Resistance in Maxida Märak’s album Utopi
In this article, the music, lyrics, and music videos of Maxida Märak’s 2019 debut solo album Utopi (Utopia) are analysed using feminist, decolonial theories. The article discusses how the construction of resistance to colonial, patriarchal, and capitalist oppressions takes form on Utopi, and shows p...
Published in: | IASPM Journal |
---|---|
Main Author: | |
Format: | Article in Journal/Newspaper |
Language: | English |
Published: |
Södertörns högskola, Genusvetenskap
2021
|
Subjects: | |
Online Access: | http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-491598 https://doi.org/10.5429/2079-3871(2021)v11i2.6en |
id |
ftuppsalauniv:oai:DiVA.org:uu-491598 |
---|---|
record_format |
openpolar |
spelling |
ftuppsalauniv:oai:DiVA.org:uu-491598 2023-05-15T16:57:06+02:00 Resistance in Maxida Märak’s album Utopi Werner, Ann 2021 application/pdf http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-491598 https://doi.org/10.5429/2079-3871(2021)v11i2.6en eng eng Södertörns högskola, Genusvetenskap International Association for the Study of Popular Music (IASPM) IASPM@Journal, 2021, 11:2, s. 69-83 orcid:0000-0002-2540-8497 http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-491598 doi:10.5429/2079-3871(2021)v11i2.6en info:eu-repo/semantics/openAccess Maxida Märak decolonial feminism Saami popular music resistance Music Musik Article in journal info:eu-repo/semantics/article text 2021 ftuppsalauniv https://doi.org/10.5429/2079-3871(2021)v11i2.6en 2023-02-23T22:01:19Z In this article, the music, lyrics, and music videos of Maxida Märak’s 2019 debut solo album Utopi (Utopia) are analysed using feminist, decolonial theories. The article discusses how the construction of resistance to colonial, patriarchal, and capitalist oppressions takes form on Utopi, and shows popular music’s relationship to feminist and Indigenous resistance today. Lyrics, sounds, and images are analysed using discourse analysis, leading to the conclusion that Utopi holds ambiguous possibilities, of resisting settler colonialism, sexism, racism, and capitalism, while at the same time reinforcing neoliberal story telling tropes of individual success, and marketing Indigenous epistemes as goods. Currently the most visible Indigenous pop and rap artist in Sweden, Märak was born in Stockholm and considers Jokkmokk, in Sápmi, her home. She became famous for her music and political activism for Saami rights and Saami visibility in 2015, and reached a larger audience when she performed in the intermission of Melodifestivalen, the Swedish contest leading up to Eurovision, in 2018. During 2019, she released her first, full length album with songs about motherhood, land, class, love, sex, and loss. She sings and raps mainly in Swedish, and blends rap, pop, and Saami musical heritage. The conclusion of this article shows how land, and Saami feminine spirituality, are constructed as the basis for feminist, anticapitalist, and anti-settler colonial activism in Märak’s work. Article in Journal/Newspaper Jokkmokk saami Uppsala University: Publications (DiVA) Jokkmokk ENVELOPE(20.150,20.150,66.500,66.500) IASPM Journal 11 2 69 83 |
institution |
Open Polar |
collection |
Uppsala University: Publications (DiVA) |
op_collection_id |
ftuppsalauniv |
language |
English |
topic |
Maxida Märak decolonial feminism Saami popular music resistance Music Musik |
spellingShingle |
Maxida Märak decolonial feminism Saami popular music resistance Music Musik Werner, Ann Resistance in Maxida Märak’s album Utopi |
topic_facet |
Maxida Märak decolonial feminism Saami popular music resistance Music Musik |
description |
In this article, the music, lyrics, and music videos of Maxida Märak’s 2019 debut solo album Utopi (Utopia) are analysed using feminist, decolonial theories. The article discusses how the construction of resistance to colonial, patriarchal, and capitalist oppressions takes form on Utopi, and shows popular music’s relationship to feminist and Indigenous resistance today. Lyrics, sounds, and images are analysed using discourse analysis, leading to the conclusion that Utopi holds ambiguous possibilities, of resisting settler colonialism, sexism, racism, and capitalism, while at the same time reinforcing neoliberal story telling tropes of individual success, and marketing Indigenous epistemes as goods. Currently the most visible Indigenous pop and rap artist in Sweden, Märak was born in Stockholm and considers Jokkmokk, in Sápmi, her home. She became famous for her music and political activism for Saami rights and Saami visibility in 2015, and reached a larger audience when she performed in the intermission of Melodifestivalen, the Swedish contest leading up to Eurovision, in 2018. During 2019, she released her first, full length album with songs about motherhood, land, class, love, sex, and loss. She sings and raps mainly in Swedish, and blends rap, pop, and Saami musical heritage. The conclusion of this article shows how land, and Saami feminine spirituality, are constructed as the basis for feminist, anticapitalist, and anti-settler colonial activism in Märak’s work. |
format |
Article in Journal/Newspaper |
author |
Werner, Ann |
author_facet |
Werner, Ann |
author_sort |
Werner, Ann |
title |
Resistance in Maxida Märak’s album Utopi |
title_short |
Resistance in Maxida Märak’s album Utopi |
title_full |
Resistance in Maxida Märak’s album Utopi |
title_fullStr |
Resistance in Maxida Märak’s album Utopi |
title_full_unstemmed |
Resistance in Maxida Märak’s album Utopi |
title_sort |
resistance in maxida märak’s album utopi |
publisher |
Södertörns högskola, Genusvetenskap |
publishDate |
2021 |
url |
http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-491598 https://doi.org/10.5429/2079-3871(2021)v11i2.6en |
long_lat |
ENVELOPE(20.150,20.150,66.500,66.500) |
geographic |
Jokkmokk |
geographic_facet |
Jokkmokk |
genre |
Jokkmokk saami |
genre_facet |
Jokkmokk saami |
op_relation |
IASPM@Journal, 2021, 11:2, s. 69-83 orcid:0000-0002-2540-8497 http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-491598 doi:10.5429/2079-3871(2021)v11i2.6en |
op_rights |
info:eu-repo/semantics/openAccess |
op_doi |
https://doi.org/10.5429/2079-3871(2021)v11i2.6en |
container_title |
IASPM Journal |
container_volume |
11 |
container_issue |
2 |
container_start_page |
69 |
op_container_end_page |
83 |
_version_ |
1766048376915230720 |