Staging the Construction of Place in Two Antarctic Plays
One of the world’s most unusual degrees is the Postgraduate Certificate of Antarctic Studies (PCAS). This summer course, run by the University of Canterbury in New Zealand, includes a fieldtrip to the Ross Sea region of Antarctica, where New Zealand’s polar activities are concentrated. At the end of...
Main Author: | |
---|---|
Other Authors: | , , |
Format: | Book Part |
Language: | unknown |
Published: |
Palgrave Macmillan
2020
|
Subjects: | |
Online Access: | https://eprints.utas.edu.au/35564/ |
id |
ftunivtasmania:oai:eprints.utas.edu.au:35564 |
---|---|
record_format |
openpolar |
spelling |
ftunivtasmania:oai:eprints.utas.edu.au:35564 2023-05-15T13:42:39+02:00 Staging the Construction of Place in Two Antarctic Plays Nielsen, HEF Delbridge, M Leane, E Philpott, CJ 2020 https://eprints.utas.edu.au/35564/ unknown Palgrave Macmillan Nielsen, HEF orcid:0000-0002-2761-7727 2020 , 'Staging the Construction of Place in Two Antarctic Plays', in M Delbridge and E Leane and CJ Philpott (eds.), Performing Ice , Palgrave Macmillan, London, pp. 27-54. Antarctica humanities language advertising South Pole Book Section NonPeerReviewed 2020 ftunivtasmania 2021-10-04T22:19:32Z One of the world’s most unusual degrees is the Postgraduate Certificate of Antarctic Studies (PCAS). This summer course, run by the University of Canterbury in New Zealand, includes a fieldtrip to the Ross Sea region of Antarctica, where New Zealand’s polar activities are concentrated. At the end of the fieldwork, and before departing Antarctica, a PCAS ritual is to perform a skit about the group’s on-ice experiences for the staff of New Zealand’s Scott Base. Preparing scripts and rehearsing with classmates in December 2011, I was keenly aware that we were feeding into a long tradition of performing in Antarctica. As fifteen of us took to the “stage” in the dining hall and dramatized such events as “the forgotten boots,” “the sunbathing incident,” and “the lost pencil,” we not only parodied contemporary safety and environmental regulations and reporting mechanisms – we also added another layer to Ross Island’s performing history. Those performances have taken many guises: Heroic Era explorers transformed the chilly confines of Discovery Hut into the Royal Terror Theatre (Leane 2003; Pearson 2004) and staged the 1862 farce entitled Ticket-of-Leave in the winter of 1902 (Scott 1905, p. 376); Australasian Antarctic Expeditioners performed an original “opera” called The Washerwoman’s Secret in Commonwealth Bay in 1912 (Mawson 1915, p. 208); and Jenny Coverack brought the story of Antarctic explorer Robert Falcon Scott’s wife Kathleen to Scott’s Terra Nova Hut in a site-specific performance of A Father For My Son (2000) in 2006. That stations such as Scott Base have entire rooms dedicated to costumes is testament to the ongoing popularity of performance. Antarctic expeditioners have long recognized the power of theatre to entertain and transport audiences to familiar places back home. Book Part Antarc* Antarctic Antarctica Discovery Hut Ross Sea South pole South pole University of Tasmania: UTas ePrints Antarctic Ross Sea New Zealand South Pole Jenny ENVELOPE(-68.417,-68.417,-67.733,-67.733) Scott Base ENVELOPE(166.766,166.766,-77.849,-77.849) Commonwealth Bay ENVELOPE(142.500,142.500,-67.000,-67.000) Skit ENVELOPE(44.400,44.400,66.200,66.200) Kathleen ENVELOPE(172.800,172.800,-83.767,-83.767) |
institution |
Open Polar |
collection |
University of Tasmania: UTas ePrints |
op_collection_id |
ftunivtasmania |
language |
unknown |
topic |
Antarctica humanities language advertising South Pole |
spellingShingle |
Antarctica humanities language advertising South Pole Nielsen, HEF Staging the Construction of Place in Two Antarctic Plays |
topic_facet |
Antarctica humanities language advertising South Pole |
description |
One of the world’s most unusual degrees is the Postgraduate Certificate of Antarctic Studies (PCAS). This summer course, run by the University of Canterbury in New Zealand, includes a fieldtrip to the Ross Sea region of Antarctica, where New Zealand’s polar activities are concentrated. At the end of the fieldwork, and before departing Antarctica, a PCAS ritual is to perform a skit about the group’s on-ice experiences for the staff of New Zealand’s Scott Base. Preparing scripts and rehearsing with classmates in December 2011, I was keenly aware that we were feeding into a long tradition of performing in Antarctica. As fifteen of us took to the “stage” in the dining hall and dramatized such events as “the forgotten boots,” “the sunbathing incident,” and “the lost pencil,” we not only parodied contemporary safety and environmental regulations and reporting mechanisms – we also added another layer to Ross Island’s performing history. Those performances have taken many guises: Heroic Era explorers transformed the chilly confines of Discovery Hut into the Royal Terror Theatre (Leane 2003; Pearson 2004) and staged the 1862 farce entitled Ticket-of-Leave in the winter of 1902 (Scott 1905, p. 376); Australasian Antarctic Expeditioners performed an original “opera” called The Washerwoman’s Secret in Commonwealth Bay in 1912 (Mawson 1915, p. 208); and Jenny Coverack brought the story of Antarctic explorer Robert Falcon Scott’s wife Kathleen to Scott’s Terra Nova Hut in a site-specific performance of A Father For My Son (2000) in 2006. That stations such as Scott Base have entire rooms dedicated to costumes is testament to the ongoing popularity of performance. Antarctic expeditioners have long recognized the power of theatre to entertain and transport audiences to familiar places back home. |
author2 |
Delbridge, M Leane, E Philpott, CJ |
format |
Book Part |
author |
Nielsen, HEF |
author_facet |
Nielsen, HEF |
author_sort |
Nielsen, HEF |
title |
Staging the Construction of Place in Two Antarctic Plays |
title_short |
Staging the Construction of Place in Two Antarctic Plays |
title_full |
Staging the Construction of Place in Two Antarctic Plays |
title_fullStr |
Staging the Construction of Place in Two Antarctic Plays |
title_full_unstemmed |
Staging the Construction of Place in Two Antarctic Plays |
title_sort |
staging the construction of place in two antarctic plays |
publisher |
Palgrave Macmillan |
publishDate |
2020 |
url |
https://eprints.utas.edu.au/35564/ |
long_lat |
ENVELOPE(-68.417,-68.417,-67.733,-67.733) ENVELOPE(166.766,166.766,-77.849,-77.849) ENVELOPE(142.500,142.500,-67.000,-67.000) ENVELOPE(44.400,44.400,66.200,66.200) ENVELOPE(172.800,172.800,-83.767,-83.767) |
geographic |
Antarctic Ross Sea New Zealand South Pole Jenny Scott Base Commonwealth Bay Skit Kathleen |
geographic_facet |
Antarctic Ross Sea New Zealand South Pole Jenny Scott Base Commonwealth Bay Skit Kathleen |
genre |
Antarc* Antarctic Antarctica Discovery Hut Ross Sea South pole South pole |
genre_facet |
Antarc* Antarctic Antarctica Discovery Hut Ross Sea South pole South pole |
op_relation |
Nielsen, HEF orcid:0000-0002-2761-7727 2020 , 'Staging the Construction of Place in Two Antarctic Plays', in M Delbridge and E Leane and CJ Philpott (eds.), Performing Ice , Palgrave Macmillan, London, pp. 27-54. |
_version_ |
1766170504480161792 |