Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork

his article examines Pia Arke’s artistic practice that engages with the phenomenon of ‘Arctic hysteria’, which apparently gripped large parts of the female indigenous population in the Arctic during the early contact era. By focusing on the ‘lost’ photomontage Arctic Hysteria IV (1997), I aim to sho...

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Published in:Kunst og Kultur
Main Author: Spreter, Stephanie von
Format: Article in Journal/Newspaper
Language:English
Published: Universitetsforlaget 2022
Subjects:
Online Access:https://hdl.handle.net/10037/33642
https://doi.org/10.18261/kk.105.2.3
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spelling ftunivtroemsoe:oai:munin.uit.no:10037/33642 2024-06-23T07:48:27+00:00 Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork Spreter, Stephanie von 2022-09-15 https://hdl.handle.net/10037/33642 https://doi.org/10.18261/kk.105.2.3 eng eng Universitetsforlaget Kunst og kultur Spreter S. Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork. Kunst og kultur. 2022;105(2-3):87-102 FRIDAID 2271352 https://doi.org/10.18261/kk.105.2.3 0023-5415 1504-3029 https://hdl.handle.net/10037/33642 Attribution-NonCommercial 4.0 International (CC BY-NC 4.0) openAccess Copyright 2022 The Author(s) https://creativecommons.org/licenses/by-nc/4.0 Journal article Tidsskriftartikkel Peer reviewed publishedVersion 2022 ftunivtroemsoe https://doi.org/10.18261/kk.105.2.3 2024-06-04T23:54:27Z his article examines Pia Arke’s artistic practice that engages with the phenomenon of ‘Arctic hysteria’, which apparently gripped large parts of the female indigenous population in the Arctic during the early contact era. By focusing on the ‘lost’ photomontage Arctic Hysteria IV (1997), I aim to show how Arke’s method of re-appropriating photographic material from colonial archives can be seen as an act of visual repatriation, of “working through” and reclaiming the repressed histories of indigenous Kalaallit women. Article in Journal/Newspaper Arctic Arctic kalaallit University of Tromsø: Munin Open Research Archive Arctic Kunst og Kultur 105 2-3 87 102
institution Open Polar
collection University of Tromsø: Munin Open Research Archive
op_collection_id ftunivtroemsoe
language English
description his article examines Pia Arke’s artistic practice that engages with the phenomenon of ‘Arctic hysteria’, which apparently gripped large parts of the female indigenous population in the Arctic during the early contact era. By focusing on the ‘lost’ photomontage Arctic Hysteria IV (1997), I aim to show how Arke’s method of re-appropriating photographic material from colonial archives can be seen as an act of visual repatriation, of “working through” and reclaiming the repressed histories of indigenous Kalaallit women.
format Article in Journal/Newspaper
author Spreter, Stephanie von
spellingShingle Spreter, Stephanie von
Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
author_facet Spreter, Stephanie von
author_sort Spreter, Stephanie von
title Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_short Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_full Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_fullStr Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_full_unstemmed Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork
title_sort pia arke and ‘arctic hysteria’: visual repatriation and the problematics of a ‘lost’ artwork
publisher Universitetsforlaget
publishDate 2022
url https://hdl.handle.net/10037/33642
https://doi.org/10.18261/kk.105.2.3
geographic Arctic
geographic_facet Arctic
genre Arctic
Arctic
kalaallit
genre_facet Arctic
Arctic
kalaallit
op_relation Kunst og kultur
Spreter S. Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork. Kunst og kultur. 2022;105(2-3):87-102
FRIDAID 2271352
https://doi.org/10.18261/kk.105.2.3
0023-5415
1504-3029
https://hdl.handle.net/10037/33642
op_rights Attribution-NonCommercial 4.0 International (CC BY-NC 4.0)
openAccess
Copyright 2022 The Author(s)
https://creativecommons.org/licenses/by-nc/4.0
op_doi https://doi.org/10.18261/kk.105.2.3
container_title Kunst og Kultur
container_volume 105
container_issue 2-3
container_start_page 87
op_container_end_page 102
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