Re-placing regionalisms: Atlantic Canada in 21st century narratives
Though traditionally mapped as a margin, Stephen Henighan has argued that 'By the late 1990s it seemed that only writers from Atlantic Canada - Wayne Johnston, Alistair MacLeod, David Adams Richards - still wrote Canadian novels; this may help explain the surge in these writers popularity.'...
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ftunottingham:oai:eprints.nottingham.ac.uk:10322 2024-09-15T18:20:19+00:00 Re-placing regionalisms: Atlantic Canada in 21st century narratives Smith, Will 2007 application/pdf http://eprints.nottingham.ac.uk/10322/ https://eprints.nottingham.ac.uk/10322/1/MRes.pdf en eng https://eprints.nottingham.ac.uk/10322/1/MRes.pdf Smith, Will (2007) Re-placing regionalisms: Atlantic Canada in 21st century narratives. MRes thesis, University of Nottingham. Atlantic Canada Lynn Coady Daniel MacIvor Lisa Moore Michael Winter Christy Ann Conlin Canadian film Canadian literature Canadian Regionalism Amnon Buchbinder Whole New Thing place-voices situated knowledges literary geography Newfoundland Labrador Maritimes Nova Scotia New Brunswick Prince Edward Island Janice Kulyk Keefer New Canadian Library Thesis (University of Nottingham only) NonPeerReviewed 2007 ftunottingham 2024-06-25T03:51:39Z Though traditionally mapped as a margin, Stephen Henighan has argued that 'By the late 1990s it seemed that only writers from Atlantic Canada - Wayne Johnston, Alistair MacLeod, David Adams Richards - still wrote Canadian novels; this may help explain the surge in these writers popularity.' This duality of being Canadian and exploring a regional social identity, in context with an evolving global community, is navigated by contemporary Atlantic Canadian film and literature alike. Contemporary narratives challenge both stereotypes and cultural marginalisation by constructing 'authentic' representations of place, without recourse to overt commodification. The strategies developed in negotiating past ideas of regional identity constitute a contemporary regional imaginary. Contemporary narratives conjure a fluid idea of regional experience, open to multiple identity claims and forces of globalisation. The narratives this thesis examines are both literary and film. In literature the study covers Lynn Coady's Victory Meat anthology from 2003, and longer texts from some of the volume's contributors, Lisa Moore's Alligator (2005), Christy Ann Conlin's Heave (2002), Michael Winter's This All Happened (2000) and The Big Why (2004). The study also addresses the 2006 Commonwealth Film Festival award winner Whole New Thing directed by Amnon Buchbinder. Each of these narratives suggests a different engagement with the tropes of regional identity. The following study identifies how the region is represented and re-placed, as the site of interpretation, the place of performance and an arena of everyday practices. Although it is often contended that Atlantic Canada is not a viable field of study, this thesis shows that Atlantic Canadian contemporary creative imaginaries react to the same pressures and perceptions. Thesis Newfoundland Prince Edward Island The University of Nottingham: Nottingham ePrints |
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Open Polar |
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The University of Nottingham: Nottingham ePrints |
op_collection_id |
ftunottingham |
language |
English |
topic |
Atlantic Canada Lynn Coady Daniel MacIvor Lisa Moore Michael Winter Christy Ann Conlin Canadian film Canadian literature Canadian Regionalism Amnon Buchbinder Whole New Thing place-voices situated knowledges literary geography Newfoundland Labrador Maritimes Nova Scotia New Brunswick Prince Edward Island Janice Kulyk Keefer New Canadian Library |
spellingShingle |
Atlantic Canada Lynn Coady Daniel MacIvor Lisa Moore Michael Winter Christy Ann Conlin Canadian film Canadian literature Canadian Regionalism Amnon Buchbinder Whole New Thing place-voices situated knowledges literary geography Newfoundland Labrador Maritimes Nova Scotia New Brunswick Prince Edward Island Janice Kulyk Keefer New Canadian Library Smith, Will Re-placing regionalisms: Atlantic Canada in 21st century narratives |
topic_facet |
Atlantic Canada Lynn Coady Daniel MacIvor Lisa Moore Michael Winter Christy Ann Conlin Canadian film Canadian literature Canadian Regionalism Amnon Buchbinder Whole New Thing place-voices situated knowledges literary geography Newfoundland Labrador Maritimes Nova Scotia New Brunswick Prince Edward Island Janice Kulyk Keefer New Canadian Library |
description |
Though traditionally mapped as a margin, Stephen Henighan has argued that 'By the late 1990s it seemed that only writers from Atlantic Canada - Wayne Johnston, Alistair MacLeod, David Adams Richards - still wrote Canadian novels; this may help explain the surge in these writers popularity.' This duality of being Canadian and exploring a regional social identity, in context with an evolving global community, is navigated by contemporary Atlantic Canadian film and literature alike. Contemporary narratives challenge both stereotypes and cultural marginalisation by constructing 'authentic' representations of place, without recourse to overt commodification. The strategies developed in negotiating past ideas of regional identity constitute a contemporary regional imaginary. Contemporary narratives conjure a fluid idea of regional experience, open to multiple identity claims and forces of globalisation. The narratives this thesis examines are both literary and film. In literature the study covers Lynn Coady's Victory Meat anthology from 2003, and longer texts from some of the volume's contributors, Lisa Moore's Alligator (2005), Christy Ann Conlin's Heave (2002), Michael Winter's This All Happened (2000) and The Big Why (2004). The study also addresses the 2006 Commonwealth Film Festival award winner Whole New Thing directed by Amnon Buchbinder. Each of these narratives suggests a different engagement with the tropes of regional identity. The following study identifies how the region is represented and re-placed, as the site of interpretation, the place of performance and an arena of everyday practices. Although it is often contended that Atlantic Canada is not a viable field of study, this thesis shows that Atlantic Canadian contemporary creative imaginaries react to the same pressures and perceptions. |
format |
Thesis |
author |
Smith, Will |
author_facet |
Smith, Will |
author_sort |
Smith, Will |
title |
Re-placing regionalisms: Atlantic Canada in 21st century narratives |
title_short |
Re-placing regionalisms: Atlantic Canada in 21st century narratives |
title_full |
Re-placing regionalisms: Atlantic Canada in 21st century narratives |
title_fullStr |
Re-placing regionalisms: Atlantic Canada in 21st century narratives |
title_full_unstemmed |
Re-placing regionalisms: Atlantic Canada in 21st century narratives |
title_sort |
re-placing regionalisms: atlantic canada in 21st century narratives |
publishDate |
2007 |
url |
http://eprints.nottingham.ac.uk/10322/ https://eprints.nottingham.ac.uk/10322/1/MRes.pdf |
genre |
Newfoundland Prince Edward Island |
genre_facet |
Newfoundland Prince Edward Island |
op_relation |
https://eprints.nottingham.ac.uk/10322/1/MRes.pdf Smith, Will (2007) Re-placing regionalisms: Atlantic Canada in 21st century narratives. MRes thesis, University of Nottingham. |
_version_ |
1810458691039657984 |