfred and with Beau, Francis and Simon Dick. Wasden's traditional influences include Bob Harris, Herbert Johnson, Mungo Martin, Willie Seaweed, Henry Speck and George Walkus. Wasden works full-time at his art in a variety of media, and has a great interest in singing and in preserving the songs of his people." Information supplied by the Ancestral Spirits Gallery, Port Townsend, WA. Ancestral Spirits Gallery, 701 Water Street, Port Townsend, WA 98368. 368-385-0078. Omnibus@olympus.net http://www.ancestralspirits.com Loon is one of five pieces by William Wasden Jr. donated by Norman and Louise Rose. The others are titled "Butterfly & Moth" and "Dragonfly & Bee."
author2 Given to the University of Washington Libraries by Norman Jenisch Rose and Louise R. Rose
author Wasden Jr., William
spellingShingle Wasden Jr., William
Loon
author_facet Wasden Jr., William
author_sort Wasden Jr., William
title Loon
title_short Loon
title_full Loon
title_fullStr Loon
title_full_unstemmed Loon
title_sort loon
url http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/p16786coll14/id/63
genre tlingit
Alaska
genre_facet tlingit
Alaska
op_source UW Bothell/Cascadia Library, Third Floor
op_relation http://cdm16786.contentdm.oclc.org:80/cdm/ref/collection/p16786coll14/id/63
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