Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement
This thesis focuses on the significance of Sámi and indigenous vocal and musical expression in ethno and indigenous political mobilizing in the 1970s and particularly in June 1979. My point of departure is the Davvi Šuvva festival; the first Sámi and international indigenous culture and music festiv...
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Universitetet i Tromsø
2009
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ftunivtroemsoe:oai:munin.uit.no:10037/2059 2024-06-02T08:09:34+00:00 Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement Angell, Synnøve 2009-05-20 4806458 bytes application/pdf https://hdl.handle.net/10037/2059 eng eng Universitetet i Tromsø University of Tromsø https://hdl.handle.net/10037/2059 URN:NBN:no-uit_munin_1811 openAccess Copyright 2009 The Author(s) VDP::Social science: 200::Social anthropology: 250 Indigenous studies SVF-3904 Master thesis Mastergradsoppgave 2009 ftunivtroemsoe 2024-05-07T08:41:49Z This thesis focuses on the significance of Sámi and indigenous vocal and musical expression in ethno and indigenous political mobilizing in the 1970s and particularly in June 1979. My point of departure is the Davvi Šuvva festival; the first Sámi and international indigenous culture and music festival after the establishing of the World Council of Indigenous Peoples. It took place on a hill in a Sámi and Swedish/Finnish border village in the north of Sweden and in the middle of Sápmi. My research is based on the interviews with people who organized the festival, artists and audience as well as written contemporary sources, a film about the event and 16 authentic tapes of recordings of the concerts at Davvi Šuvva. The oral sources of eye and ear witnesses represent insider views and experiences and the contemporary written sources of attending news paper journalists and writers from other magazines represent both insider and outsider perspective. “Davvi Šuvva 1979” also documents the ethno political background of the festival and discusses various perspectives on collective identity. While powwow dance and traditional native chanting expressed First Nation and Cree Indian identity and Inuit identity was expressed by traditional drum dance and drum singing Davvi Šuvva also demonstrated how yoik conveyed various Sámi identities. My intention is to show how and why vocal and musical expressions had, and still have, a particular significance in oral indigenous cultures as a means of struggle. The conclusions reached are that manifestations of Sámi and indigenous cultural expression and resistance like the Davvi Šuvva festival contributed to pride, recovery, dignity and positive self awareness and that the festival as such strengthened Sámi identity and indigenous togetherness and belonging. Master Thesis inuit Sámi University of Tromsø: Munin Open Research Archive Indian |
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University of Tromsø: Munin Open Research Archive |
op_collection_id |
ftunivtroemsoe |
language |
English |
topic |
VDP::Social science: 200::Social anthropology: 250 Indigenous studies SVF-3904 |
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VDP::Social science: 200::Social anthropology: 250 Indigenous studies SVF-3904 Angell, Synnøve Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement |
topic_facet |
VDP::Social science: 200::Social anthropology: 250 Indigenous studies SVF-3904 |
description |
This thesis focuses on the significance of Sámi and indigenous vocal and musical expression in ethno and indigenous political mobilizing in the 1970s and particularly in June 1979. My point of departure is the Davvi Šuvva festival; the first Sámi and international indigenous culture and music festival after the establishing of the World Council of Indigenous Peoples. It took place on a hill in a Sámi and Swedish/Finnish border village in the north of Sweden and in the middle of Sápmi. My research is based on the interviews with people who organized the festival, artists and audience as well as written contemporary sources, a film about the event and 16 authentic tapes of recordings of the concerts at Davvi Šuvva. The oral sources of eye and ear witnesses represent insider views and experiences and the contemporary written sources of attending news paper journalists and writers from other magazines represent both insider and outsider perspective. “Davvi Šuvva 1979” also documents the ethno political background of the festival and discusses various perspectives on collective identity. While powwow dance and traditional native chanting expressed First Nation and Cree Indian identity and Inuit identity was expressed by traditional drum dance and drum singing Davvi Šuvva also demonstrated how yoik conveyed various Sámi identities. My intention is to show how and why vocal and musical expressions had, and still have, a particular significance in oral indigenous cultures as a means of struggle. The conclusions reached are that manifestations of Sámi and indigenous cultural expression and resistance like the Davvi Šuvva festival contributed to pride, recovery, dignity and positive self awareness and that the festival as such strengthened Sámi identity and indigenous togetherness and belonging. |
format |
Master Thesis |
author |
Angell, Synnøve |
author_facet |
Angell, Synnøve |
author_sort |
Angell, Synnøve |
title |
Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement |
title_short |
Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement |
title_full |
Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement |
title_fullStr |
Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement |
title_full_unstemmed |
Davvi Šuvva 1979 : being Sámi, becoming indigenous : vocal and musical manifestation of Sámi and indigenous movement |
title_sort |
davvi šuvva 1979 : being sámi, becoming indigenous : vocal and musical manifestation of sámi and indigenous movement |
publisher |
Universitetet i Tromsø |
publishDate |
2009 |
url |
https://hdl.handle.net/10037/2059 |
geographic |
Indian |
geographic_facet |
Indian |
genre |
inuit Sámi |
genre_facet |
inuit Sámi |
op_relation |
https://hdl.handle.net/10037/2059 URN:NBN:no-uit_munin_1811 |
op_rights |
openAccess Copyright 2009 The Author(s) |
_version_ |
1800755294160027648 |