Bordering on feminism : home and transnational sites in recent visual culture and native women’s art
Thesis (Ph. D.)--University of Rochester, Graduate Program of Visual and Cultural Studies, 2009. This dissertation explores the home both as a theme in contemporary art by Native North American women artists and as a means to engage Native women’s art and visual culture in a critical, intercultural...
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ftunivrochester:oai:urresearch.rochester.edu:7231 2024-06-23T07:52:52+00:00 Bordering on feminism : home and transnational sites in recent visual culture and native women’s art Kalbfleisch, Elizabeth Claire (1975 - ) Berlo, Janet Catherine Fri, 11 Sep 2009 16:00:38 Number of Pages:xxv, 435 leaves http://hdl.handle.net/1802/7703 eng eng University of Rochester http://hdl.handle.net/1802/7703 This item is protected by copyright, with all rights reserved. Native American art Canadian art First Nations art Feminism Thesis 2009 ftunivrochester 2024-05-24T09:31:36Z Thesis (Ph. D.)--University of Rochester, Graduate Program of Visual and Cultural Studies, 2009. This dissertation explores the home both as a theme in contemporary art by Native North American women artists and as a means to engage Native women’s art and visual culture in a critical, intercultural feminist discourse. The home is a rich and complicated site in feminist theory and women’s history; it holds additional meaning in Native cultures, where it has ties to specific cultural traditions, to homeland, and to the history of colonization. Artists working in performance, video, film, photography, and installation explore aspects of the home; of particular interest here are those works which relate to intercultural encounters between Native and non-native women. Transnationalism is introduced as a conceptual framework for analyzing home, gender, and identity in Native women’s art and visual culture. Relying heavily on feminist interpretations of transnationalism, borders, migration, diaspora, cosmopolitanism and hybridity, this dissertation addresses the multiple contexts for Native women’s identities and homes. It explores how artists present an experience of homeland and collective identity that reflects their position as global citizens whose own experiences and identities may find points of commonality with the experiences and identities of artists from other cultural, ethnic, and national positions. Contemporary artists discussed include Sama Alshaibi, Rebecca Belmore, Hannah Claus, Bonnie Devine, Rosalie Favell, Danis Goulet, Maria Hupfield, Marianne Nicolson, Shelley Niro, Alanis Obomsawin, Hulleah Tsinhnahjinnie, and Anna Tsouhlarakis. In order to consider representation and encounter between Native and non-native women more broadly, a close reading of the photographs Gladys Knight Harris took of Iñupiat women in Kotzebue, Alaska in 1949 is also presented. Thesis First Nations Alaska University of Rochester, New York: UR Research Hannah ENVELOPE(-60.613,-60.613,-62.654,-62.654) |
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University of Rochester, New York: UR Research |
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language |
English |
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Native American art Canadian art First Nations art Feminism |
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Native American art Canadian art First Nations art Feminism Kalbfleisch, Elizabeth Claire (1975 - ) Berlo, Janet Catherine Bordering on feminism : home and transnational sites in recent visual culture and native women’s art |
topic_facet |
Native American art Canadian art First Nations art Feminism |
description |
Thesis (Ph. D.)--University of Rochester, Graduate Program of Visual and Cultural Studies, 2009. This dissertation explores the home both as a theme in contemporary art by Native North American women artists and as a means to engage Native women’s art and visual culture in a critical, intercultural feminist discourse. The home is a rich and complicated site in feminist theory and women’s history; it holds additional meaning in Native cultures, where it has ties to specific cultural traditions, to homeland, and to the history of colonization. Artists working in performance, video, film, photography, and installation explore aspects of the home; of particular interest here are those works which relate to intercultural encounters between Native and non-native women. Transnationalism is introduced as a conceptual framework for analyzing home, gender, and identity in Native women’s art and visual culture. Relying heavily on feminist interpretations of transnationalism, borders, migration, diaspora, cosmopolitanism and hybridity, this dissertation addresses the multiple contexts for Native women’s identities and homes. It explores how artists present an experience of homeland and collective identity that reflects their position as global citizens whose own experiences and identities may find points of commonality with the experiences and identities of artists from other cultural, ethnic, and national positions. Contemporary artists discussed include Sama Alshaibi, Rebecca Belmore, Hannah Claus, Bonnie Devine, Rosalie Favell, Danis Goulet, Maria Hupfield, Marianne Nicolson, Shelley Niro, Alanis Obomsawin, Hulleah Tsinhnahjinnie, and Anna Tsouhlarakis. In order to consider representation and encounter between Native and non-native women more broadly, a close reading of the photographs Gladys Knight Harris took of Iñupiat women in Kotzebue, Alaska in 1949 is also presented. |
format |
Thesis |
author |
Kalbfleisch, Elizabeth Claire (1975 - ) Berlo, Janet Catherine |
author_facet |
Kalbfleisch, Elizabeth Claire (1975 - ) Berlo, Janet Catherine |
author_sort |
Kalbfleisch, Elizabeth Claire (1975 - ) |
title |
Bordering on feminism : home and transnational sites in recent visual culture and native women’s art |
title_short |
Bordering on feminism : home and transnational sites in recent visual culture and native women’s art |
title_full |
Bordering on feminism : home and transnational sites in recent visual culture and native women’s art |
title_fullStr |
Bordering on feminism : home and transnational sites in recent visual culture and native women’s art |
title_full_unstemmed |
Bordering on feminism : home and transnational sites in recent visual culture and native women’s art |
title_sort |
bordering on feminism : home and transnational sites in recent visual culture and native women’s art |
publisher |
University of Rochester |
publishDate |
2009 |
url |
http://hdl.handle.net/1802/7703 |
long_lat |
ENVELOPE(-60.613,-60.613,-62.654,-62.654) |
geographic |
Hannah |
geographic_facet |
Hannah |
genre |
First Nations Alaska |
genre_facet |
First Nations Alaska |
op_relation |
http://hdl.handle.net/1802/7703 |
op_rights |
This item is protected by copyright, with all rights reserved. |
_version_ |
1802644282606092288 |