Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales

Sound is essential to humpback whales, Megaptera novaeangliae. It is their primary means of communication. Noise—unwanted sound—travels through the sea as pressure, and it travels further in the sea than in air. This practice-led research situates my drawing practice within the context of aesthetic...

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Published in:Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)
Main Author: O'Toole, Maria
Format: Article in Journal/Newspaper
Language:English
Published: The University of Sydney Library 2022
Subjects:
Online Access:https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704
https://doi.org/10.60162/swamphen.8.16704
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spelling ftunivsydneyojs:oai:ojs-prod.library.usyd.edu.au:article/16704 2023-12-24T10:18:30+01:00 Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales O'Toole, Maria 2022-10-02 application/pdf https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704 https://doi.org/10.60162/swamphen.8.16704 eng eng The University of Sydney Library https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704/14319 https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704 doi:10.60162/swamphen.8.16704 Copyright (c) 2022 Maria O'Toole Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ); Vol. 8 (2022): Particular Planetary Aesthetics 2652-2411 contemporary drawing sound art humpback whales listening embodied acoustics anthropogenic noise pressure art and science Cook Strait Te Moana-o-Raukawa info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Non-refereed creative practice 2022 ftunivsydneyojs https://doi.org/10.60162/swamphen.8.16704 2023-11-29T12:47:56Z Sound is essential to humpback whales, Megaptera novaeangliae. It is their primary means of communication. Noise—unwanted sound—travels through the sea as pressure, and it travels further in the sea than in air. This practice-led research situates my drawing practice within the context of aesthetic developments arising from responses to environmental pollution that originates in human activity. The methodological investigations underpinning the research speculate on and imagine the humpback whale’s experience of human created sound as it interferes with their oceanic waters. Through the development of an in-depth drawing research process that tunes into bodily, sensory and gestural responses to ocean acoustics, a visual language for the unseen sound forces experienced by whales has evolved. Relational encounters with science and ‘nature’ played a role in the production of this knowledge. Article in Journal/Newspaper Megaptera novaeangliae The University of Sydney: Sydney eScholarship Journals online Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) 8
institution Open Polar
collection The University of Sydney: Sydney eScholarship Journals online
op_collection_id ftunivsydneyojs
language English
topic contemporary drawing
sound art
humpback whales
listening
embodied acoustics
anthropogenic noise pressure
art and science
Cook Strait
Te Moana-o-Raukawa
spellingShingle contemporary drawing
sound art
humpback whales
listening
embodied acoustics
anthropogenic noise pressure
art and science
Cook Strait
Te Moana-o-Raukawa
O'Toole, Maria
Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
topic_facet contemporary drawing
sound art
humpback whales
listening
embodied acoustics
anthropogenic noise pressure
art and science
Cook Strait
Te Moana-o-Raukawa
description Sound is essential to humpback whales, Megaptera novaeangliae. It is their primary means of communication. Noise—unwanted sound—travels through the sea as pressure, and it travels further in the sea than in air. This practice-led research situates my drawing practice within the context of aesthetic developments arising from responses to environmental pollution that originates in human activity. The methodological investigations underpinning the research speculate on and imagine the humpback whale’s experience of human created sound as it interferes with their oceanic waters. Through the development of an in-depth drawing research process that tunes into bodily, sensory and gestural responses to ocean acoustics, a visual language for the unseen sound forces experienced by whales has evolved. Relational encounters with science and ‘nature’ played a role in the production of this knowledge.
format Article in Journal/Newspaper
author O'Toole, Maria
author_facet O'Toole, Maria
author_sort O'Toole, Maria
title Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
title_short Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
title_full Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
title_fullStr Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
title_full_unstemmed Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
title_sort drawn chorus: creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
publisher The University of Sydney Library
publishDate 2022
url https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704
https://doi.org/10.60162/swamphen.8.16704
genre Megaptera novaeangliae
genre_facet Megaptera novaeangliae
op_source Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ); Vol. 8 (2022): Particular Planetary Aesthetics
2652-2411
op_relation https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704/14319
https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704
doi:10.60162/swamphen.8.16704
op_rights Copyright (c) 2022 Maria O'Toole
op_doi https://doi.org/10.60162/swamphen.8.16704
container_title Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ)
container_volume 8
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