From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi

This master’s thesis examines how Sámi people were represented in postcards from Norwegian Sápmi during the late 19th century to present day. The study explores how postcards can unveil both grand narratives and personal and local stories. Portraying Sámi people and culture as exotic and differen...

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Bibliographic Details
Main Author: Schøning, Eli-Anita Øivand
Format: Master Thesis
Language:English
Published: UiT Norges arktiske universitet 2018
Subjects:
Online Access:https://hdl.handle.net/10037/13439
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record_format openpolar
spelling ftunivtroemsoe:oai:munin.uit.no:10037/13439 2023-05-15T18:14:51+02:00 From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi Schøning, Eli-Anita Øivand 2018-05-15 https://hdl.handle.net/10037/13439 eng eng UiT Norges arktiske universitet UiT The Arctic University of Norway https://hdl.handle.net/10037/13439 openAccess Copyright 2018 The Author(s) VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250 VDP::Social science: 200::Social anthropology: 250 Indigenous Postcard Sámi Representation Key symbols Emblematic Our histories Encounters Agency Tourism Revitalization Repatriation IND-3904 Master thesis Mastergradsoppgave 2018 ftunivtroemsoe 2021-06-25T17:56:03Z This master’s thesis examines how Sámi people were represented in postcards from Norwegian Sápmi during the late 19th century to present day. The study explores how postcards can unveil both grand narratives and personal and local stories. Portraying Sámi people and culture as exotic and different, is a commonality in touristic representations of the Sámi. Postcards with Sámi motifs are no exception. I argue that the postcards depict the Sámi in an “emblematic” way, through a focus on nature, reindeer herding and traditional clothing. This kind of representation is not only conducted by outsiders, and I maintain that emblems are likely to be utilized as a strategy to satisfy the demands in the tourism market. Postcards trigger memories, and can therefore be used to bring personal and local stories to the forefront. As such they serve to individualize rather than objectify, reconstruct stories of the past, and shed light on Sámi agency. Further, postcards can be instruments for the Sámi themselves. When they produce their own postcards, or repatriate old postcards through artistic work, the postcards become powerful tools in revitalization processes and contribute in shaping Sámi identities. Master Thesis Sámi University of Tromsø: Munin Open Research Archive
institution Open Polar
collection University of Tromsø: Munin Open Research Archive
op_collection_id ftunivtroemsoe
language English
topic VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250
VDP::Social science: 200::Social anthropology: 250
Indigenous
Postcard
Sámi
Representation
Key symbols
Emblematic
Our histories
Encounters
Agency
Tourism
Revitalization
Repatriation
IND-3904
spellingShingle VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250
VDP::Social science: 200::Social anthropology: 250
Indigenous
Postcard
Sámi
Representation
Key symbols
Emblematic
Our histories
Encounters
Agency
Tourism
Revitalization
Repatriation
IND-3904
Schøning, Eli-Anita Øivand
From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi
topic_facet VDP::Samfunnsvitenskap: 200::Sosialantropologi: 250
VDP::Social science: 200::Social anthropology: 250
Indigenous
Postcard
Sámi
Representation
Key symbols
Emblematic
Our histories
Encounters
Agency
Tourism
Revitalization
Repatriation
IND-3904
description This master’s thesis examines how Sámi people were represented in postcards from Norwegian Sápmi during the late 19th century to present day. The study explores how postcards can unveil both grand narratives and personal and local stories. Portraying Sámi people and culture as exotic and different, is a commonality in touristic representations of the Sámi. Postcards with Sámi motifs are no exception. I argue that the postcards depict the Sámi in an “emblematic” way, through a focus on nature, reindeer herding and traditional clothing. This kind of representation is not only conducted by outsiders, and I maintain that emblems are likely to be utilized as a strategy to satisfy the demands in the tourism market. Postcards trigger memories, and can therefore be used to bring personal and local stories to the forefront. As such they serve to individualize rather than objectify, reconstruct stories of the past, and shed light on Sámi agency. Further, postcards can be instruments for the Sámi themselves. When they produce their own postcards, or repatriate old postcards through artistic work, the postcards become powerful tools in revitalization processes and contribute in shaping Sámi identities.
format Master Thesis
author Schøning, Eli-Anita Øivand
author_facet Schøning, Eli-Anita Øivand
author_sort Schøning, Eli-Anita Øivand
title From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi
title_short From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi
title_full From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi
title_fullStr From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi
title_full_unstemmed From “Lapp” to “Margrete". Representation of Sámi People in Photographic Postcards from Norwegian Sápmi
title_sort from “lapp” to “margrete". representation of sámi people in photographic postcards from norwegian sápmi
publisher UiT Norges arktiske universitet
publishDate 2018
url https://hdl.handle.net/10037/13439
genre Sámi
genre_facet Sámi
op_relation https://hdl.handle.net/10037/13439
op_rights openAccess
Copyright 2018 The Author(s)
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