Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts

Berlo and Phillips discuss the quantities and relevance of Native American art objects in public and private collections, how they are displayed, as well as some examples of how museums acquired Native art objects. The authors suggest a need to re-evaluate how Native art objects are displayed in ins...

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Bibliographic Details
Main Authors: Phillips, Ruth B., Berlo, Janet Catherine
Format: Article in Journal/Newspaper
Language:English
Published: College Art Association 2007
Subjects:
Online Access:http://hdl.handle.net/1802/3705
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spelling ftunivrochester:oai:urresearch.rochester.edu:3387 2024-06-23T07:52:49+00:00 Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts Phillips, Ruth B. Berlo, Janet Catherine Wed, 21 Feb 2007 21:29:12 http://hdl.handle.net/1802/3705 eng eng College Art Association http://hdl.handle.net/1802/3705 Art Bulletin 77 (1) This item is protected by copyright, with all rights reserved. museum collections museum display salvage anthropology repatriation Smithsonian George Heye American Indian First Nations Kwakwaka'wakw Zuni Article 2007 ftunivrochester 2024-05-24T09:31:36Z Berlo and Phillips discuss the quantities and relevance of Native American art objects in public and private collections, how they are displayed, as well as some examples of how museums acquired Native art objects. The authors suggest a need to re-evaluate how Native art objects are displayed in institutional settings, and they situate their argument within the ongoing debate about repatriation of native art objects currently owned by institutions. Article in Journal/Newspaper First Nations University of Rochester, New York: UR Research Indian
institution Open Polar
collection University of Rochester, New York: UR Research
op_collection_id ftunivrochester
language English
topic museum collections
museum display
salvage anthropology
repatriation
Smithsonian
George Heye
American Indian
First Nations
Kwakwaka'wakw
Zuni
spellingShingle museum collections
museum display
salvage anthropology
repatriation
Smithsonian
George Heye
American Indian
First Nations
Kwakwaka'wakw
Zuni
Phillips, Ruth B.
Berlo, Janet Catherine
Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts
topic_facet museum collections
museum display
salvage anthropology
repatriation
Smithsonian
George Heye
American Indian
First Nations
Kwakwaka'wakw
Zuni
description Berlo and Phillips discuss the quantities and relevance of Native American art objects in public and private collections, how they are displayed, as well as some examples of how museums acquired Native art objects. The authors suggest a need to re-evaluate how Native art objects are displayed in institutional settings, and they situate their argument within the ongoing debate about repatriation of native art objects currently owned by institutions.
format Article in Journal/Newspaper
author Phillips, Ruth B.
Berlo, Janet Catherine
author_facet Phillips, Ruth B.
Berlo, Janet Catherine
author_sort Phillips, Ruth B.
title Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts
title_short Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts
title_full Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts
title_fullStr Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts
title_full_unstemmed Our (Museum) World Turned Upside-Down: Re-Presenting Native American Arts
title_sort our (museum) world turned upside-down: re-presenting native american arts
publisher College Art Association
publishDate 2007
url http://hdl.handle.net/1802/3705
geographic Indian
geographic_facet Indian
genre First Nations
genre_facet First Nations
op_relation http://hdl.handle.net/1802/3705
Art Bulletin 77 (1)
op_rights This item is protected by copyright, with all rights reserved.
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