Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum
This article focuses on the set up, reception, and social scientific discursive fields that have informed two exhibitions about Sámi culture curated over time by Tromsø University Museum. They were curated in two different periods in the recent history of the Sami (end of 1990s and 2013–15). In our...
Published in: | Nordisk Museologi |
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Format: | Article in Journal/Newspaper |
Language: | English |
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University of Oslo, Department of Culture Studies and Oriental Languages
2019
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Online Access: | https://hdl.handle.net/10281/402223 https://doi.org/10.5617/nm.7742 |
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ftunivmilanobic:oai:boa.unimib.it:10281/402223 2023-12-31T10:22:41+01:00 Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum Ragazzi, R Nerici, G Ragazzi, R Nerici, G 2019 ELETTRONICO https://hdl.handle.net/10281/402223 https://doi.org/10.5617/nm.7742 eng eng University of Oslo, Department of Culture Studies and Oriental Languages country:NO volume:27 issue:3 firstpage:134 lastpage:151 numberofpages:18 journal:NORDISK MUSEOLOGI https://hdl.handle.net/10281/402223 doi:10.5617/nm.7742 Sápmi Samekulturen Sápmi – Becoming a Nation Critical Museology Sámi Stories Tromsø University Museum Ø. Vorren H. Eidheim Cultural Belonging Indigenous info:eu-repo/semantics/article 2019 ftunivmilanobic https://doi.org/10.5617/nm.7742 2023-12-05T23:13:58Z This article focuses on the set up, reception, and social scientific discursive fields that have informed two exhibitions about Sámi culture curated over time by Tromsø University Museum. They were curated in two different periods in the recent history of the Sami (end of 1990s and 2013–15). In our anthropologicallyinformed analysis we take a second look at the way in which researchers and curators have constructed, performed, and narrated certain aspects of Sámi material and immaterial heritage, in times of change and political awareness. The recent exhibitions have contributed to articulate essential issues concerning ethnic identity and cultural belonging in conversation with or critique towards the previous representation of Sámi ethnography at the museum, especially the renown Sámekulturen curated by Ørnulf Vorren. How did these exhibitions handle the representations in which Sámi people would mirror their history, identity and aesthetics? How did they speak on behalf of the Sámi but also in conversation with the Sámi? How were these presentations interpreted over time in a changing museological practice? Article in Journal/Newspaper sami sami Sámi Tromsø Università degli Studi di Milano-Bicocca: BOA (Bicocca Open Archive) Nordisk Museologi 27 3 134 151 |
institution |
Open Polar |
collection |
Università degli Studi di Milano-Bicocca: BOA (Bicocca Open Archive) |
op_collection_id |
ftunivmilanobic |
language |
English |
topic |
Sápmi Samekulturen Sápmi – Becoming a Nation Critical Museology Sámi Stories Tromsø University Museum Ø. Vorren H. Eidheim Cultural Belonging Indigenous |
spellingShingle |
Sápmi Samekulturen Sápmi – Becoming a Nation Critical Museology Sámi Stories Tromsø University Museum Ø. Vorren H. Eidheim Cultural Belonging Indigenous Ragazzi, R Nerici, G Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum |
topic_facet |
Sápmi Samekulturen Sápmi – Becoming a Nation Critical Museology Sámi Stories Tromsø University Museum Ø. Vorren H. Eidheim Cultural Belonging Indigenous |
description |
This article focuses on the set up, reception, and social scientific discursive fields that have informed two exhibitions about Sámi culture curated over time by Tromsø University Museum. They were curated in two different periods in the recent history of the Sami (end of 1990s and 2013–15). In our anthropologicallyinformed analysis we take a second look at the way in which researchers and curators have constructed, performed, and narrated certain aspects of Sámi material and immaterial heritage, in times of change and political awareness. The recent exhibitions have contributed to articulate essential issues concerning ethnic identity and cultural belonging in conversation with or critique towards the previous representation of Sámi ethnography at the museum, especially the renown Sámekulturen curated by Ørnulf Vorren. How did these exhibitions handle the representations in which Sámi people would mirror their history, identity and aesthetics? How did they speak on behalf of the Sámi but also in conversation with the Sámi? How were these presentations interpreted over time in a changing museological practice? |
author2 |
Ragazzi, R Nerici, G |
format |
Article in Journal/Newspaper |
author |
Ragazzi, R Nerici, G |
author_facet |
Ragazzi, R Nerici, G |
author_sort |
Ragazzi, R |
title |
Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum |
title_short |
Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum |
title_full |
Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum |
title_fullStr |
Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum |
title_full_unstemmed |
Discourses, Practices and Performances in Sámi Museology at Tromsø University Museum |
title_sort |
discourses, practices and performances in sámi museology at tromsø university museum |
publisher |
University of Oslo, Department of Culture Studies and Oriental Languages |
publishDate |
2019 |
url |
https://hdl.handle.net/10281/402223 https://doi.org/10.5617/nm.7742 |
genre |
sami sami Sámi Tromsø |
genre_facet |
sami sami Sámi Tromsø |
op_relation |
volume:27 issue:3 firstpage:134 lastpage:151 numberofpages:18 journal:NORDISK MUSEOLOGI https://hdl.handle.net/10281/402223 doi:10.5617/nm.7742 |
op_doi |
https://doi.org/10.5617/nm.7742 |
container_title |
Nordisk Museologi |
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27 |
container_issue |
3 |
container_start_page |
134 |
op_container_end_page |
151 |
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1786833898660954112 |