(Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015
Burdened by the atrocities of Argentina’s coup d’état (1976-1982), many children of persecuted parents were forced to live as clandestine hideaways. In recent decades, adult survivors who experience the dictatorship as clandestine children have become primary protagonists, seeking to (re)constr...
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ftunivsouthcar:oai:scholarcommons.sc.edu:etd-5782 2024-04-21T08:06:23+00:00 (Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 Orozco, Stephanie Rubi 2018-01-01T08:00:00Z application/pdf https://scholarcommons.sc.edu/etd/4832 https://scholarcommons.sc.edu/context/etd/article/5782/viewcontent/Orozco_sc_0202A_15499.pdf English eng Scholar Commons https://scholarcommons.sc.edu/etd/4832 https://scholarcommons.sc.edu/context/etd/article/5782/viewcontent/Orozco_sc_0202A_15499.pdf © 2018, Stephanie Rubi Orozco Theses and Dissertations (Re) thinking Past Performance Militant Childhood Imaginaries Post-Dictatorship Argentina’s Cultural Production 2003-2015 Arts and Humanities. Spanish language and literature Arts and Humanities Spanish and Portuguese Language and Literature text 2018 ftunivsouthcar 2024-03-27T15:33:39Z Burdened by the atrocities of Argentina’s coup d’état (1976-1982), many children of persecuted parents were forced to live as clandestine hideaways. In recent decades, adult survivors who experience the dictatorship as clandestine children have become primary protagonists, seeking to (re)construct past experiences through the creation of visual and textual productions. In attempt to (re)create their experience in hiding; such adults propose an alternative non-conventional image of a witnessing childhood under military rule as the child of prosecuted parents. For such children, life in secrecy meant having to find refuge from state officials seeking to eliminate their parents. It demanded strict obedience, discipline, and careful maneuverings of behaviors and adhere to strict performative practices—taking upon them new identities, while attempting to deceive military officials, and appeal to a sense of normalcy amongst close family, friends, and public surroundings for the safety and protection of entire families. As such, children had to perform childhood in its literal sense, to protect themselves and those around them from the terror seeking to destroy them. The use of performative childhood in this research, works to highlight the performative accounts of non-normative behaviors of survival and militancy within the constraints of living in clandestinidad. My approach to the politics of memory in post dictatorship is to propose a performative reading of childhood—to (re)think and (re)imagine child identities of what children in hiding had to live and fluidity of their identities. Through the understanding of child witnessing and personal experiences as participating actors within life in secrecy, this group of survivors regain ‘ownership’ of their own experiences. The cultural productions chosen in this research contain primary accounts of children living in secrecy. These consist of Laura Alcoba’s novel The Rabbit House written in 2008, and Marcelo Piñeyro’s film Kamchatka (2002) and ... Text Kamchatka University of South Carolina Libraries: Scholar Commons |
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University of South Carolina Libraries: Scholar Commons |
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ftunivsouthcar |
language |
English |
topic |
(Re) thinking Past Performance Militant Childhood Imaginaries Post-Dictatorship Argentina’s Cultural Production 2003-2015 Arts and Humanities. Spanish language and literature Arts and Humanities Spanish and Portuguese Language and Literature |
spellingShingle |
(Re) thinking Past Performance Militant Childhood Imaginaries Post-Dictatorship Argentina’s Cultural Production 2003-2015 Arts and Humanities. Spanish language and literature Arts and Humanities Spanish and Portuguese Language and Literature Orozco, Stephanie Rubi (Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 |
topic_facet |
(Re) thinking Past Performance Militant Childhood Imaginaries Post-Dictatorship Argentina’s Cultural Production 2003-2015 Arts and Humanities. Spanish language and literature Arts and Humanities Spanish and Portuguese Language and Literature |
description |
Burdened by the atrocities of Argentina’s coup d’état (1976-1982), many children of persecuted parents were forced to live as clandestine hideaways. In recent decades, adult survivors who experience the dictatorship as clandestine children have become primary protagonists, seeking to (re)construct past experiences through the creation of visual and textual productions. In attempt to (re)create their experience in hiding; such adults propose an alternative non-conventional image of a witnessing childhood under military rule as the child of prosecuted parents. For such children, life in secrecy meant having to find refuge from state officials seeking to eliminate their parents. It demanded strict obedience, discipline, and careful maneuverings of behaviors and adhere to strict performative practices—taking upon them new identities, while attempting to deceive military officials, and appeal to a sense of normalcy amongst close family, friends, and public surroundings for the safety and protection of entire families. As such, children had to perform childhood in its literal sense, to protect themselves and those around them from the terror seeking to destroy them. The use of performative childhood in this research, works to highlight the performative accounts of non-normative behaviors of survival and militancy within the constraints of living in clandestinidad. My approach to the politics of memory in post dictatorship is to propose a performative reading of childhood—to (re)think and (re)imagine child identities of what children in hiding had to live and fluidity of their identities. Through the understanding of child witnessing and personal experiences as participating actors within life in secrecy, this group of survivors regain ‘ownership’ of their own experiences. The cultural productions chosen in this research contain primary accounts of children living in secrecy. These consist of Laura Alcoba’s novel The Rabbit House written in 2008, and Marcelo Piñeyro’s film Kamchatka (2002) and ... |
format |
Text |
author |
Orozco, Stephanie Rubi |
author_facet |
Orozco, Stephanie Rubi |
author_sort |
Orozco, Stephanie Rubi |
title |
(Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 |
title_short |
(Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 |
title_full |
(Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 |
title_fullStr |
(Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 |
title_full_unstemmed |
(Re) thinking the Past through Performance: The (Re) construction of Militant Childhood Imaginaries in the Post-Dictatorship of Argentina’s Cultural Production from 2003-2015 |
title_sort |
(re) thinking the past through performance: the (re) construction of militant childhood imaginaries in the post-dictatorship of argentina’s cultural production from 2003-2015 |
publisher |
Scholar Commons |
publishDate |
2018 |
url |
https://scholarcommons.sc.edu/etd/4832 https://scholarcommons.sc.edu/context/etd/article/5782/viewcontent/Orozco_sc_0202A_15499.pdf |
genre |
Kamchatka |
genre_facet |
Kamchatka |
op_source |
Theses and Dissertations |
op_relation |
https://scholarcommons.sc.edu/etd/4832 https://scholarcommons.sc.edu/context/etd/article/5782/viewcontent/Orozco_sc_0202A_15499.pdf |
op_rights |
© 2018, Stephanie Rubi Orozco |
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1796945708773801984 |