‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’

Michelle Paver’s selection of Spitzbergen, ‘so far north that “dead things” last for years’, as the setting for her neo-thirties novel Dark Matter, demands of the novel’s readers an immediate engagement with the environmental and ecological. A key but hitherto unrecognised element of Michelle Paver’...

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Main Author: Arnold, Lucy
Format: Conference Object
Language:English
Published: 2021
Subjects:
Online Access:http://eprints.worc.ac.uk/11850/
https://eprints.worc.ac.uk/11850/1/Beaches%20of%20Bones%20Script.docx
https://eprints.worc.ac.uk/11850/2/Beaches%20of%20Bones%20Slides.pptx
https://eprints.worc.ac.uk/11850/4/Beaches%20of%20Bones%20Script%20%281%29.pdf
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spelling ftunivworcester:oai:wrap.eprints.org:11850 2023-05-15T16:31:10+02:00 ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’ Arnold, Lucy 2021-03-22 text slideshow http://eprints.worc.ac.uk/11850/ https://eprints.worc.ac.uk/11850/1/Beaches%20of%20Bones%20Script.docx https://eprints.worc.ac.uk/11850/2/Beaches%20of%20Bones%20Slides.pptx https://eprints.worc.ac.uk/11850/4/Beaches%20of%20Bones%20Script%20%281%29.pdf en eng https://eprints.worc.ac.uk/11850/1/Beaches%20of%20Bones%20Script.docx https://eprints.worc.ac.uk/11850/2/Beaches%20of%20Bones%20Slides.pptx https://eprints.worc.ac.uk/11850/4/Beaches%20of%20Bones%20Script%20%281%29.pdf Arnold, Lucy orcid:0000-0003-3707-3409 (2021) ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’. In: Haunted Shores: Coastlands, Coastal Waters and Littoral Gothic, March 22-26th 2021, Online. (Unpublished) PN0080 Criticism Conference or Workshop Item NonPeerReviewed 2021 ftunivworcester 2022-04-14T22:36:35Z Michelle Paver’s selection of Spitzbergen, ‘so far north that “dead things” last for years’, as the setting for her neo-thirties novel Dark Matter, demands of the novel’s readers an immediate engagement with the environmental and ecological. A key but hitherto unrecognised element of Michelle Paver’s gothicisation of this ‘virile male adventurer’ mode of literary engagement with the North, it’s landscapes, flora and fauna, are her depictions of animal cruelty, mutilation and death. In this article I argue that these moments and motifs, rather than being secondary to the human suffering, implied and actual, which is played out in the novel, in fact make explicit a subsumed history of violence towards the Greenlandic non-human which characterised colonial activity in this landscape for hundreds of years. Through an examination of Paver’s use of the motif of the seal, a literally littoral creature, and the proposition that what is haunting the Greenlandic coast in this text is specifically non-human, I offer a new critical approach to Dark Matter which makes clear how the coastal gothic at work here functions to illuminate (in this landscape of semi-perpetual darkness) how sadistic acts of animal cruelty constitute an abjection of the non-human in an attempt to ‘[consolidate] a stable sense of self’ as Nathaniel Leach puts it. In closing, I demonstrate how such an attempt is ultimately proven to be doomed by the ‘nagging inconsistency of the self thereby produced’, and the disavowed knowledge that our animal selves remain vulnerable to the ‘claimings and maimings’ we erroneously assure ourselves only non-humans are at risk of. Conference Object greenlandic Spitzbergen University of Worcester: Worcester Research and Publications
institution Open Polar
collection University of Worcester: Worcester Research and Publications
op_collection_id ftunivworcester
language English
topic PN0080 Criticism
spellingShingle PN0080 Criticism
Arnold, Lucy
‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’
topic_facet PN0080 Criticism
description Michelle Paver’s selection of Spitzbergen, ‘so far north that “dead things” last for years’, as the setting for her neo-thirties novel Dark Matter, demands of the novel’s readers an immediate engagement with the environmental and ecological. A key but hitherto unrecognised element of Michelle Paver’s gothicisation of this ‘virile male adventurer’ mode of literary engagement with the North, it’s landscapes, flora and fauna, are her depictions of animal cruelty, mutilation and death. In this article I argue that these moments and motifs, rather than being secondary to the human suffering, implied and actual, which is played out in the novel, in fact make explicit a subsumed history of violence towards the Greenlandic non-human which characterised colonial activity in this landscape for hundreds of years. Through an examination of Paver’s use of the motif of the seal, a literally littoral creature, and the proposition that what is haunting the Greenlandic coast in this text is specifically non-human, I offer a new critical approach to Dark Matter which makes clear how the coastal gothic at work here functions to illuminate (in this landscape of semi-perpetual darkness) how sadistic acts of animal cruelty constitute an abjection of the non-human in an attempt to ‘[consolidate] a stable sense of self’ as Nathaniel Leach puts it. In closing, I demonstrate how such an attempt is ultimately proven to be doomed by the ‘nagging inconsistency of the self thereby produced’, and the disavowed knowledge that our animal selves remain vulnerable to the ‘claimings and maimings’ we erroneously assure ourselves only non-humans are at risk of.
format Conference Object
author Arnold, Lucy
author_facet Arnold, Lucy
author_sort Arnold, Lucy
title ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’
title_short ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’
title_full ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’
title_fullStr ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’
title_full_unstemmed ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’
title_sort ‘beaches of bones: non-human hauntings as legacies of animal cruelty in michelle paver’s dark matter’
publishDate 2021
url http://eprints.worc.ac.uk/11850/
https://eprints.worc.ac.uk/11850/1/Beaches%20of%20Bones%20Script.docx
https://eprints.worc.ac.uk/11850/2/Beaches%20of%20Bones%20Slides.pptx
https://eprints.worc.ac.uk/11850/4/Beaches%20of%20Bones%20Script%20%281%29.pdf
genre greenlandic
Spitzbergen
genre_facet greenlandic
Spitzbergen
op_relation https://eprints.worc.ac.uk/11850/1/Beaches%20of%20Bones%20Script.docx
https://eprints.worc.ac.uk/11850/2/Beaches%20of%20Bones%20Slides.pptx
https://eprints.worc.ac.uk/11850/4/Beaches%20of%20Bones%20Script%20%281%29.pdf
Arnold, Lucy orcid:0000-0003-3707-3409 (2021) ‘Beaches of Bones: Non-Human Hauntings as Legacies of Animal Cruelty in Michelle Paver’s Dark Matter’. In: Haunted Shores: Coastlands, Coastal Waters and Littoral Gothic, March 22-26th 2021, Online. (Unpublished)
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