Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene

Anthropogenic climate change is a paradigm shifter, an emergent, complex phenomenon that challenges art’s representational strategies. This thesis articulates an art history of climate change through case studies of key artworks and exhibitions from the anticipation of climate change in the 1970s to...

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Bibliographic Details
Main Author: Lonie, Bridie
Other Authors: Wolf, Erika, Ellis, Lisa
Format: Thesis
Language:unknown
Published: University of Otago 2018
Subjects:
Art
Online Access:http://hdl.handle.net/10523/8473
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spelling ftunivotagoour:oai:ourarchive.otago.ac.nz:10523/8473 2023-05-15T13:52:08+02:00 Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene Lonie, Bridie Wolf, Erika Ellis, Lisa 2018-10-24T00:48:54Z http://hdl.handle.net/10523/8473 unknown University of Otago http://hdl.handle.net/10523/8473 All items in OUR Archive are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated. Climate Change Interdisciplinarity Art/Science Anthropocene "Aotearoa/New Zealand" Art Thesis or Dissertation 2018 ftunivotagoour 2022-05-11T19:20:49Z Anthropogenic climate change is a paradigm shifter, an emergent, complex phenomenon that challenges art’s representational strategies. This thesis articulates an art history of climate change through case studies of key artworks and exhibitions from the anticipation of climate change in the 1970s to the full recognition of its impact on the planet in the present decade. These case studies demonstrate that the subject of climate change requires a rapprochement with empirical methods, a critical understanding of the socio-economic issues, and a judicious use of such tropes as the sublime and the monument. Artforms are considered in terms of their capacity to deliver the combination of affect, cognition and criticality required for adequately addressing climate change. Helen and Newton Harrison’s The Lagoon Cycle (1974-84) is examined as a key early project. Lucy Lippard’s curation of fifty-one artists’ projects in Weather Report, Art and Climate Change (2007) is evaluated as a successful but partial response that focused on conceptual and site-specific approaches. Andrea Polli, Natalie Jeremijenko and Frances Whitehead offer different approaches to interdisciplinarity as applied to the urgent matter of climate change. The emergence of the idea of the Anthropocene is tested against the exhibition Among the Machines (2013), which interrogated the ways that human experience is now consistently mediated through technology. The final chapter presents a history of climate change as a subject in Aotearoa/New Zealand that reflects the country’s relatively recent colonization, its bicultural nature, proximity to Antarctica, and its vulnerability to sea level rise. Thesis Antarc* Antarctica University of Otago: Research Archive (OUR Archive) New Zealand The Monument ENVELOPE(162.250,162.250,-72.583,-72.583)
institution Open Polar
collection University of Otago: Research Archive (OUR Archive)
op_collection_id ftunivotagoour
language unknown
topic Climate Change
Interdisciplinarity
Art/Science
Anthropocene
"Aotearoa/New Zealand"
Art
spellingShingle Climate Change
Interdisciplinarity
Art/Science
Anthropocene
"Aotearoa/New Zealand"
Art
Lonie, Bridie
Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene
topic_facet Climate Change
Interdisciplinarity
Art/Science
Anthropocene
"Aotearoa/New Zealand"
Art
description Anthropogenic climate change is a paradigm shifter, an emergent, complex phenomenon that challenges art’s representational strategies. This thesis articulates an art history of climate change through case studies of key artworks and exhibitions from the anticipation of climate change in the 1970s to the full recognition of its impact on the planet in the present decade. These case studies demonstrate that the subject of climate change requires a rapprochement with empirical methods, a critical understanding of the socio-economic issues, and a judicious use of such tropes as the sublime and the monument. Artforms are considered in terms of their capacity to deliver the combination of affect, cognition and criticality required for adequately addressing climate change. Helen and Newton Harrison’s The Lagoon Cycle (1974-84) is examined as a key early project. Lucy Lippard’s curation of fifty-one artists’ projects in Weather Report, Art and Climate Change (2007) is evaluated as a successful but partial response that focused on conceptual and site-specific approaches. Andrea Polli, Natalie Jeremijenko and Frances Whitehead offer different approaches to interdisciplinarity as applied to the urgent matter of climate change. The emergence of the idea of the Anthropocene is tested against the exhibition Among the Machines (2013), which interrogated the ways that human experience is now consistently mediated through technology. The final chapter presents a history of climate change as a subject in Aotearoa/New Zealand that reflects the country’s relatively recent colonization, its bicultural nature, proximity to Antarctica, and its vulnerability to sea level rise.
author2 Wolf, Erika
Ellis, Lisa
format Thesis
author Lonie, Bridie
author_facet Lonie, Bridie
author_sort Lonie, Bridie
title Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene
title_short Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene
title_full Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene
title_fullStr Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene
title_full_unstemmed Closer Relations: Art, Climate Change, Interdisciplinarity and the Anthropocene
title_sort closer relations: art, climate change, interdisciplinarity and the anthropocene
publisher University of Otago
publishDate 2018
url http://hdl.handle.net/10523/8473
long_lat ENVELOPE(162.250,162.250,-72.583,-72.583)
geographic New Zealand
The Monument
geographic_facet New Zealand
The Monument
genre Antarc*
Antarctica
genre_facet Antarc*
Antarctica
op_relation http://hdl.handle.net/10523/8473
op_rights All items in OUR Archive are provided for private study and research purposes and are protected by copyright with all rights reserved unless otherwise indicated.
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