Ireland in the Musical Imagination of Third Republic France
This chapter will examine images of Ireland as evoked in the music of the Third Republic in France with particular focus on the 1924 production of Henri Rabaud’s L’Appel de la mer, addressing its libretto, score, and reception history. The musical adaptation of any literary text will always result i...
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ftunivmaynooth:oai:mural.maynoothuniversity.ie:7770 2023-05-15T17:33:47+02:00 Ireland in the Musical Imagination of Third Republic France Watson, Laura 2015 text https://mural.maynoothuniversity.ie/7770/ https://mural.maynoothuniversity.ie/7770/1/LW-Ireland-2015.pdf en eng Peter Lang https://mural.maynoothuniversity.ie/7770/1/LW-Ireland-2015.pdf Watson, Laura (2015) Ireland in the Musical Imagination of Third Republic France. In: France and Ireland: Notes and Narratives. Reimagining Ireland (66). Peter Lang, Bern, pp. 91-110. ISBN 9783034319140 Book Section PeerReviewed 2015 ftunivmaynooth 2022-06-13T18:44:57Z This chapter will examine images of Ireland as evoked in the music of the Third Republic in France with particular focus on the 1924 production of Henri Rabaud’s L’Appel de la mer, addressing its libretto, score, and reception history. The musical adaptation of any literary text will always result in some transformation of the original material but when Rabaud (1873-1949) decided to set John Millington Synge’s Riders to the Sea as a one-act opera, he strove to retain its authentic local colour, natural dialogue, and references to islander rituals, all the while writing with the Opéra-Comique audience in mind. ‘They’re all gone now, and there isn’t anything more the sea can do to me’, laments Maurya towards the end of Synge’s one-act play about a widow from the Aran Islands who loses her husband and each of her six sons to the surrounding North Atlantic ocean. The isolated island, its people, and traditions comprise Maurya’s entire world, one so self-contained and alienated that even the west coast of Ireland seems impossibly distant. How, then, did a 1903 drama about the grinding daily hardship of a tiny fishing village find its way to the cosmopolitan setting of a Parisian opera house in 1924? Book Part North Atlantic Maynooth University ePrints and eTheses Archive (National University of Ireland) |
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Open Polar |
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Maynooth University ePrints and eTheses Archive (National University of Ireland) |
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ftunivmaynooth |
language |
English |
description |
This chapter will examine images of Ireland as evoked in the music of the Third Republic in France with particular focus on the 1924 production of Henri Rabaud’s L’Appel de la mer, addressing its libretto, score, and reception history. The musical adaptation of any literary text will always result in some transformation of the original material but when Rabaud (1873-1949) decided to set John Millington Synge’s Riders to the Sea as a one-act opera, he strove to retain its authentic local colour, natural dialogue, and references to islander rituals, all the while writing with the Opéra-Comique audience in mind. ‘They’re all gone now, and there isn’t anything more the sea can do to me’, laments Maurya towards the end of Synge’s one-act play about a widow from the Aran Islands who loses her husband and each of her six sons to the surrounding North Atlantic ocean. The isolated island, its people, and traditions comprise Maurya’s entire world, one so self-contained and alienated that even the west coast of Ireland seems impossibly distant. How, then, did a 1903 drama about the grinding daily hardship of a tiny fishing village find its way to the cosmopolitan setting of a Parisian opera house in 1924? |
format |
Book Part |
author |
Watson, Laura |
spellingShingle |
Watson, Laura Ireland in the Musical Imagination of Third Republic France |
author_facet |
Watson, Laura |
author_sort |
Watson, Laura |
title |
Ireland in the Musical Imagination of Third Republic France |
title_short |
Ireland in the Musical Imagination of Third Republic France |
title_full |
Ireland in the Musical Imagination of Third Republic France |
title_fullStr |
Ireland in the Musical Imagination of Third Republic France |
title_full_unstemmed |
Ireland in the Musical Imagination of Third Republic France |
title_sort |
ireland in the musical imagination of third republic france |
publisher |
Peter Lang |
publishDate |
2015 |
url |
https://mural.maynoothuniversity.ie/7770/ https://mural.maynoothuniversity.ie/7770/1/LW-Ireland-2015.pdf |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_relation |
https://mural.maynoothuniversity.ie/7770/1/LW-Ireland-2015.pdf Watson, Laura (2015) Ireland in the Musical Imagination of Third Republic France. In: France and Ireland: Notes and Narratives. Reimagining Ireland (66). Peter Lang, Bern, pp. 91-110. ISBN 9783034319140 |
_version_ |
1766132408174772224 |