Historical reflections on Sámi art and the paradigm of the National in Norwegian art history.
Whose story is told in the history of art? There are many different answers to that question depending on which art history one refers to and on the perspective applied to examine these histories. One approach is to look at the traditional framework for such examinations – which to a large degree st...
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| Format: | Book Part |
| Language: | English |
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Orkana forlag
2014
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| Online Access: | https://hdl.handle.net/10037/6646 |
| _version_ | 1829303166021140480 |
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| author | Grini, Monica |
| author_facet | Grini, Monica |
| author_sort | Grini, Monica |
| collection | University of Tromsø: Munin Open Research Archive |
| description | Whose story is told in the history of art? There are many different answers to that question depending on which art history one refers to and on the perspective applied to examine these histories. One approach is to look at the traditional framework for such examinations – which to a large degree still includes categories such as state, place and nation. Sápmi, the Sámi area, can be understood as a nation embracing four nation-‐states: Norway, Sweden, Finland and Russia. Since the 19th century, the history of art has been considered part of the nation-‐ state’s inventory. The production of art history has played, and still plays, a role in the constitution and the maintenance of different nation-‐states. How is Sámi art presented in Norwegian art history and what are the roles of the national paradigm in this presentation? |
| format | Book Part |
| genre | Arctic |
| genre_facet | Arctic |
| geographic | Norway |
| geographic_facet | Norway |
| id | ftunivtroemsoe:oai:munin.uit.no:10037/6646 |
| institution | Open Polar |
| language | English |
| op_collection_id | ftunivtroemsoe |
| op_relation | Charis Gullickson and Sandra Lorentzen (eds.), Sámi Stories: Art and Identity of an Arctic People, Stamsund: Orkana forlag, 2014, pp. 49 – 67. FRIDAID 1149749 https://hdl.handle.net/10037/6646 |
| op_rights | openAccess |
| publishDate | 2014 |
| publisher | Orkana forlag |
| record_format | openpolar |
| spelling | ftunivtroemsoe:oai:munin.uit.no:10037/6646 2025-04-13T14:11:27+00:00 Historical reflections on Sámi art and the paradigm of the National in Norwegian art history. Grini, Monica 2014 https://hdl.handle.net/10037/6646 eng eng Orkana forlag Charis Gullickson and Sandra Lorentzen (eds.), Sámi Stories: Art and Identity of an Arctic People, Stamsund: Orkana forlag, 2014, pp. 49 – 67. FRIDAID 1149749 https://hdl.handle.net/10037/6646 openAccess VDP::Humaniora: 000::Kunsthistorie: 120::Nyere tids kunsthistorie: 128 VDP::Humanities: 000::History of art: 120::History of the arts in recent times: 128 VDP::Humaniora: 000::Kulturvitenskap: 060::Annen kulturvitenskap: 069 VDP::Humanities: 000::Cultural science: 060::Other cultural science: 069 Chapter Bokkapittel 2014 ftunivtroemsoe 2025-03-14T05:17:56Z Whose story is told in the history of art? There are many different answers to that question depending on which art history one refers to and on the perspective applied to examine these histories. One approach is to look at the traditional framework for such examinations – which to a large degree still includes categories such as state, place and nation. Sápmi, the Sámi area, can be understood as a nation embracing four nation-‐states: Norway, Sweden, Finland and Russia. Since the 19th century, the history of art has been considered part of the nation-‐ state’s inventory. The production of art history has played, and still plays, a role in the constitution and the maintenance of different nation-‐states. How is Sámi art presented in Norwegian art history and what are the roles of the national paradigm in this presentation? Book Part Arctic University of Tromsø: Munin Open Research Archive Norway |
| spellingShingle | VDP::Humaniora: 000::Kunsthistorie: 120::Nyere tids kunsthistorie: 128 VDP::Humanities: 000::History of art: 120::History of the arts in recent times: 128 VDP::Humaniora: 000::Kulturvitenskap: 060::Annen kulturvitenskap: 069 VDP::Humanities: 000::Cultural science: 060::Other cultural science: 069 Grini, Monica Historical reflections on Sámi art and the paradigm of the National in Norwegian art history. |
| title | Historical reflections on Sámi art and the paradigm of the National in Norwegian art history. |
| title_full | Historical reflections on Sámi art and the paradigm of the National in Norwegian art history. |
| title_fullStr | Historical reflections on Sámi art and the paradigm of the National in Norwegian art history. |
| title_full_unstemmed | Historical reflections on Sámi art and the paradigm of the National in Norwegian art history. |
| title_short | Historical reflections on Sámi art and the paradigm of the National in Norwegian art history. |
| title_sort | historical reflections on sámi art and the paradigm of the national in norwegian art history. |
| topic | VDP::Humaniora: 000::Kunsthistorie: 120::Nyere tids kunsthistorie: 128 VDP::Humanities: 000::History of art: 120::History of the arts in recent times: 128 VDP::Humaniora: 000::Kulturvitenskap: 060::Annen kulturvitenskap: 069 VDP::Humanities: 000::Cultural science: 060::Other cultural science: 069 |
| topic_facet | VDP::Humaniora: 000::Kunsthistorie: 120::Nyere tids kunsthistorie: 128 VDP::Humanities: 000::History of art: 120::History of the arts in recent times: 128 VDP::Humaniora: 000::Kulturvitenskap: 060::Annen kulturvitenskap: 069 VDP::Humanities: 000::Cultural science: 060::Other cultural science: 069 |
| url | https://hdl.handle.net/10037/6646 |