G. S. Rayshev: Communication Functions of the Modern Artist

The article considers a number of works by Gennady Stepanovich Rayshev as historical and ethnographic sources. The subject of the research is the components of his ethnic consciousness. The goal is to analyze the creative work of the Khanty artist as an original historical and ethnographic source re...

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Published in:KnE Social Sciences
Main Author: Ershov, M.
Format: Conference Object
Language:English
Published: Knowledge E 2020
Subjects:
Online Access:http://elar.urfu.ru/handle/10995/82973
https://doi.org/10.18502/kss.v4i2.6358
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spelling fturalfuniv:oai:elar.urfu.ru:10995/82973 2024-01-21T10:07:48+01:00 G. S. Rayshev: Communication Functions of the Modern Artist Ershov, M. 2020 application/pdf http://elar.urfu.ru/handle/10995/82973 https://doi.org/10.18502/kss.v4i2.6358 en eng Knowledge E IV International Scientific Conference “Communication Trends in the Post-literacy Era: Multilingualism, Multimodality, Multiculturalism”. — Ekaterinburg, 2020 Ershov M. G. S. Rayshev: Communication Functions of the Modern Artist / M. Ershov // IV International Scientific Conference “Communication Trends in the Post-literacy Era: Multilingualism, Multimodality, Multiculturalism” (Ekaterinburg, Russia, 8–9 November, 2019). – Dubai : Knowledge E, 2020. – KnE Social Sciences, 4 (2). – pp. 409-423. – DOI 10.18502/kss.v4i2.6358 2518-668X http://elar.urfu.ru/handle/10995/82973 doi:10.18502/kss.v4i2.6358 Creative Commons Attribution License https://creativecommons.org/licenses/by/4.0/ GRAPHICS PAINTING SOURCE G. S. RAYSHEV TRADITIONAL CULTURE ARTIST ETHNOS Conference Paper info:eu-repo/semantics/conferenceObject info:eu-repo/semantics/publishedVersion 2020 fturalfuniv https://doi.org/10.18502/kss.v4i2.6358 2023-12-26T01:55:22Z The article considers a number of works by Gennady Stepanovich Rayshev as historical and ethnographic sources. The subject of the research is the components of his ethnic consciousness. The goal is to analyze the creative work of the Khanty artist as an original historical and ethnographic source reflecting the ethnic identity, the mentality of the indigenous people of the North and the features of the modern epoch. The research materials are based on the visual, historical and cultural analysis of graphic and pictorial canvases and principal statements of G. S. Rayshev on the problems of artistic creation. The analysis of Rayshev’s creativity shows how the intelligentsia of national minorities retransmits and transforms old and new myths. With the disappearance of traditional culture, the myth has not disappeared. Its forms changed, carriers changed radically, but deep structures were preserved. The myth still exists, although it has changed appearance. When different cultures “meet”, this allows creative personalities to act as mediators between the former mythical array and modernity. Without losing previous ties with their native culture, they are engaged in verbal or pictorial design of the worldview, feelings and thoughts of their ethnic group, and reflect their history and cultural realities. The horizons of artists are much wider compared to ordinary people. They retain ethnic stereotypes, knowledge about life and elements of everyday life that determine the specifics of people’s life longer. Their works have not only artistic value, but also the properties of a historical and ethnographic source. The authors would like to thank their colleagues O. Dinislamova and A. Galyamov for their contribution and support to the research. Conference Object khanty Ural Federal University (URFU): ELAR KnE Social Sciences
institution Open Polar
collection Ural Federal University (URFU): ELAR
op_collection_id fturalfuniv
language English
topic GRAPHICS
PAINTING
SOURCE
G. S. RAYSHEV
TRADITIONAL CULTURE
ARTIST
ETHNOS
spellingShingle GRAPHICS
PAINTING
SOURCE
G. S. RAYSHEV
TRADITIONAL CULTURE
ARTIST
ETHNOS
Ershov, M.
G. S. Rayshev: Communication Functions of the Modern Artist
topic_facet GRAPHICS
PAINTING
SOURCE
G. S. RAYSHEV
TRADITIONAL CULTURE
ARTIST
ETHNOS
description The article considers a number of works by Gennady Stepanovich Rayshev as historical and ethnographic sources. The subject of the research is the components of his ethnic consciousness. The goal is to analyze the creative work of the Khanty artist as an original historical and ethnographic source reflecting the ethnic identity, the mentality of the indigenous people of the North and the features of the modern epoch. The research materials are based on the visual, historical and cultural analysis of graphic and pictorial canvases and principal statements of G. S. Rayshev on the problems of artistic creation. The analysis of Rayshev’s creativity shows how the intelligentsia of national minorities retransmits and transforms old and new myths. With the disappearance of traditional culture, the myth has not disappeared. Its forms changed, carriers changed radically, but deep structures were preserved. The myth still exists, although it has changed appearance. When different cultures “meet”, this allows creative personalities to act as mediators between the former mythical array and modernity. Without losing previous ties with their native culture, they are engaged in verbal or pictorial design of the worldview, feelings and thoughts of their ethnic group, and reflect their history and cultural realities. The horizons of artists are much wider compared to ordinary people. They retain ethnic stereotypes, knowledge about life and elements of everyday life that determine the specifics of people’s life longer. Their works have not only artistic value, but also the properties of a historical and ethnographic source. The authors would like to thank their colleagues O. Dinislamova and A. Galyamov for their contribution and support to the research.
format Conference Object
author Ershov, M.
author_facet Ershov, M.
author_sort Ershov, M.
title G. S. Rayshev: Communication Functions of the Modern Artist
title_short G. S. Rayshev: Communication Functions of the Modern Artist
title_full G. S. Rayshev: Communication Functions of the Modern Artist
title_fullStr G. S. Rayshev: Communication Functions of the Modern Artist
title_full_unstemmed G. S. Rayshev: Communication Functions of the Modern Artist
title_sort g. s. rayshev: communication functions of the modern artist
publisher Knowledge E
publishDate 2020
url http://elar.urfu.ru/handle/10995/82973
https://doi.org/10.18502/kss.v4i2.6358
genre khanty
genre_facet khanty
op_relation IV International Scientific Conference “Communication Trends in the Post-literacy Era: Multilingualism, Multimodality, Multiculturalism”. — Ekaterinburg, 2020
Ershov M. G. S. Rayshev: Communication Functions of the Modern Artist / M. Ershov // IV International Scientific Conference “Communication Trends in the Post-literacy Era: Multilingualism, Multimodality, Multiculturalism” (Ekaterinburg, Russia, 8–9 November, 2019). – Dubai : Knowledge E, 2020. – KnE Social Sciences, 4 (2). – pp. 409-423. – DOI 10.18502/kss.v4i2.6358
2518-668X
http://elar.urfu.ru/handle/10995/82973
doi:10.18502/kss.v4i2.6358
op_rights Creative Commons Attribution License
https://creativecommons.org/licenses/by/4.0/
op_doi https://doi.org/10.18502/kss.v4i2.6358
container_title KnE Social Sciences
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