Polar Travel

Travel writing looms large in literary histories of the polar regions. The bestknown Arctic and Antarctic texts have been and continue to be accounts of travel: official narratives, diaries, and memoirs by explorers John Franklin, Robert F. Scott, Apsley Cherry-Garrard, and others and travelogues by...

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Main Author: Leane, E
Format: Book Part
Language:English
Published: Cambridge University Press 2019
Subjects:
Online Access:https://doi.org/10.1017/9781316556740.024
http://ecite.utas.edu.au/122108
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spelling ftunivtasecite:oai:ecite.utas.edu.au:122108 2023-05-15T13:55:18+02:00 Polar Travel Leane, E 2019 https://doi.org/10.1017/9781316556740.024 http://ecite.utas.edu.au/122108 en eng Cambridge University Press http://dx.doi.org/10.1017/9781316556740.024 http://purl.org/au-research/grants/arc/FT120100402 Leane, E, Polar Travel, The Cambridge History of Travel Writing, Cambridge University Press, T Youngs and N Das (ed), United Kingdom, pp. 361-375. ISBN 9781316556740 (2019) [Research Book Chapter] http://ecite.utas.edu.au/122108 Language Communication and Culture Literary Studies Literary Studies not elsewhere classified Research Book Chapter NonPeerReviewed 2019 ftunivtasecite https://doi.org/10.1017/9781316556740.024 2020-08-24T22:16:15Z Travel writing looms large in literary histories of the polar regions. The bestknown Arctic and Antarctic texts have been and continue to be accounts of travel: official narratives, diaries, and memoirs by explorers John Franklin, Robert F. Scott, Apsley Cherry-Garrard, and others and travelogues by professional writers such as Barry Lopez and Sara Wheeler. While the Arctic and Antarctic icescapes have both inspired influential works of fiction and poetry, such as Mary Shelleys Frankenstein (1818) and Samuel Taylor Coleridges Rime of the Ancient Mariner (1798), these too centre on tales of travel, drawing on polar exploration accounts for their detail. Many Arctic indigenous peoples are traditionally nomadic, so that storytelling and travel become intertwined in their cultures. But the originally oral and linguistically diverse nature of these cultures means that many of the most prominent Arctic narratives are those produced by travellers from elsewhere. The uninhabited Antarctic takes the dominance of the travel narrative to its apogee: all writing about the Antarctic from experience is travel writing of a sort, in that any encounter with the place is premised on a journey Book Part Antarc* Antarctic Arctic eCite UTAS (University of Tasmania) Arctic Antarctic The Antarctic Lopez ENVELOPE(-63.567,-63.567,-64.850,-64.850) Rime ENVELOPE(6.483,6.483,62.567,62.567) Cherry-Garrard ENVELOPE(168.683,168.683,-71.300,-71.300) 361 375
institution Open Polar
collection eCite UTAS (University of Tasmania)
op_collection_id ftunivtasecite
language English
topic Language
Communication and Culture
Literary Studies
Literary Studies not elsewhere classified
spellingShingle Language
Communication and Culture
Literary Studies
Literary Studies not elsewhere classified
Leane, E
Polar Travel
topic_facet Language
Communication and Culture
Literary Studies
Literary Studies not elsewhere classified
description Travel writing looms large in literary histories of the polar regions. The bestknown Arctic and Antarctic texts have been and continue to be accounts of travel: official narratives, diaries, and memoirs by explorers John Franklin, Robert F. Scott, Apsley Cherry-Garrard, and others and travelogues by professional writers such as Barry Lopez and Sara Wheeler. While the Arctic and Antarctic icescapes have both inspired influential works of fiction and poetry, such as Mary Shelleys Frankenstein (1818) and Samuel Taylor Coleridges Rime of the Ancient Mariner (1798), these too centre on tales of travel, drawing on polar exploration accounts for their detail. Many Arctic indigenous peoples are traditionally nomadic, so that storytelling and travel become intertwined in their cultures. But the originally oral and linguistically diverse nature of these cultures means that many of the most prominent Arctic narratives are those produced by travellers from elsewhere. The uninhabited Antarctic takes the dominance of the travel narrative to its apogee: all writing about the Antarctic from experience is travel writing of a sort, in that any encounter with the place is premised on a journey
format Book Part
author Leane, E
author_facet Leane, E
author_sort Leane, E
title Polar Travel
title_short Polar Travel
title_full Polar Travel
title_fullStr Polar Travel
title_full_unstemmed Polar Travel
title_sort polar travel
publisher Cambridge University Press
publishDate 2019
url https://doi.org/10.1017/9781316556740.024
http://ecite.utas.edu.au/122108
long_lat ENVELOPE(-63.567,-63.567,-64.850,-64.850)
ENVELOPE(6.483,6.483,62.567,62.567)
ENVELOPE(168.683,168.683,-71.300,-71.300)
geographic Arctic
Antarctic
The Antarctic
Lopez
Rime
Cherry-Garrard
geographic_facet Arctic
Antarctic
The Antarctic
Lopez
Rime
Cherry-Garrard
genre Antarc*
Antarctic
Arctic
genre_facet Antarc*
Antarctic
Arctic
op_relation http://dx.doi.org/10.1017/9781316556740.024
http://purl.org/au-research/grants/arc/FT120100402
Leane, E, Polar Travel, The Cambridge History of Travel Writing, Cambridge University Press, T Youngs and N Das (ed), United Kingdom, pp. 361-375. ISBN 9781316556740 (2019) [Research Book Chapter]
http://ecite.utas.edu.au/122108
op_doi https://doi.org/10.1017/9781316556740.024
container_start_page 361
op_container_end_page 375
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