Planning Future Ruins

Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic...

Full description

Bibliographic Details
Main Author: Lanone, Catherine
Format: Article in Journal/Newspaper
Language:English
Published: Università degli studi di Napoli "L’Orientale" 2021
Subjects:
Online Access:http://www.serena.unina.it/index.php/anglistica-aion/article/view/8535
https://doi.org/10.6093/2035-8504/8535
id ftunivnapoliojs:oai:serena.unina.it:article/8535
record_format openpolar
spelling ftunivnapoliojs:oai:serena.unina.it:article/8535 2023-10-29T02:39:01+01:00 Planning Future Ruins Lanone, Catherine 2021-11-19 application/pdf http://www.serena.unina.it/index.php/anglistica-aion/article/view/8535 https://doi.org/10.6093/2035-8504/8535 eng eng Università degli studi di Napoli "L’Orientale" http://www.serena.unina.it/index.php/anglistica-aion/article/view/8535/9230 http://www.serena.unina.it/index.php/anglistica-aion/article/view/8535 doi:10.6093/2035-8504/8535 Copyright (c) 2021 Anglistica AION: An Interdisciplinary Journal Anglistica AION: An Intersciplinary Journal; Vol 19 No 2 (2015): Wastelands: Eco-narratives in Contemporary Cultures in English; 81-90 Anglistica AION: An Interdisciplinary Journal; V. 19 N. 2 (2015): Wastelands: Eco-narratives in Contemporary Cultures in English; 81-90 2035-8504 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Articolo Peer-reviewed 2021 ftunivnapoliojs https://doi.org/10.6093/2035-8504/8535 2023-10-05T08:39:48Z Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent. Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent. Article in Journal/Newspaper Northwest passage SeReNa (System for electronic peer-Reviewed journals @ university of Naples)
institution Open Polar
collection SeReNa (System for electronic peer-Reviewed journals @ university of Naples)
op_collection_id ftunivnapoliojs
language English
description Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent. Going against the grain of Olympic celebrations, Iain Sinclair warned against the disastrous consequences of the Grand Project in Ghost Milk. Instead of the promised regeneration, he could only foresee waste, contamination and the erasure of local culture, while predicting that the brand new Olympic superstructure would soon turn into ruins. Sinclair documents the legacy of a lost place, mourning the annihilation of sheds and familiar haunts. Sinclair engages with modern art, pitting Kapoor against Gormley, to demystify the Olympic epic. He maps the failure of other significant grand projects and former Olympic parks, using psychogeographic drift and the motif of the Northwest Passage, to articulate dissent.
format Article in Journal/Newspaper
author Lanone, Catherine
spellingShingle Lanone, Catherine
Planning Future Ruins
author_facet Lanone, Catherine
author_sort Lanone, Catherine
title Planning Future Ruins
title_short Planning Future Ruins
title_full Planning Future Ruins
title_fullStr Planning Future Ruins
title_full_unstemmed Planning Future Ruins
title_sort planning future ruins
publisher Università degli studi di Napoli "L’Orientale"
publishDate 2021
url http://www.serena.unina.it/index.php/anglistica-aion/article/view/8535
https://doi.org/10.6093/2035-8504/8535
genre Northwest passage
genre_facet Northwest passage
op_source Anglistica AION: An Intersciplinary Journal; Vol 19 No 2 (2015): Wastelands: Eco-narratives in Contemporary Cultures in English; 81-90
Anglistica AION: An Interdisciplinary Journal; V. 19 N. 2 (2015): Wastelands: Eco-narratives in Contemporary Cultures in English; 81-90
2035-8504
op_relation http://www.serena.unina.it/index.php/anglistica-aion/article/view/8535/9230
http://www.serena.unina.it/index.php/anglistica-aion/article/view/8535
doi:10.6093/2035-8504/8535
op_rights Copyright (c) 2021 Anglistica AION: An Interdisciplinary Journal
op_doi https://doi.org/10.6093/2035-8504/8535
_version_ 1781065544639709184