The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture
Images of the Last Judgement in the eschatological writing Sermon of Palladii the Monk attracted the interest of Old Believer scribes as a visual proof of the truth of their faith. In the epoch when the Last Judgement was intensively anticipated (the second half of the 17th and the 18th centuries),...
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Tomsk State University - Faculty of Philology
2021
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Online Access: | http://elar.urfu.ru/handle/10995/111226 https://doi.org/10.17223/23062061/25/4 |
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fturalfuniv:oai:elar.urfu.ru:10995/111226 2024-05-19T07:47:52+00:00 The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture Anufrieva, N. V. 2021 application/pdf http://elar.urfu.ru/handle/10995/111226 https://doi.org/10.17223/23062061/25/4 ru rus Tomsk State University - Faculty of Philology Tomsk State University Anufrieva N. V. The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture / N. V. Anufrieva // Tekst, Kniga, Knigoizdaniye. — 2021. — Vol. — Iss. 25. — P. 54-72. 2306-2061 All Open Access, Bronze http://elar.urfu.ru/handle/10995/111226 46156061 doi:10.17223/23062061/25/4 85109452791 000681316000004 info:eu-repo/semantics/openAccess Tekst kn. knigoizd. Tekst, Kniga, Knigoizdaniye ICONOGRAPHIC ATTRIBUTE ILLUMINATED MANUSCRIPT REGIONAL PECULIARITIES STYLISTICS VISUAL INFORMATION Review info:eu-repo/semantics/review info:eu-repo/semantics/publishedVersion 2021 fturalfuniv https://doi.org/10.17223/23062061/25/4 2024-04-24T00:07:07Z Images of the Last Judgement in the eschatological writing Sermon of Palladii the Monk attracted the interest of Old Believer scribes as a visual proof of the truth of their faith. In the epoch when the Last Judgement was intensively anticipated (the second half of the 17th and the 18th centuries), illuminated Old Believer manuscripts were especially popular and significant. In different regional centres of Old Belief, rules for decorating such manuscripts were developed. The means of formulating and spreading visual information were distinct in terms of colour, the way in which narrative details were drawn, and the general composition. Using the illuminated manuscript Sermon of Palladii the Monk as an example, one can trace these stylistic distinctions. As a result of a comparative analysis with fifteen other illuminated manuscripts, it is possible to define four sustained styles used in the creation of this artefact. The “Northern Letters” style (present among the priestless Old Believers of the Russian North, the Urals, Siberia, and Central Russia) is distinguished by the particular combination of colours (the combination of bright red, green and their shades) and the templates used to paint the pictures. The “Volga” style (which united different regions of the Volga, such as Irgiz, Nizhny Novgorod, Gorodets, Kerzhenets, Saratov, and others) stands out due to the richness and variety of the colours, which ranged from light and airy to bright and catchy, like purple and violet. Developing at the beginning of the 19th century in the Urals, the “Shartash” style includes decorative elements from the artistic schools of Pomor’e, Vetka, and Guslitsa. Often, these miniatures resemble lubki in terms of their narratives, fragmentation of the plot, and numerous explanations. Among the priestless Old Believers, the so-called “Baroque Rocaille” style was widespread: this contained elements from the art of the end of the 18th and beginning of the 19th centuries (such as Baroque and Rococo). These reflected the desires of ... Review Russian North Siberia Ural Federal University (URFU): ELAR Tekst. Kniga. Knigoizdanie 25 55 72 |
institution |
Open Polar |
collection |
Ural Federal University (URFU): ELAR |
op_collection_id |
fturalfuniv |
language |
Russian |
topic |
ICONOGRAPHIC ATTRIBUTE ILLUMINATED MANUSCRIPT REGIONAL PECULIARITIES STYLISTICS VISUAL INFORMATION |
spellingShingle |
ICONOGRAPHIC ATTRIBUTE ILLUMINATED MANUSCRIPT REGIONAL PECULIARITIES STYLISTICS VISUAL INFORMATION Anufrieva, N. V. The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture |
topic_facet |
ICONOGRAPHIC ATTRIBUTE ILLUMINATED MANUSCRIPT REGIONAL PECULIARITIES STYLISTICS VISUAL INFORMATION |
description |
Images of the Last Judgement in the eschatological writing Sermon of Palladii the Monk attracted the interest of Old Believer scribes as a visual proof of the truth of their faith. In the epoch when the Last Judgement was intensively anticipated (the second half of the 17th and the 18th centuries), illuminated Old Believer manuscripts were especially popular and significant. In different regional centres of Old Belief, rules for decorating such manuscripts were developed. The means of formulating and spreading visual information were distinct in terms of colour, the way in which narrative details were drawn, and the general composition. Using the illuminated manuscript Sermon of Palladii the Monk as an example, one can trace these stylistic distinctions. As a result of a comparative analysis with fifteen other illuminated manuscripts, it is possible to define four sustained styles used in the creation of this artefact. The “Northern Letters” style (present among the priestless Old Believers of the Russian North, the Urals, Siberia, and Central Russia) is distinguished by the particular combination of colours (the combination of bright red, green and their shades) and the templates used to paint the pictures. The “Volga” style (which united different regions of the Volga, such as Irgiz, Nizhny Novgorod, Gorodets, Kerzhenets, Saratov, and others) stands out due to the richness and variety of the colours, which ranged from light and airy to bright and catchy, like purple and violet. Developing at the beginning of the 19th century in the Urals, the “Shartash” style includes decorative elements from the artistic schools of Pomor’e, Vetka, and Guslitsa. Often, these miniatures resemble lubki in terms of their narratives, fragmentation of the plot, and numerous explanations. Among the priestless Old Believers, the so-called “Baroque Rocaille” style was widespread: this contained elements from the art of the end of the 18th and beginning of the 19th centuries (such as Baroque and Rococo). These reflected the desires of ... |
format |
Review |
author |
Anufrieva, N. V. |
author_facet |
Anufrieva, N. V. |
author_sort |
Anufrieva, N. V. |
title |
The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture |
title_short |
The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture |
title_full |
The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture |
title_fullStr |
The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture |
title_full_unstemmed |
The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture |
title_sort |
stylistic peculiarities of the illuminated manuscript sermon of palladii the monk in old believer book culture |
publisher |
Tomsk State University - Faculty of Philology |
publishDate |
2021 |
url |
http://elar.urfu.ru/handle/10995/111226 https://doi.org/10.17223/23062061/25/4 |
genre |
Russian North Siberia |
genre_facet |
Russian North Siberia |
op_source |
Tekst kn. knigoizd. Tekst, Kniga, Knigoizdaniye |
op_relation |
Anufrieva N. V. The Stylistic Peculiarities of the Illuminated Manuscript Sermon of Palladii the Monk in Old Believer Book Culture / N. V. Anufrieva // Tekst, Kniga, Knigoizdaniye. — 2021. — Vol. — Iss. 25. — P. 54-72. 2306-2061 All Open Access, Bronze http://elar.urfu.ru/handle/10995/111226 46156061 doi:10.17223/23062061/25/4 85109452791 000681316000004 |
op_rights |
info:eu-repo/semantics/openAccess |
op_doi |
https://doi.org/10.17223/23062061/25/4 |
container_title |
Tekst. Kniga. Knigoizdanie |
container_issue |
25 |
container_start_page |
55 |
op_container_end_page |
72 |
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1799488345765576704 |