Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata
Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique ca...
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ftunivmilriv:oai:ojs.riviste.unimi.it:article/14922 2023-05-15T16:16:15+02:00 Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata Sacco, Daniela 2020-12-31 application/pdf https://riviste.unimi.it/index.php/itinera/article/view/14922 https://doi.org/10.13130/2039-9251/14922 ita ita Università degli Studi di Milano https://riviste.unimi.it/index.php/itinera/article/view/14922/13816 https://riviste.unimi.it/index.php/itinera/article/view/14922 doi:10.13130/2039-9251/14922 Copyright (c) 2020 Itinera Itinera; N. 20 (2020): Tra musica e filosofia. In dialogo con Azio Corghi Itinera; No. 20 (2020): Between Music and Philosophy. In talk with Azio Corghi. 2039-9251 cultural appropriation aesthetics theatre First Nations Robert Lepage and Ariadne Mnouchkine Quebec Canada info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2020 ftunivmilriv https://doi.org/10.13130/2039-9251/14922 2022-02-21T07:09:37Z Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique case study shedding light on that phenomenon and causing us to rethink some long-standing principles of aesthetics. Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique case study shedding light on that phenomenon and causing us to rethink some long-standing principles of aesthetics. Article in Journal/Newspaper First Nations University of Milan: Riviste UNIMI Canada |
institution |
Open Polar |
collection |
University of Milan: Riviste UNIMI |
op_collection_id |
ftunivmilriv |
language |
Italian |
topic |
cultural appropriation aesthetics theatre First Nations Robert Lepage and Ariadne Mnouchkine Quebec Canada |
spellingShingle |
cultural appropriation aesthetics theatre First Nations Robert Lepage and Ariadne Mnouchkine Quebec Canada Sacco, Daniela Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
topic_facet |
cultural appropriation aesthetics theatre First Nations Robert Lepage and Ariadne Mnouchkine Quebec Canada |
description |
Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique case study shedding light on that phenomenon and causing us to rethink some long-standing principles of aesthetics. Observing the phenomenon of cultural appropriation in a case of theatre: Kanata the controversial spectacle by the Québecois Robert Lepage raises issues of aesthetics. The specific cultural, political and social context, together with the singularity of theatre as an art form, makes this a unique case study shedding light on that phenomenon and causing us to rethink some long-standing principles of aesthetics. |
format |
Article in Journal/Newspaper |
author |
Sacco, Daniela |
author_facet |
Sacco, Daniela |
author_sort |
Sacco, Daniela |
title |
Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_short |
Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_full |
Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_fullStr |
Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_full_unstemmed |
Cultural appropriation and theatre. Rethinking aesthetics, starting with the case of Robert Lepage’s Kanata |
title_sort |
cultural appropriation and theatre. rethinking aesthetics, starting with the case of robert lepage’s kanata |
publisher |
Università degli Studi di Milano |
publishDate |
2020 |
url |
https://riviste.unimi.it/index.php/itinera/article/view/14922 https://doi.org/10.13130/2039-9251/14922 |
geographic |
Canada |
geographic_facet |
Canada |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
Itinera; N. 20 (2020): Tra musica e filosofia. In dialogo con Azio Corghi Itinera; No. 20 (2020): Between Music and Philosophy. In talk with Azio Corghi. 2039-9251 |
op_relation |
https://riviste.unimi.it/index.php/itinera/article/view/14922/13816 https://riviste.unimi.it/index.php/itinera/article/view/14922 doi:10.13130/2039-9251/14922 |
op_rights |
Copyright (c) 2020 Itinera |
op_doi |
https://doi.org/10.13130/2039-9251/14922 |
_version_ |
1766002100014153728 |