Eco-Phenomenology in the Dark

This chapter uses the methods and insights of phenomenology– especially Maurice Merleau- Ponty’s chiasmus and Jean- Luc Marion’s saturated phenomenality– to articulate the symbiosis between the human subject and the natural world. By conceptualizing the human subject as felt as well as feeling (Merl...

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Main Author: Falke, Cassandra
Format: Book Part
Language:English
Published: Peter Lang 2023
Subjects:
Online Access:https://hdl.handle.net/10037/33302
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spelling ftunivtroemsoe:oai:munin.uit.no:10037/33302 2024-04-28T08:11:01+00:00 Eco-Phenomenology in the Dark Falke, Cassandra 2023 https://hdl.handle.net/10037/33302 eng eng Peter Lang Falke C: Eco-Phenomenology in the Dark. In: Karpouzou, Zampaki. Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art: Towards Theory and Practice, 2023. Peter Lang Publishing Group p. 265-280 FRIDAID 2130081 978-3-631-84501-1 https://hdl.handle.net/10037/33302 Attribution 4.0 International (CC BY 4.0) openAccess Copyright 2023 The Author(s) https://creativecommons.org/licenses/by/4.0 Chapter Bokkapittel publishedVersion 2023 ftunivtroemsoe 2024-04-03T14:04:18Z This chapter uses the methods and insights of phenomenology– especially Maurice Merleau- Ponty’s chiasmus and Jean- Luc Marion’s saturated phenomenality– to articulate the symbiosis between the human subject and the natural world. By conceptualizing the human subject as felt as well as feeling (Merleau- Ponty), and as receiving experiences that overwhelm our conceptual apparatus (Marion), these two French phenomenologists prepare the groundwork for an understanding of humans as maintained and shaped by the natural forces we so o en strive to instrumentalize. A er clarifying ways that chiasmus and saturated phenomenality can contribute to a symbiotic, posthumanist understanding of our relationship to the earth, I describe the non- certain nature of what humans can know about the e ects our life has on a given ecosystem. Moving from the metaphorical darkness of uncertainty to the literal darkness of an Arctic winter, the chapter’s conclusion exempli es the uncertain, receptive, touched and perceived nature of human personhood through a phenomenological description of being in the woods in the dark. Deprived of sight, which most humans rely on so heavily, we can experience smells, sounds, and tactile sensations without the concepts for them arriving immediately. Such an experience returns one to the “wonder before the world” that Merleau- Ponty says characterizes the phenomenological reduction, but more than that, it returns an individual human subject to his or her position as one living thing among so many. Book Part Arctic University of Tromsø: Munin Open Research Archive
institution Open Polar
collection University of Tromsø: Munin Open Research Archive
op_collection_id ftunivtroemsoe
language English
description This chapter uses the methods and insights of phenomenology– especially Maurice Merleau- Ponty’s chiasmus and Jean- Luc Marion’s saturated phenomenality– to articulate the symbiosis between the human subject and the natural world. By conceptualizing the human subject as felt as well as feeling (Merleau- Ponty), and as receiving experiences that overwhelm our conceptual apparatus (Marion), these two French phenomenologists prepare the groundwork for an understanding of humans as maintained and shaped by the natural forces we so o en strive to instrumentalize. A er clarifying ways that chiasmus and saturated phenomenality can contribute to a symbiotic, posthumanist understanding of our relationship to the earth, I describe the non- certain nature of what humans can know about the e ects our life has on a given ecosystem. Moving from the metaphorical darkness of uncertainty to the literal darkness of an Arctic winter, the chapter’s conclusion exempli es the uncertain, receptive, touched and perceived nature of human personhood through a phenomenological description of being in the woods in the dark. Deprived of sight, which most humans rely on so heavily, we can experience smells, sounds, and tactile sensations without the concepts for them arriving immediately. Such an experience returns one to the “wonder before the world” that Merleau- Ponty says characterizes the phenomenological reduction, but more than that, it returns an individual human subject to his or her position as one living thing among so many.
format Book Part
author Falke, Cassandra
spellingShingle Falke, Cassandra
Eco-Phenomenology in the Dark
author_facet Falke, Cassandra
author_sort Falke, Cassandra
title Eco-Phenomenology in the Dark
title_short Eco-Phenomenology in the Dark
title_full Eco-Phenomenology in the Dark
title_fullStr Eco-Phenomenology in the Dark
title_full_unstemmed Eco-Phenomenology in the Dark
title_sort eco-phenomenology in the dark
publisher Peter Lang
publishDate 2023
url https://hdl.handle.net/10037/33302
genre Arctic
genre_facet Arctic
op_relation Falke C: Eco-Phenomenology in the Dark. In: Karpouzou, Zampaki. Symbiotic Posthumanist Ecologies in Western Literature, Philosophy and Art: Towards Theory and Practice, 2023. Peter Lang Publishing Group p. 265-280
FRIDAID 2130081
978-3-631-84501-1
https://hdl.handle.net/10037/33302
op_rights Attribution 4.0 International (CC BY 4.0)
openAccess
Copyright 2023 The Author(s)
https://creativecommons.org/licenses/by/4.0
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