Voicing Otherwise: Archival Vocality//Unsettling the Listening Body

Voice has typically been understood as an external representation of an internal uniqueness or individuality, often at the expense of the recognition of its always already relational, multi-sensory, and multi-sitedness. This project engages with the interdisciplinary and critical study of voice, the...

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Main Author: Nowack, Ethan Kolokoff
Format: Article in Journal/Newspaper
Language:unknown
Published: 2021
Subjects:
Online Access:http://hdl.handle.net/1773/47747
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spelling ftunivwashington:oai:digital.lib.washington.edu:1773/47747 2023-05-15T18:44:15+02:00 Voicing Otherwise: Archival Vocality//Unsettling the Listening Body Nowack, Ethan Kolokoff 2021-08 http://hdl.handle.net/1773/47747 unknown http://hdl.handle.net/1773/47747 Attribution-NonCommercial-NoDerivs 3.0 United States http://creativecommons.org/licenses/by-nc-nd/3.0/us/ Article 2021 ftunivwashington 2023-03-12T19:01:06Z Voice has typically been understood as an external representation of an internal uniqueness or individuality, often at the expense of the recognition of its always already relational, multi-sensory, and multi-sitedness. This project engages with the interdisciplinary and critical study of voice, the archival and epistemic violences that have been enacted around it, and the ways in which it opens resistive and unsettling possibilities otherwise. I ask, how does listening, to past and present, to archives and voices, offer new and unsettling modes of relating to the world?. Through this exploration, I intend to illuminate the radical potential of listening differently, and offer openings towards an anti-colonial listening practice. To do this, I engage a critique of Alan Lomax’s “Cantometrics,” a vocal/musical classification system for global music, positioning it as an example of colonial listening practice. I then turn towards the music of Wolastoqiyik singer Jeremy Dutcher, and their reimagining of archival Wolastoqey language songs and recordings. I position Dutcher’s music as a “voicing otherwise” that encourages listening differently. Additionally, in an effort to unsettle the ways that we write about and through music and sound, I explore various multisensory and performative writing practices, inviting the reader to listen differently through the form and structure of the written project. Voice and listening have the potential to become critically engaged elements of experience in a deeply liberating sense. My hope is that this project will contribute to such a widened conception of voice, particularly in the context of monumental reckoning and unsettling colonialisms. Article in Journal/Newspaper Wolastoqiyik University of Washington, Seattle: ResearchWorks Jeremy ENVELOPE(-68.838,-68.838,-69.402,-69.402)
institution Open Polar
collection University of Washington, Seattle: ResearchWorks
op_collection_id ftunivwashington
language unknown
description Voice has typically been understood as an external representation of an internal uniqueness or individuality, often at the expense of the recognition of its always already relational, multi-sensory, and multi-sitedness. This project engages with the interdisciplinary and critical study of voice, the archival and epistemic violences that have been enacted around it, and the ways in which it opens resistive and unsettling possibilities otherwise. I ask, how does listening, to past and present, to archives and voices, offer new and unsettling modes of relating to the world?. Through this exploration, I intend to illuminate the radical potential of listening differently, and offer openings towards an anti-colonial listening practice. To do this, I engage a critique of Alan Lomax’s “Cantometrics,” a vocal/musical classification system for global music, positioning it as an example of colonial listening practice. I then turn towards the music of Wolastoqiyik singer Jeremy Dutcher, and their reimagining of archival Wolastoqey language songs and recordings. I position Dutcher’s music as a “voicing otherwise” that encourages listening differently. Additionally, in an effort to unsettle the ways that we write about and through music and sound, I explore various multisensory and performative writing practices, inviting the reader to listen differently through the form and structure of the written project. Voice and listening have the potential to become critically engaged elements of experience in a deeply liberating sense. My hope is that this project will contribute to such a widened conception of voice, particularly in the context of monumental reckoning and unsettling colonialisms.
format Article in Journal/Newspaper
author Nowack, Ethan Kolokoff
spellingShingle Nowack, Ethan Kolokoff
Voicing Otherwise: Archival Vocality//Unsettling the Listening Body
author_facet Nowack, Ethan Kolokoff
author_sort Nowack, Ethan Kolokoff
title Voicing Otherwise: Archival Vocality//Unsettling the Listening Body
title_short Voicing Otherwise: Archival Vocality//Unsettling the Listening Body
title_full Voicing Otherwise: Archival Vocality//Unsettling the Listening Body
title_fullStr Voicing Otherwise: Archival Vocality//Unsettling the Listening Body
title_full_unstemmed Voicing Otherwise: Archival Vocality//Unsettling the Listening Body
title_sort voicing otherwise: archival vocality//unsettling the listening body
publishDate 2021
url http://hdl.handle.net/1773/47747
long_lat ENVELOPE(-68.838,-68.838,-69.402,-69.402)
geographic Jeremy
geographic_facet Jeremy
genre Wolastoqiyik
genre_facet Wolastoqiyik
op_relation http://hdl.handle.net/1773/47747
op_rights Attribution-NonCommercial-NoDerivs 3.0 United States
http://creativecommons.org/licenses/by-nc-nd/3.0/us/
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