Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel
Many of Kagel's works can be described as realisations of literary descriptions of music. For instance, _Norden_ for salon orcehstra is derived from Mircea Eliade's descriptions of shamanic ceremonies in the Arctic, while one of Kagel's earliest compositions sought to reconstruct the...
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2004
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ftunivsussex:oai:sro.sussex.ac.uk:25635 2023-07-30T04:01:38+02:00 Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel Heile, Bjorn Tadday, U 2004-04 http://sro.sussex.ac.uk/id/eprint/25635/ unknown Edition Text + Kritik (31 May 2004) Heile, Bjorn (2004) Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel. In: Tadday, U (ed.) Mauricio Kagel. Edition Text + Kritik (31 May 2004). ISBN 3-88377-761-7 Book Section PeerReviewed 2004 ftunivsussex 2023-07-11T20:18:01Z Many of Kagel's works can be described as realisations of literary descriptions of music. For instance, _Norden_ for salon orcehstra is derived from Mircea Eliade's descriptions of shamanic ceremonies in the Arctic, while one of Kagel's earliest compositions sought to reconstruct the violin sonata in Marcel Proust's _Recherche_. Such translations of imagined music into actual sound are related to the concept of imaginary music which plays an important role throughout Kagel's oeuvre. In the latter instance, the sounding music seems to refer to a sphere of ideal music that is evoked but that can only be imagined. In either case, the reference beyond the piece in question suggests an idea of transcendence which acts as a dialectic counterpart to the ostentatious worldliness of Kagel's music. Book Part Arctic University of Sussex: Sussex Research Online Arctic |
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University of Sussex: Sussex Research Online |
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ftunivsussex |
language |
unknown |
description |
Many of Kagel's works can be described as realisations of literary descriptions of music. For instance, _Norden_ for salon orcehstra is derived from Mircea Eliade's descriptions of shamanic ceremonies in the Arctic, while one of Kagel's earliest compositions sought to reconstruct the violin sonata in Marcel Proust's _Recherche_. Such translations of imagined music into actual sound are related to the concept of imaginary music which plays an important role throughout Kagel's oeuvre. In the latter instance, the sounding music seems to refer to a sphere of ideal music that is evoked but that can only be imagined. In either case, the reference beyond the piece in question suggests an idea of transcendence which acts as a dialectic counterpart to the ostentatious worldliness of Kagel's music. |
author2 |
Tadday, U |
format |
Book Part |
author |
Heile, Bjorn |
spellingShingle |
Heile, Bjorn Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel |
author_facet |
Heile, Bjorn |
author_sort |
Heile, Bjorn |
title |
Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel |
title_short |
Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel |
title_full |
Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel |
title_fullStr |
Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel |
title_full_unstemmed |
Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel |
title_sort |
imaginäre und imaginierte musik im schaffen von mauricio kagel |
publisher |
Edition Text + Kritik (31 May 2004) |
publishDate |
2004 |
url |
http://sro.sussex.ac.uk/id/eprint/25635/ |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic |
genre_facet |
Arctic |
op_relation |
Heile, Bjorn (2004) Imaginäre und imaginierte Musik im Schaffen von Mauricio Kagel. In: Tadday, U (ed.) Mauricio Kagel. Edition Text + Kritik (31 May 2004). ISBN 3-88377-761-7 |
_version_ |
1772812399890399232 |