Listening from a distance: Experiencing Antarctica in sound art
Sounds affect how we feel about places in ways that areimmediate and profound. Whether we are outdoors exploringthe natural world, or indoors watching a film or televisionprogram set in a distant locale, sounds draw our attention tothe uniqueness of places and help us to understand the worldaround u...
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ftunivtasmania:oai:eprints.utas.edu.au:38216 2023-05-15T13:42:39+02:00 Listening from a distance: Experiencing Antarctica in sound art Philpott, C 2017 https://eprints.utas.edu.au/38216/ http://bogongsound.com.au/projects/super-field-exhibition unknown RMIT Design Hub Philpott, C orcid:0000-0002-5778-5748 2017 , Listening from a distance: Experiencing Antarctica in sound art [8 December 2017]. RMIT Design Hub. Antarctica sound art essay Creative Works NonPeerReviewed 2017 ftunivtasmania 2021-11-08T23:17:02Z Sounds affect how we feel about places in ways that areimmediate and profound. Whether we are outdoors exploringthe natural world, or indoors watching a film or televisionprogram set in a distant locale, sounds draw our attention tothe uniqueness of places and help us to understand the worldaround us. Although most of us tend to prioritise the visualover the acoustic in our day-to-day lives, music and soundart composed in connection-with places can trigger powerfulemotional responses. This, in turn, can make us feel a deeper sense of connection to, and concern for, specific places. Text Antarc* Antarctica University of Tasmania: UTas ePrints |
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University of Tasmania: UTas ePrints |
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Antarctica sound art essay |
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Antarctica sound art essay Philpott, C Listening from a distance: Experiencing Antarctica in sound art |
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Antarctica sound art essay |
description |
Sounds affect how we feel about places in ways that areimmediate and profound. Whether we are outdoors exploringthe natural world, or indoors watching a film or televisionprogram set in a distant locale, sounds draw our attention tothe uniqueness of places and help us to understand the worldaround us. Although most of us tend to prioritise the visualover the acoustic in our day-to-day lives, music and soundart composed in connection-with places can trigger powerfulemotional responses. This, in turn, can make us feel a deeper sense of connection to, and concern for, specific places. |
format |
Text |
author |
Philpott, C |
author_facet |
Philpott, C |
author_sort |
Philpott, C |
title |
Listening from a distance: Experiencing Antarctica in sound art |
title_short |
Listening from a distance: Experiencing Antarctica in sound art |
title_full |
Listening from a distance: Experiencing Antarctica in sound art |
title_fullStr |
Listening from a distance: Experiencing Antarctica in sound art |
title_full_unstemmed |
Listening from a distance: Experiencing Antarctica in sound art |
title_sort |
listening from a distance: experiencing antarctica in sound art |
publisher |
RMIT Design Hub |
publishDate |
2017 |
url |
https://eprints.utas.edu.au/38216/ http://bogongsound.com.au/projects/super-field-exhibition |
genre |
Antarc* Antarctica |
genre_facet |
Antarc* Antarctica |
op_relation |
Philpott, C orcid:0000-0002-5778-5748 2017 , Listening from a distance: Experiencing Antarctica in sound art [8 December 2017]. RMIT Design Hub. |
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