Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts
Berlo and Phillips discuss the quantities and relevance of Native American art objects in public and private collections, how they are displayed, as well as some examples of how museums acquired Native art objects. The authors suggest a need to re-evaluate how Native art objects are displayed in ins...
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2007
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ftunivrochester:oai:urresearch.rochester.edu:3387 2024-06-23T07:52:49+00:00 Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts Phillips, Ruth B. Berlo, Janet Catherine Wed, 21 Feb 2007 21:29:12 http://hdl.handle.net/1802/3705 eng eng College Art Association http://hdl.handle.net/1802/3705 Art Bulletin 77 (1) This item is protected by copyright, with all rights reserved. museum collections museum display salvage anthropology repatriation Smithsonian George Heye American Indian First Nations Kwakwaka'wakw Zuni Article 2007 ftunivrochester 2024-05-24T09:31:36Z Berlo and Phillips discuss the quantities and relevance of Native American art objects in public and private collections, how they are displayed, as well as some examples of how museums acquired Native art objects. The authors suggest a need to re-evaluate how Native art objects are displayed in institutional settings, and they situate their argument within the ongoing debate about repatriation of native art objects currently owned by institutions. Article in Journal/Newspaper First Nations University of Rochester, New York: UR Research Indian |
institution |
Open Polar |
collection |
University of Rochester, New York: UR Research |
op_collection_id |
ftunivrochester |
language |
English |
topic |
museum collections museum display salvage anthropology repatriation Smithsonian George Heye American Indian First Nations Kwakwaka'wakw Zuni |
spellingShingle |
museum collections museum display salvage anthropology repatriation Smithsonian George Heye American Indian First Nations Kwakwaka'wakw Zuni Phillips, Ruth B. Berlo, Janet Catherine Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts |
topic_facet |
museum collections museum display salvage anthropology repatriation Smithsonian George Heye American Indian First Nations Kwakwaka'wakw Zuni |
description |
Berlo and Phillips discuss the quantities and relevance of Native American art objects in public and private collections, how they are displayed, as well as some examples of how museums acquired Native art objects. The authors suggest a need to re-evaluate how Native art objects are displayed in institutional settings, and they situate their argument within the ongoing debate about repatriation of native art objects currently owned by institutions. |
format |
Article in Journal/Newspaper |
author |
Phillips, Ruth B. Berlo, Janet Catherine |
author_facet |
Phillips, Ruth B. Berlo, Janet Catherine |
author_sort |
Phillips, Ruth B. |
title |
Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts |
title_short |
Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts |
title_full |
Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts |
title_fullStr |
Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts |
title_full_unstemmed |
Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts |
title_sort |
our (museum) world turned upside-down: re-presenting native american arts |
publisher |
College Art Association |
publishDate |
2007 |
url |
http://hdl.handle.net/1802/3705 |
geographic |
Indian |
geographic_facet |
Indian |
genre |
First Nations |
genre_facet |
First Nations |
op_relation |
http://hdl.handle.net/1802/3705 Art Bulletin 77 (1) |
op_rights |
This item is protected by copyright, with all rights reserved. |
_version_ |
1802644225881276416 |