Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina
Fil: Nudler, Alicia Clara. Universidad Nacional de Río Negro. Río Negro, Argentina. Paper presentado en el Samuel Beckett Working Group en la Conferencia Anual de la International Federation of Theater Research en Reykjavic, Islandia, junio 2022. This paper will address Beckett´s 1958 play Krapp´s L...
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ftunivnrionegro:oai:rid.unrn.edu.ar:20.500.12049/8925 2023-05-15T16:56:45+02:00 Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina Nudler, Alicia Clara 2022-06-26 application/pdf http://rid.unrn.edu.ar/handle/20.500.12049/8925 https://hdl.handle.net/20.500.12049/8925 en eng https://iftr.org/conference IFTR World Congress. Shifting Centers: In the middle of nowhere http://rid.unrn.edu.ar/handle/20.500.12049/8925 info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/4.0/ CC-BY-NC-SA Humanidades Krapp´s Last Tape Post-dictatorship theater Argentina Archives Grupo Krapp Luis Biasotto 2022 ftunivnrionegro https://doi.org/20.500.12049/8925 2023-01-24T14:43:40Z Fil: Nudler, Alicia Clara. Universidad Nacional de Río Negro. Río Negro, Argentina. Paper presentado en el Samuel Beckett Working Group en la Conferencia Anual de la International Federation of Theater Research en Reykjavic, Islandia, junio 2022. This paper will address Beckett´s 1958 play Krapp´s Last Tape, seeing it in the context of post-dictatorship theatre in Argentina. Critics discuss the significance of the long period in theatre following the end of the last dictatorship (1976-1983), up to the present. In wider terms this period is marked by the redefinition of the country as it struggles with the consequences of violent and oppressive right-wing rule. Argentinian theatre has worked in many different ways to process this historic horror, and to deal with the past in terms both of memory and absence. Critic Dubatti states that in this country the dead dwell in the consciousness of post-dictatorship spectators, and theatre and other artistic forms take it as their task to invoke them. In this work, I will look at specific stagings of Beckett´s Krapp´s Last Tape (1986, 2000 and 2016) in Argentina under this light. I argue that various themes in the play serve as powerful metaphors for the social, political and judicial processes taking place in the country in relation to the years of the state repression. These include the vital role of archives -like the archive of memories Krapp keeps- in negotiating presence and absence, marking the mutability of identity and the long-term effects of trauma, mourning and loss. Delving deeper into Argentinian theatre, I will refer to a performance company, formed in 1998, that named itself after Beckett´s character, Grupo Krapp. Looking at this group as a resonance of Krapp´s Last Tape, I will refer to three of their productions: Adonde van los muertos (Lado A) (Where deadmen go, Side A); Retrocedida Krapp (Reversing/Rewinding Krapp) and finally Réquiem: La última cinta del grupo Krapp (Requiem: The last tape of the group Krapp). This last production, premiered in ... Other/Unknown Material Islandia RID-UnRN - Repositorio Institucional Digital Universidad Nacional de Río Negro Alicia ENVELOPE(-63.483,-63.483,-64.833,-64.833) Argentina |
institution |
Open Polar |
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RID-UnRN - Repositorio Institucional Digital Universidad Nacional de Río Negro |
op_collection_id |
ftunivnrionegro |
language |
English |
topic |
Humanidades Krapp´s Last Tape Post-dictatorship theater Argentina Archives Grupo Krapp Luis Biasotto |
spellingShingle |
Humanidades Krapp´s Last Tape Post-dictatorship theater Argentina Archives Grupo Krapp Luis Biasotto Nudler, Alicia Clara Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina |
topic_facet |
Humanidades Krapp´s Last Tape Post-dictatorship theater Argentina Archives Grupo Krapp Luis Biasotto |
description |
Fil: Nudler, Alicia Clara. Universidad Nacional de Río Negro. Río Negro, Argentina. Paper presentado en el Samuel Beckett Working Group en la Conferencia Anual de la International Federation of Theater Research en Reykjavic, Islandia, junio 2022. This paper will address Beckett´s 1958 play Krapp´s Last Tape, seeing it in the context of post-dictatorship theatre in Argentina. Critics discuss the significance of the long period in theatre following the end of the last dictatorship (1976-1983), up to the present. In wider terms this period is marked by the redefinition of the country as it struggles with the consequences of violent and oppressive right-wing rule. Argentinian theatre has worked in many different ways to process this historic horror, and to deal with the past in terms both of memory and absence. Critic Dubatti states that in this country the dead dwell in the consciousness of post-dictatorship spectators, and theatre and other artistic forms take it as their task to invoke them. In this work, I will look at specific stagings of Beckett´s Krapp´s Last Tape (1986, 2000 and 2016) in Argentina under this light. I argue that various themes in the play serve as powerful metaphors for the social, political and judicial processes taking place in the country in relation to the years of the state repression. These include the vital role of archives -like the archive of memories Krapp keeps- in negotiating presence and absence, marking the mutability of identity and the long-term effects of trauma, mourning and loss. Delving deeper into Argentinian theatre, I will refer to a performance company, formed in 1998, that named itself after Beckett´s character, Grupo Krapp. Looking at this group as a resonance of Krapp´s Last Tape, I will refer to three of their productions: Adonde van los muertos (Lado A) (Where deadmen go, Side A); Retrocedida Krapp (Reversing/Rewinding Krapp) and finally Réquiem: La última cinta del grupo Krapp (Requiem: The last tape of the group Krapp). This last production, premiered in ... |
author |
Nudler, Alicia Clara |
author_facet |
Nudler, Alicia Clara |
author_sort |
Nudler, Alicia Clara |
title |
Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina |
title_short |
Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina |
title_full |
Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina |
title_fullStr |
Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina |
title_full_unstemmed |
Unspooling from the Center: Krapp´s Last Tape and Post-Dictatorship Argentina |
title_sort |
unspooling from the center: krapp´s last tape and post-dictatorship argentina |
publishDate |
2022 |
url |
http://rid.unrn.edu.ar/handle/20.500.12049/8925 https://hdl.handle.net/20.500.12049/8925 |
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ENVELOPE(-63.483,-63.483,-64.833,-64.833) |
geographic |
Alicia Argentina |
geographic_facet |
Alicia Argentina |
genre |
Islandia |
genre_facet |
Islandia |
op_relation |
https://iftr.org/conference IFTR World Congress. Shifting Centers: In the middle of nowhere http://rid.unrn.edu.ar/handle/20.500.12049/8925 |
op_rights |
info:eu-repo/semantics/openAccess https://creativecommons.org/licenses/by-nc-sa/4.0/ |
op_rightsnorm |
CC-BY-NC-SA |
op_doi |
https://doi.org/20.500.12049/8925 |
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1766047928259969024 |