Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina

This article investigates the representation of traditional culture in ethnographic films among the indigenous peoples of the Russian North. The special attention is paid to childhood in traditional culture of Khanty peoples in Ugra. The article focuses on the documentary film Malen’kaia Katerina (T...

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Main Authors: Golovnev, I., Golovneva, E.
Format: Article in Journal/Newspaper
Language:English
Published: CLUEB 2018
Subjects:
Online Access:http://elar.urfu.ru/handle/10995/62127
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spelling fturalfuniv:oai:elar.urfu.ru:10995/62127 2024-01-21T10:07:46+01:00 Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina Golovnev, I. Golovneva, E. 2018 http://elar.urfu.ru/handle/10995/62127 en eng CLUEB Golovnev I. Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina / I. Golovnev, E. Golovneva // EtnoAntropologia. — 2018. — Vol. 6, №.1. — P. 101-116. 2284-0176 http://elar.urfu.ru/handle/10995/62127 ADULTHOOD ETHNOGRAPHIC FILM ETHNOGRAPHY OF CHILDHOOD KHANTY NORTHWESTERN SIBERIA TRADITIONAL CULTURE VISUAL METHODS Article info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2018 fturalfuniv 2023-12-26T01:44:25Z This article investigates the representation of traditional culture in ethnographic films among the indigenous peoples of the Russian North. The special attention is paid to childhood in traditional culture of Khanty peoples in Ugra. The article focuses on the documentary film Malen’kaia Katerina (Tiny Katerina; Ivan Golovnev 2004), which depicts the childhood of a Khanty girl in northwestern Siberia over the course of three years. Authors analyze the child’s relation to nature, adulthood, and the development of gender identity. The article looks into the cinematographic techniques used for the film creation and major episodes of the film such as “a child`s role in Khanty culture”, “play”, ‘the adult world”. Also explored are objective and subjective conditions in which the cinematographic image is created, with a special emphasis being put on studying filmmaker's (director's) role in film production. The conclusion drawn is that, on the one hand, the ethnographic film is a valuable contribution to Anthropology that adds to the corpus of documents on traditional culture of the indigenous peoples of the Russian North. On the other hand, the film contains evidence of scientific criticism and allows one to explore cinematographic material from anthropological, historical, and psychological positions. Authors came to conclusion that ethnographic cinema can be seen as promising research methodology in the field of contemporary anthropology. This essay reelaborates and enriches some of the themes already present in a previous contribution The Representation of Childhood in Ethnographic Films of Siberian Indigenous Peoples: The Case of the Documentary Film Malen’kaia Katerina (Tiny Katerina) [Golovnev I., Golovneva E. 2016, 83-106]. This work was supported by the Russian Foundation for Basic Research (RFBR) as part of project No.18-09-00076 The traditional Northern communities in ethnographic film. Article in Journal/Newspaper khanty Russian North Siberia Ural Federal University (URFU): ELAR
institution Open Polar
collection Ural Federal University (URFU): ELAR
op_collection_id fturalfuniv
language English
topic ADULTHOOD
ETHNOGRAPHIC FILM
ETHNOGRAPHY OF CHILDHOOD
KHANTY
NORTHWESTERN SIBERIA
TRADITIONAL CULTURE
VISUAL METHODS
spellingShingle ADULTHOOD
ETHNOGRAPHIC FILM
ETHNOGRAPHY OF CHILDHOOD
KHANTY
NORTHWESTERN SIBERIA
TRADITIONAL CULTURE
VISUAL METHODS
Golovnev, I.
Golovneva, E.
Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina
topic_facet ADULTHOOD
ETHNOGRAPHIC FILM
ETHNOGRAPHY OF CHILDHOOD
KHANTY
NORTHWESTERN SIBERIA
TRADITIONAL CULTURE
VISUAL METHODS
description This article investigates the representation of traditional culture in ethnographic films among the indigenous peoples of the Russian North. The special attention is paid to childhood in traditional culture of Khanty peoples in Ugra. The article focuses on the documentary film Malen’kaia Katerina (Tiny Katerina; Ivan Golovnev 2004), which depicts the childhood of a Khanty girl in northwestern Siberia over the course of three years. Authors analyze the child’s relation to nature, adulthood, and the development of gender identity. The article looks into the cinematographic techniques used for the film creation and major episodes of the film such as “a child`s role in Khanty culture”, “play”, ‘the adult world”. Also explored are objective and subjective conditions in which the cinematographic image is created, with a special emphasis being put on studying filmmaker's (director's) role in film production. The conclusion drawn is that, on the one hand, the ethnographic film is a valuable contribution to Anthropology that adds to the corpus of documents on traditional culture of the indigenous peoples of the Russian North. On the other hand, the film contains evidence of scientific criticism and allows one to explore cinematographic material from anthropological, historical, and psychological positions. Authors came to conclusion that ethnographic cinema can be seen as promising research methodology in the field of contemporary anthropology. This essay reelaborates and enriches some of the themes already present in a previous contribution The Representation of Childhood in Ethnographic Films of Siberian Indigenous Peoples: The Case of the Documentary Film Malen’kaia Katerina (Tiny Katerina) [Golovnev I., Golovneva E. 2016, 83-106]. This work was supported by the Russian Foundation for Basic Research (RFBR) as part of project No.18-09-00076 The traditional Northern communities in ethnographic film.
format Article in Journal/Newspaper
author Golovnev, I.
Golovneva, E.
author_facet Golovnev, I.
Golovneva, E.
author_sort Golovnev, I.
title Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina
title_short Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina
title_full Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina
title_fullStr Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina
title_full_unstemmed Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina
title_sort traditional northern communities in ethnographic film: khanty. the case of the documentary film tiny katerina
publisher CLUEB
publishDate 2018
url http://elar.urfu.ru/handle/10995/62127
genre khanty
Russian North
Siberia
genre_facet khanty
Russian North
Siberia
op_relation Golovnev I. Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina / I. Golovnev, E. Golovneva // EtnoAntropologia. — 2018. — Vol. 6, №.1. — P. 101-116.
2284-0176
http://elar.urfu.ru/handle/10995/62127
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