Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development

Peer Reviewed The music profession and industry, especially in traditions of western art music, is marked noticeably by a lack of compositions by Black, Indigenous and People of Colour (BIPOC). This lack of representation is just one of the many effects of generations of colonization, systematic exc...

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Main Author: Doi, Carolyn
Format: Conference Object
Language:English
Published: 2022
Subjects:
Online Access:https://hdl.handle.net/10388/14246
id ftusaskatchewan:oai:harvest.usask.ca:10388/14246
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spelling ftusaskatchewan:oai:harvest.usask.ca:10388/14246 2023-05-15T17:12:20+02:00 Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development Doi, Carolyn 2022-03-04 https://hdl.handle.net/10388/14246 en eng Music Library Association Annual Meeting 2022 https://hdl.handle.net/10388/14246 TC-SSU-14246 music collections inclusive collections Conference Presentation 2022 ftusaskatchewan 2022-10-08T22:10:21Z Peer Reviewed The music profession and industry, especially in traditions of western art music, is marked noticeably by a lack of compositions by Black, Indigenous and People of Colour (BIPOC). This lack of representation is just one of the many effects of generations of colonization, systematic exclusion, bias, and racism. There are numerous consequences to curating music library collections that continue to exclude BIPOC composers and artists, most notably giving the impression that such individuals do not exist or that their works are not worthy of inclusion. This potentially leads to a ripple effect whereby it becomes harder to program music by BIPOC composers, teach it, and write about it. This presentation describes the process and development of a dataset of BIPOC Composers with a connection to Canada, a project undertaken at the University of Saskatchewan (Treaty Six Territory and Homeland of the Metis, Saskatoon SK, Canada) through the work of the University of British Columbia School of Information Professional Experience Program. This project aimed to identify composers who identify as BIPOC and Canadian, or who identify as BIPOC and are based in what is now known as Canada. The project’s end goal was evaluating BIPOC representation in the University of Saskatchewan Libraries music collections, and ultimately filling collection gaps where needed. The dataset primarily serves as a tool for internal collection assessment but will be published and preserved in an open format for others who may be doing similar work. We will discuss the challenges associated with identifying BIPOC composers, especially in a Canadian context, and explore some of the ethical considerations when attempting to classify professionals using markers such as ethnicity or nationality. Conference Object Metis University of Saskatchewan: eCommons@USASK Canada
institution Open Polar
collection University of Saskatchewan: eCommons@USASK
op_collection_id ftusaskatchewan
language English
topic music collections
inclusive collections
spellingShingle music collections
inclusive collections
Doi, Carolyn
Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development
topic_facet music collections
inclusive collections
description Peer Reviewed The music profession and industry, especially in traditions of western art music, is marked noticeably by a lack of compositions by Black, Indigenous and People of Colour (BIPOC). This lack of representation is just one of the many effects of generations of colonization, systematic exclusion, bias, and racism. There are numerous consequences to curating music library collections that continue to exclude BIPOC composers and artists, most notably giving the impression that such individuals do not exist or that their works are not worthy of inclusion. This potentially leads to a ripple effect whereby it becomes harder to program music by BIPOC composers, teach it, and write about it. This presentation describes the process and development of a dataset of BIPOC Composers with a connection to Canada, a project undertaken at the University of Saskatchewan (Treaty Six Territory and Homeland of the Metis, Saskatoon SK, Canada) through the work of the University of British Columbia School of Information Professional Experience Program. This project aimed to identify composers who identify as BIPOC and Canadian, or who identify as BIPOC and are based in what is now known as Canada. The project’s end goal was evaluating BIPOC representation in the University of Saskatchewan Libraries music collections, and ultimately filling collection gaps where needed. The dataset primarily serves as a tool for internal collection assessment but will be published and preserved in an open format for others who may be doing similar work. We will discuss the challenges associated with identifying BIPOC composers, especially in a Canadian context, and explore some of the ethical considerations when attempting to classify professionals using markers such as ethnicity or nationality.
format Conference Object
author Doi, Carolyn
author_facet Doi, Carolyn
author_sort Doi, Carolyn
title Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development
title_short Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development
title_full Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development
title_fullStr Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development
title_full_unstemmed Representation matters: Developing a Canadian BIPOC composers dataset for music collection evaluation and development
title_sort representation matters: developing a canadian bipoc composers dataset for music collection evaluation and development
publishDate 2022
url https://hdl.handle.net/10388/14246
geographic Canada
geographic_facet Canada
genre Metis
genre_facet Metis
op_relation Music Library Association Annual Meeting 2022
https://hdl.handle.net/10388/14246
TC-SSU-14246
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