Saarbrücken 1998
MAX-OPHÜLS-PRIZE FESTIVAL IN SAARBRÜCKEN One of the many fine moments at the 19th Max-Ophüls-Prize competition in Saarbrücken (27 January - 1 February 1998), a festival spotlighting new talent in German-language cinema, was Peter Lichtefeld's Zugvögel .einmal nach Inari (Passage .One Way to Ina...
Published in: | Kinema: A Journal for Film and Audiovisual Media |
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University of Waterloo
1999
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Online Access: | https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904 https://doi.org/10.15353/kinema.vi.904 |
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ftuniwaterlooojs:oai:canadianfoodstudies.uwaterloo.ca/index.php/cfs/oai:article/904 2023-05-15T16:53:44+02:00 Saarbrücken 1998 Holloway, Ron 1999-04-10 application/pdf text/html https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904 https://doi.org/10.15353/kinema.vi.904 eng eng University of Waterloo https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904/897 https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904/898 https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904 doi:10.15353/kinema.vi.904 Kinema: A Journal for Film and Audiovisual Media; Spring 1999 2562-5764 1192-6252 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 1999 ftuniwaterlooojs https://doi.org/10.15353/kinema.vi.904 2022-05-09T15:36:50Z MAX-OPHÜLS-PRIZE FESTIVAL IN SAARBRÜCKEN One of the many fine moments at the 19th Max-Ophüls-Prize competition in Saarbrücken (27 January - 1 February 1998), a festival spotlighting new talent in German-language cinema, was Peter Lichtefeld's Zugvögel .einmal nach Inari (Passage .One Way to Inari, Germany). A strikingly photographed (cameraman Frank Griebe) roadmovie, it features Jochim Król as Hannes, a shy beer-truck-driver and railroad-nut whose peculiar hobby is train schedules and knowing the shortest way from place to place. When Hannes enters the "First International Competition for Fastest Timetable Reading," the contest brings him to the town of Inari in the far north of Finland, But not before he finds himself involved in a murder case with a police inspector in hot pursuit. Along the way he meets, and falls in love with Sirpa (Outi Mäenpää), a Finnish miss who gets off the train in Helsinki and thus turns Hannes's own. Article in Journal/Newspaper Inari Waterloo Library Journal Publishing Service (University of Waterloo, Canada) Hannes ENVELOPE(18.064,18.064,69.390,69.390) Inari ENVELOPE(27.029,27.029,68.906,68.906) Kinema: A Journal for Film and Audiovisual Media |
institution |
Open Polar |
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Waterloo Library Journal Publishing Service (University of Waterloo, Canada) |
op_collection_id |
ftuniwaterlooojs |
language |
English |
description |
MAX-OPHÜLS-PRIZE FESTIVAL IN SAARBRÜCKEN One of the many fine moments at the 19th Max-Ophüls-Prize competition in Saarbrücken (27 January - 1 February 1998), a festival spotlighting new talent in German-language cinema, was Peter Lichtefeld's Zugvögel .einmal nach Inari (Passage .One Way to Inari, Germany). A strikingly photographed (cameraman Frank Griebe) roadmovie, it features Jochim Król as Hannes, a shy beer-truck-driver and railroad-nut whose peculiar hobby is train schedules and knowing the shortest way from place to place. When Hannes enters the "First International Competition for Fastest Timetable Reading," the contest brings him to the town of Inari in the far north of Finland, But not before he finds himself involved in a murder case with a police inspector in hot pursuit. Along the way he meets, and falls in love with Sirpa (Outi Mäenpää), a Finnish miss who gets off the train in Helsinki and thus turns Hannes's own. |
format |
Article in Journal/Newspaper |
author |
Holloway, Ron |
spellingShingle |
Holloway, Ron Saarbrücken 1998 |
author_facet |
Holloway, Ron |
author_sort |
Holloway, Ron |
title |
Saarbrücken 1998 |
title_short |
Saarbrücken 1998 |
title_full |
Saarbrücken 1998 |
title_fullStr |
Saarbrücken 1998 |
title_full_unstemmed |
Saarbrücken 1998 |
title_sort |
saarbrücken 1998 |
publisher |
University of Waterloo |
publishDate |
1999 |
url |
https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904 https://doi.org/10.15353/kinema.vi.904 |
long_lat |
ENVELOPE(18.064,18.064,69.390,69.390) ENVELOPE(27.029,27.029,68.906,68.906) |
geographic |
Hannes Inari |
geographic_facet |
Hannes Inari |
genre |
Inari |
genre_facet |
Inari |
op_source |
Kinema: A Journal for Film and Audiovisual Media; Spring 1999 2562-5764 1192-6252 |
op_relation |
https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904/897 https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904/898 https://openjournals.uwaterloo.ca/index.php/kinema/article/view/904 doi:10.15353/kinema.vi.904 |
op_doi |
https://doi.org/10.15353/kinema.vi.904 |
container_title |
Kinema: A Journal for Film and Audiovisual Media |
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1766044318678646784 |