Aesthetic(s) and Decoloniality

Decolonial aesthetics trace their genealogy back to the so-called “cultural studies” (cultural studies) coming from a reflection that began in the 1960s on the cultural modes of European colonization in Asia and Africa. From the emblematic books of Frantz Fanon and Octave Manonni, the incidence of t...

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Main Author: Bolaños, Martin
Format: Article in Journal/Newspaper
Language:Spanish
Published: UNIVERSIDAD NACIONAL DE LA PATAGONIA AUSTRAL 2023
Subjects:
Online Access:https://publicaciones.unpa.edu.ar/index.php/1/article/view/1007
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spelling ftunpatagoniaaus:oai:publicaciones.unpa.edu.ar:article/1007 2023-09-05T13:21:45+02:00 Aesthetic(s) and Decoloniality Estética(s) y Decolonialidad Bolaños, Martin 2023-08-18 application/pdf https://publicaciones.unpa.edu.ar/index.php/1/article/view/1007 spa spa UNIVERSIDAD NACIONAL DE LA PATAGONIA AUSTRAL https://publicaciones.unpa.edu.ar/index.php/1/article/view/1007/1037 https://publicaciones.unpa.edu.ar/index.php/1/article/view/1007 Derechos de autor 2023 Hermeneutic https://creativecommons.org/licenses/by-nc-nd/4.0 Hermeneutic; Núm. 23 (2023): Fronteras entre la Cultura y el Arte; 22-33 1668-7361 Estética Decolonialidad Modernidad Capitalismo Desprendimiento Esthetic Decoloniaty Modernity Capitalism Detachment info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares 2023 ftunpatagoniaaus 2023-08-20T00:05:42Z Decolonial aesthetics trace their genealogy back to the so-called “cultural studies” (cultural studies) coming from a reflection that began in the 1960s on the cultural modes of European colonization in Asia and Africa. From the emblematic books of Frantz Fanon and Octave Manonni, the incidence of the colonial situation in individual and collective subjectivation processes enters the space of Latin languages. In our context, coloniality is understood as a historically concomitant and even post-colonization phenomenon. According to Aníbal Quijano, coloniality consists of the ways in which the material conditions of colonization are accepted and reproduced by the colonized populations and subjectivities (Quijano 1992; 2015). Decolonizing, consequently, consists in unveiling and dismantling those modes, among which the coloniality of sensibility has a historically and socially important part. That is why a “detachment” from modern and postmodern ways of thinking about creative sensibility is necessary. Both denominations (modernity and postmodernity) come from a European history (or in broader terms, North-Atlantic) and can only be applied to a local context of reflection from Europe, the United States and Canada. Las estéticas descoloniales remontan su genealogía hasta los llamados “estudios culturales” (cultural studies) provenientes de una reflexión iniciada en la década de 1960 sobre los modos culturales de la colonización europea en Asia y África. Desde los libros emblemáticos de Frantz Fanon y Octave Manonni, la incidencia de la situación colonial en los procesos de subjetivación individuales y colectivos ingresa al espacio de las lenguas latinas. En nuestro contexto, se entiende la colonialidad como un fenómeno históricamente concomitante e incluso posterior a la colonización. Según Aníbal Quijano, la colonialidad consiste en las formas mediante las cuales las condiciones materiales de la colonización son aceptadas y reproducidas por las poblaciones y las subjetividades colonizadas (Quijano 1992;2015). ... Article in Journal/Newspaper North Atlantic Publicaciones Academics Cientificas UNPA (Universidad Nacional de la Patagonia Austral) Canada
institution Open Polar
collection Publicaciones Academics Cientificas UNPA (Universidad Nacional de la Patagonia Austral)
op_collection_id ftunpatagoniaaus
language Spanish
topic Estética
Decolonialidad
Modernidad
Capitalismo
Desprendimiento
Esthetic
Decoloniaty
Modernity
Capitalism
Detachment
spellingShingle Estética
Decolonialidad
Modernidad
Capitalismo
Desprendimiento
Esthetic
Decoloniaty
Modernity
Capitalism
Detachment
Bolaños, Martin
Aesthetic(s) and Decoloniality
topic_facet Estética
Decolonialidad
Modernidad
Capitalismo
Desprendimiento
Esthetic
Decoloniaty
Modernity
Capitalism
Detachment
description Decolonial aesthetics trace their genealogy back to the so-called “cultural studies” (cultural studies) coming from a reflection that began in the 1960s on the cultural modes of European colonization in Asia and Africa. From the emblematic books of Frantz Fanon and Octave Manonni, the incidence of the colonial situation in individual and collective subjectivation processes enters the space of Latin languages. In our context, coloniality is understood as a historically concomitant and even post-colonization phenomenon. According to Aníbal Quijano, coloniality consists of the ways in which the material conditions of colonization are accepted and reproduced by the colonized populations and subjectivities (Quijano 1992; 2015). Decolonizing, consequently, consists in unveiling and dismantling those modes, among which the coloniality of sensibility has a historically and socially important part. That is why a “detachment” from modern and postmodern ways of thinking about creative sensibility is necessary. Both denominations (modernity and postmodernity) come from a European history (or in broader terms, North-Atlantic) and can only be applied to a local context of reflection from Europe, the United States and Canada. Las estéticas descoloniales remontan su genealogía hasta los llamados “estudios culturales” (cultural studies) provenientes de una reflexión iniciada en la década de 1960 sobre los modos culturales de la colonización europea en Asia y África. Desde los libros emblemáticos de Frantz Fanon y Octave Manonni, la incidencia de la situación colonial en los procesos de subjetivación individuales y colectivos ingresa al espacio de las lenguas latinas. En nuestro contexto, se entiende la colonialidad como un fenómeno históricamente concomitante e incluso posterior a la colonización. Según Aníbal Quijano, la colonialidad consiste en las formas mediante las cuales las condiciones materiales de la colonización son aceptadas y reproducidas por las poblaciones y las subjetividades colonizadas (Quijano 1992;2015). ...
format Article in Journal/Newspaper
author Bolaños, Martin
author_facet Bolaños, Martin
author_sort Bolaños, Martin
title Aesthetic(s) and Decoloniality
title_short Aesthetic(s) and Decoloniality
title_full Aesthetic(s) and Decoloniality
title_fullStr Aesthetic(s) and Decoloniality
title_full_unstemmed Aesthetic(s) and Decoloniality
title_sort aesthetic(s) and decoloniality
publisher UNIVERSIDAD NACIONAL DE LA PATAGONIA AUSTRAL
publishDate 2023
url https://publicaciones.unpa.edu.ar/index.php/1/article/view/1007
geographic Canada
geographic_facet Canada
genre North Atlantic
genre_facet North Atlantic
op_source Hermeneutic; Núm. 23 (2023): Fronteras entre la Cultura y el Arte; 22-33
1668-7361
op_relation https://publicaciones.unpa.edu.ar/index.php/1/article/view/1007/1037
https://publicaciones.unpa.edu.ar/index.php/1/article/view/1007
op_rights Derechos de autor 2023 Hermeneutic
https://creativecommons.org/licenses/by-nc-nd/4.0
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