Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree

John Antill’s Corroboree (1944) was the most prominent Australian musical work of the first half of the twentieth century yet it has received little musical analysis, especially in terms of how it constructs a representation of First Nations Australians. This paper demonstrates that Corroboree exhib...

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Published in:The Musical Quarterly
Main Author: Campbell, Rachel Marian
Format: Article in Journal/Newspaper
Language:English
Published: Oxford Journals 2022
Subjects:
Online Access:https://hdl.handle.net/2123/27457
https://doi.org/10.1093/musqtl/gdab022
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spelling ftunivsydney:oai:ses.library.usyd.edu.au:2123/27457 2023-05-15T16:16:50+02:00 Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree Campbell, Rachel Marian 2022 https://hdl.handle.net/2123/27457 https://doi.org/10.1093/musqtl/gdab022 en eng Oxford Journals Musicology Sydney Conservatorium of Music https://hdl.handle.net/2123/27457 doi:10.1093/musqtl/gdab022 Musical Quarterly Primitivism musical primitivism Australian music Musical exoticism John Antill 1904 Performing Arts and Creative Writing Article Publisher's version 2022 ftunivsydney https://doi.org/10.1093/musqtl/gdab022 2022-05-30T13:44:36Z John Antill’s Corroboree (1944) was the most prominent Australian musical work of the first half of the twentieth century yet it has received little musical analysis, especially in terms of how it constructs a representation of First Nations Australians. This paper demonstrates that Corroboree exhibits a range of musical gestures associated with conceptual genealogies of early human musical development and thereby foregrounds a reading of the piece as an example of musical Primitivism. Primitivism itself is shown to be in complex relation with musical Exoticism. Further, Corroboree’s primitivist aesthetics and politics are in some respects distinct from works of modernist Primitivism such as Stravinsky’s Rite of Spring in that the former tends to eschew both an ethos of innovation as well as emulation of the primitive. Similarly, it is not so much a response to a disillusionment with modernity nor to a societal diagnosis of decadence or alienation. Rather, it accords more with an idea formulated by the anthropologist Nicholas Thomas, “settler primitivism”, that refers to instances of Primitivism in settler societies in which settler artists represent or appropriate a specific indigenous culture as a gesture of national identification. Settler primitivism tends to present Indigenous people as located in the ancient past, providing a lineage for the “young” settler colonial nation, symbolically vacating the land for the settlers, and associating them with modernity. https://academic.oup.com/mq/advance-article/doi/10.1093/musqtl/gdab022/6517202?guestAccessKey=f0ba8a6e-c908-4ed6-a232-0e0460a99857 Article in Journal/Newspaper First Nations The University of Sydney: Sydney eScholarship Repository The Musical Quarterly
institution Open Polar
collection The University of Sydney: Sydney eScholarship Repository
op_collection_id ftunivsydney
language English
topic Primitivism
musical primitivism
Australian music
Musical exoticism
John Antill
1904 Performing Arts and Creative Writing
spellingShingle Primitivism
musical primitivism
Australian music
Musical exoticism
John Antill
1904 Performing Arts and Creative Writing
Campbell, Rachel Marian
Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree
topic_facet Primitivism
musical primitivism
Australian music
Musical exoticism
John Antill
1904 Performing Arts and Creative Writing
description John Antill’s Corroboree (1944) was the most prominent Australian musical work of the first half of the twentieth century yet it has received little musical analysis, especially in terms of how it constructs a representation of First Nations Australians. This paper demonstrates that Corroboree exhibits a range of musical gestures associated with conceptual genealogies of early human musical development and thereby foregrounds a reading of the piece as an example of musical Primitivism. Primitivism itself is shown to be in complex relation with musical Exoticism. Further, Corroboree’s primitivist aesthetics and politics are in some respects distinct from works of modernist Primitivism such as Stravinsky’s Rite of Spring in that the former tends to eschew both an ethos of innovation as well as emulation of the primitive. Similarly, it is not so much a response to a disillusionment with modernity nor to a societal diagnosis of decadence or alienation. Rather, it accords more with an idea formulated by the anthropologist Nicholas Thomas, “settler primitivism”, that refers to instances of Primitivism in settler societies in which settler artists represent or appropriate a specific indigenous culture as a gesture of national identification. Settler primitivism tends to present Indigenous people as located in the ancient past, providing a lineage for the “young” settler colonial nation, symbolically vacating the land for the settlers, and associating them with modernity. https://academic.oup.com/mq/advance-article/doi/10.1093/musqtl/gdab022/6517202?guestAccessKey=f0ba8a6e-c908-4ed6-a232-0e0460a99857
format Article in Journal/Newspaper
author Campbell, Rachel Marian
author_facet Campbell, Rachel Marian
author_sort Campbell, Rachel Marian
title Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree
title_short Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree
title_full Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree
title_fullStr Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree
title_full_unstemmed Primitivism and Settler Primitivism in Music: The Case of John Antill’s Corroboree
title_sort primitivism and settler primitivism in music: the case of john antill’s corroboree
publisher Oxford Journals
publishDate 2022
url https://hdl.handle.net/2123/27457
https://doi.org/10.1093/musqtl/gdab022
genre First Nations
genre_facet First Nations
op_source Musical Quarterly
op_relation https://hdl.handle.net/2123/27457
doi:10.1093/musqtl/gdab022
op_doi https://doi.org/10.1093/musqtl/gdab022
container_title The Musical Quarterly
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