Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki
Zao Wou-Ki (1921-2013) is a Chinese painter with a universal reputation. Because of the conventionalism of art in China, he decided to settle in Paris. It is known that there he started thanks to the art of Cézanne and Klee, Zao begins to sublimate the Chinese tradition: the sign and the qui, as his...
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ftunivmurciaojs:oai:revistas.um.es:article/480261 2023-05-15T18:32:46+02:00 Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki Yamada, Satoru 2022-02-02 application/pdf https://revistas.um.es/imafronte/article/view/480261 https://doi.org/10.6018/imafronte.480261 spa spa Ediciones de la Universidad de Murcia (Editum) https://revistas.um.es/imafronte/article/view/480261/319771 https://revistas.um.es/imafronte/article/view/480261 doi:10.6018/imafronte.480261 Derechos de autor 2022 Imafronte Imafronte; No. 29 (2022); 1-15 Imafronte; Núm. 29 (2022); 1-15 1989-4562 0213-392X Zao Wou-Ki Henri Michaux Soulages Vieira da Silva info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2022 ftunivmurciaojs https://doi.org/10.6018/imafronte.480261 2022-04-18T05:38:50Z Zao Wou-Ki (1921-2013) is a Chinese painter with a universal reputation. Because of the conventionalism of art in China, he decided to settle in Paris. It is known that there he started thanks to the art of Cézanne and Klee, Zao begins to sublimate the Chinese tradition: the sign and the qui, as his style in his work, but I guess there is something more. When he arrived in Paris, Zao gets to meet many emerging artists who leave their mark on the History of Art. They must be the pointers of the artistic path. They also contributed to him to recover his root in his art through collaboration, but there is not much research, for the reason I address it. The fact that Zao worked to dedicate the works to numerous poets after the collaboration with Henri Michaux reminds me of the Chinese aesthetic "coincidence between poem and painting". I analyze his collaborations with poets to investigate such a concept in his art. Another part to develop the qui, the Chinese pictorial space, I consider that Zao took the spark from Pierre Solaces. Soulages shared the idea of space and light with Zao, so I analyze his dialogues. Zao Wou-Ki (1921-2013) es un pintor chino reconocido internacionalmente. Intentando alejarse del convencionalismo del arte en China, decidió instalarse en París. Pero allí, después de conocer la obra de Paul Cézanne y Paul Klee, Zao empieza a reconciliarse la tradición china: el signo y el qui, como estilo de su obra, pero hay algo más. Cuando llegó a París, Zao consiguió conocer a muchos artistas emergentes que dejarían huella en la Historia de Arte que van a ser los precursores de su camino artístico. Ellos contribuyeron en la recuperación de sus raíces. Sobre ello, no hay una investigación profunda, y es por lo que la abordo. El hecho de que Zao trabajara con numerosos poetas tras la colaboración con Henri Michaux me recuerda la estética china “coincidencia entre el poema y la pintura”. Me voy a centrar en su colaboración con los poetas para investigar su arte por esta circunstancia. De otra parte, estudiaré el qui, espacio pictórico chino, porque considero que Zao cogió la chispa de Pierre Soulages. Soulages compartía la idea del espacio y la luz con Zao, por eso analizaré los diálogos del pintor francés. Article in Journal/Newspaper The Pointers Revistas Científicas de la Universidad de Murcia París ENVELOPE(-70.500,-70.500,-68.833,-68.833) Imafronte 29 1 15 |
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Revistas Científicas de la Universidad de Murcia |
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ftunivmurciaojs |
language |
Spanish |
topic |
Zao Wou-Ki Henri Michaux Soulages Vieira da Silva |
spellingShingle |
Zao Wou-Ki Henri Michaux Soulages Vieira da Silva Yamada, Satoru Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki |
topic_facet |
Zao Wou-Ki Henri Michaux Soulages Vieira da Silva |
description |
Zao Wou-Ki (1921-2013) is a Chinese painter with a universal reputation. Because of the conventionalism of art in China, he decided to settle in Paris. It is known that there he started thanks to the art of Cézanne and Klee, Zao begins to sublimate the Chinese tradition: the sign and the qui, as his style in his work, but I guess there is something more. When he arrived in Paris, Zao gets to meet many emerging artists who leave their mark on the History of Art. They must be the pointers of the artistic path. They also contributed to him to recover his root in his art through collaboration, but there is not much research, for the reason I address it. The fact that Zao worked to dedicate the works to numerous poets after the collaboration with Henri Michaux reminds me of the Chinese aesthetic "coincidence between poem and painting". I analyze his collaborations with poets to investigate such a concept in his art. Another part to develop the qui, the Chinese pictorial space, I consider that Zao took the spark from Pierre Solaces. Soulages shared the idea of space and light with Zao, so I analyze his dialogues. Zao Wou-Ki (1921-2013) es un pintor chino reconocido internacionalmente. Intentando alejarse del convencionalismo del arte en China, decidió instalarse en París. Pero allí, después de conocer la obra de Paul Cézanne y Paul Klee, Zao empieza a reconciliarse la tradición china: el signo y el qui, como estilo de su obra, pero hay algo más. Cuando llegó a París, Zao consiguió conocer a muchos artistas emergentes que dejarían huella en la Historia de Arte que van a ser los precursores de su camino artístico. Ellos contribuyeron en la recuperación de sus raíces. Sobre ello, no hay una investigación profunda, y es por lo que la abordo. El hecho de que Zao trabajara con numerosos poetas tras la colaboración con Henri Michaux me recuerda la estética china “coincidencia entre el poema y la pintura”. Me voy a centrar en su colaboración con los poetas para investigar su arte por esta circunstancia. De otra parte, estudiaré el qui, espacio pictórico chino, porque considero que Zao cogió la chispa de Pierre Soulages. Soulages compartía la idea del espacio y la luz con Zao, por eso analizaré los diálogos del pintor francés. |
format |
Article in Journal/Newspaper |
author |
Yamada, Satoru |
author_facet |
Yamada, Satoru |
author_sort |
Yamada, Satoru |
title |
Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki |
title_short |
Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki |
title_full |
Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki |
title_fullStr |
Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki |
title_full_unstemmed |
Soulages, Michaux, Malraux y Vieira da Silva, amigos e inspiradores de Zao Wou-Ki |
title_sort |
soulages, michaux, malraux y vieira da silva, amigos e inspiradores de zao wou-ki |
publisher |
Ediciones de la Universidad de Murcia (Editum) |
publishDate |
2022 |
url |
https://revistas.um.es/imafronte/article/view/480261 https://doi.org/10.6018/imafronte.480261 |
long_lat |
ENVELOPE(-70.500,-70.500,-68.833,-68.833) |
geographic |
París |
geographic_facet |
París |
genre |
The Pointers |
genre_facet |
The Pointers |
op_source |
Imafronte; No. 29 (2022); 1-15 Imafronte; Núm. 29 (2022); 1-15 1989-4562 0213-392X |
op_relation |
https://revistas.um.es/imafronte/article/view/480261/319771 https://revistas.um.es/imafronte/article/view/480261 doi:10.6018/imafronte.480261 |
op_rights |
Derechos de autor 2022 Imafronte |
op_doi |
https://doi.org/10.6018/imafronte.480261 |
container_title |
Imafronte |
container_issue |
29 |
container_start_page |
1 |
op_container_end_page |
15 |
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1766216937436610560 |