Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica
This chapter examines compositions based on field recordings made in Antarctica by leading sound artists Douglas Quin and Philip Samartzis. Collectively, Quin and Samartzis have spent five summer seasons in Antarctica and have amassed substantial libraries of soundscape recordings featuring biologic...
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ftunivtasmania:oai:eprints.utas.edu.au:31500 2023-05-15T13:31:54+02:00 Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica Philpott, CJ Leane, E McGee, J 2019 https://eprints.utas.edu.au/31500/ https://www.taylorfrancis.com/books/e/9780429429705/chapters/10.4324/9780429429705-7 unknown Routledge Philpott, CJ orcid:0000-0002-5778-5748 2019 , 'Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica', in E Leane and J McGee (eds.), Anthropocene Antarctica , Routledge, Abingdon, pp. 101-116. Antarctica Anthropocene composition sound music composers Book Section NonPeerReviewed 2019 ftunivtasmania 2021-10-04T22:17:11Z This chapter examines compositions based on field recordings made in Antarctica by leading sound artists Douglas Quin and Philip Samartzis. Collectively, Quin and Samartzis have spent five summer seasons in Antarctica and have amassed substantial libraries of soundscape recordings featuring biological sounds (such as vocalisations of penguins and seals above the ice and underwater); geophysical ambient sounds that emanate from the icescape (such as those created by wind, blizzards and ice cracking and calving); and anthropogenic sounds from icebreakers and research stations. Both artists have used their field recordings to create a range of compositions that are experienced by large audiences in myriad contexts, from concert halls and festivals, to zoos and museums. Focusing on their compositions that incorporate sounds from underwater, as well as from above the ice, the chapter aims to shed light on what their works can tell us about a place that most people are unlikely to ever see or hear in person. Book Part Antarc* Antarctica Sea ice University of Tasmania: UTas ePrints |
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Open Polar |
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University of Tasmania: UTas ePrints |
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ftunivtasmania |
language |
unknown |
topic |
Antarctica Anthropocene composition sound music composers |
spellingShingle |
Antarctica Anthropocene composition sound music composers Philpott, CJ Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica |
topic_facet |
Antarctica Anthropocene composition sound music composers |
description |
This chapter examines compositions based on field recordings made in Antarctica by leading sound artists Douglas Quin and Philip Samartzis. Collectively, Quin and Samartzis have spent five summer seasons in Antarctica and have amassed substantial libraries of soundscape recordings featuring biological sounds (such as vocalisations of penguins and seals above the ice and underwater); geophysical ambient sounds that emanate from the icescape (such as those created by wind, blizzards and ice cracking and calving); and anthropogenic sounds from icebreakers and research stations. Both artists have used their field recordings to create a range of compositions that are experienced by large audiences in myriad contexts, from concert halls and festivals, to zoos and museums. Focusing on their compositions that incorporate sounds from underwater, as well as from above the ice, the chapter aims to shed light on what their works can tell us about a place that most people are unlikely to ever see or hear in person. |
author2 |
Leane, E McGee, J |
format |
Book Part |
author |
Philpott, CJ |
author_facet |
Philpott, CJ |
author_sort |
Philpott, CJ |
title |
Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica |
title_short |
Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica |
title_full |
Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica |
title_fullStr |
Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica |
title_full_unstemmed |
Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica |
title_sort |
listening at the sea ice edge: compositions based on soundscape recordings made in antarctica |
publisher |
Routledge |
publishDate |
2019 |
url |
https://eprints.utas.edu.au/31500/ https://www.taylorfrancis.com/books/e/9780429429705/chapters/10.4324/9780429429705-7 |
genre |
Antarc* Antarctica Sea ice |
genre_facet |
Antarc* Antarctica Sea ice |
op_relation |
Philpott, CJ orcid:0000-0002-5778-5748 2019 , 'Listening At the Sea Ice Edge: Compositions based on soundscape recordings made in Antarctica', in E Leane and J McGee (eds.), Anthropocene Antarctica , Routledge, Abingdon, pp. 101-116. |
_version_ |
1766022186287497216 |