Drawn Chorus: Creation of embodied drawing processes responsive to the detrimental impact of human-produced sound on humpback whales
Sound is essential to humpback whales, Megaptera novaeangliae. It is their primary means of communication. Noise—unwanted sound—travels through the sea as pressure, and it travels further in the sea than in air. This practice-led research situates my drawing practice within the context of aesthetic...
| Published in: | Swamphen: a Journal of Cultural Ecology (ASLEC-ANZ) |
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| Format: | Article in Journal/Newspaper |
| Language: | English |
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The University of Sydney Library
2022
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| Online Access: | https://openjournals.library.sydney.edu.au/Swamphen/article/view/16704 https://doi.org/10.60162/swamphen.8.16704 |
| Summary: | Sound is essential to humpback whales, Megaptera novaeangliae. It is their primary means of communication. Noise—unwanted sound—travels through the sea as pressure, and it travels further in the sea than in air. This practice-led research situates my drawing practice within the context of aesthetic developments arising from responses to environmental pollution that originates in human activity. The methodological investigations underpinning the research speculate on and imagine the humpback whale’s experience of human created sound as it interferes with their oceanic waters. Through the development of an in-depth drawing research process that tunes into bodily, sensory and gestural responses to ocean acoustics, a visual language for the unseen sound forces experienced by whales has evolved. Relational encounters with science and ‘nature’ played a role in the production of this knowledge. |
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